My latest Locus column is “Be the First One to Not Do Something that No One Else Has Ever Not Thought of Doing Before,” and it’s about science fiction’s addiction to certain harmful fallacies, like the idea that you can sideline the actual capabilities and constraints of computers in order to advance the plot of a thriller.
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The CBC asked me to write an editorial for their package about Canadian identity and politics, timed with the 150th anniversary of the founding of the settler state on indigenous lands. They’ve assigned several writers to expand on themes in the Canadian national anthem, and my line was “We stand on guard for thee.”
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My latest Guardian column is Technology is making the world more unequal. Only technology can fix this; in it, I argue that surveillance and control technology allow ruling elites to hold onto power despite the destabilizing effects of their bad decisions — but that technology also allows people to form dissident groups and protect them from intrusive states.
Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds is a new MIT Press book commemorating the bicentennial of the publication of Mary Shelley’s seminal novel “Frankenstein; or, The Modern Prometheus.”
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Two weeks ago, the excellent Crooked Timbre groupblog kicked off a symposium on my novel Walkaway, inviting ten scholars, practitioners, activists and thinkers to weigh in on the novel with thoughtful, sometimes sharply critical essays.
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I have a column in today’s International Business Times: Unchecked Surveillance Technology Is Leading Us Towards Totalitarianism, where I discuss this week’s NYPL event with Edward Snowden and how mass surveillance connects to the themes in my novel Walkaway.
My latest Locus Magazine column is Weaponized Narrative, about the pulp fiction convention of mashing up “man against nature” stories with “man against man” stories to tell “man against nature stories” (first the tornado smashes your house, then your neighbors come over to eat you).
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My new novel Walkaway (US tour/UK tour) is set in a world that is being torn apart by out-of-control wealth inequality, but not everyone thinks that inequality is what destabilizes the world — there’s a kind of free-market belief that says the problem is really poverty, not inequality, and that the same forces that make the rich richer also lift poor people out of misery, delivering the sanitation, mass food production, communications tools and other innovations that rescues poor people from privation.
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I’ve got an editorial in this month’s Wired magazine about the relationship between the science fiction stories we read and our real-world responses to disasters: Disasters Don’t Have to End in Dystopias; it’s occasioned by the upcoming publication of my “optimistic disaster novel” Walkaway (pre-order signed copies: US/UK; read excerpts: Chapter 1, Chapter 2; US/Canada tour schedule).
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My latest Publishers Weekly column announces the launch-date for my long-planned “Shut Up and Take My Money” ebook platform, which allows traditionally published authors to serve as retailers for their publishers, selling their ebooks direct to their fans and pocketing the 30% that Amazon would usually take, as well as the 25% the publisher gives back to them later in royalties.
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