The Canadian Broadcasting Coporation’s annual Canada Reads prize is one of Canada’s top literary prizes, ranking with the Governor General’s prize for prestige and reach; it begins early in January with the announcement of a longlist of 15 recommended books, and then these are whittled down to a shortlist of five books later in the month. Over the months that follow, each of the shortlisted books is championed by a Canadian celebrity in a series of events across the country, with the grand prize winner being announced in late March after a televised debate among the five books’ “champions.” more
Well this is pretty great! Radicalized, my book of four novellas, is one of the CBC’s picks for best Canadian fiction of 2019. It’s in pretty outstanding company, too, including Margaret Atwood’s The Testaments.
I’ve been a Charles de Lint fan since I was a kid (see photographic evidence, above, of a 13-year-old me attending one of Charles’s signings at Bakka Books in 1984!), and so I was absolutely delighted to read his kind words in his books column in Fantasy and Science Fiction for my latest book, Radicalized. This book has received a lot of critical acclaim (“among my favorite things I’ve read so far this year”), but to get such a positive notice from Charles is wonderful on a whole different level. more
I was incredibly gratified and excited to read Paul Di Filippo’s Locus review of my latest book, Radicalized; Di Filippo is a superb writer, one of the original, Mirrorshades cyberpunks, and he is a superb and insightful literary critic, so when I read his superlative-laden review of my book today, it was an absolute thrill (I haven’t been this excited about a review since Bruce Sterling reviewed Walkaway). more
Today’s dystopian fiction seems to be closer to reality than the dystopian fiction of the past. Brooke and Grant explore this new reality with Cory Doctorow, whose socially conscientious science fiction novels delve into topics of political consequence. From the ways in which anxieties fuel science fiction writers to how fiction has the power to change the way we think and operate in the world, today’s episode emphasizes the importance of dystopian fiction for its capacity to shed light on what is true, and what might happen, ideally, as Cory suggests, so that we might fix things before it’s too late.
Naked Captalism is one of my favorite sites, both for its radical political commentary and the vigorous discussions that follow from it; now, John Siman has posted a review of my latest book, Radicalized, which collects four intensely political science fiction stories about our present day and near future. more
This Saturday, May 18, I’ll be appearing at the Nebula Awards Conference, at the Marriott Warner Center in Woodland Hills: I’ll be participating in the 1:30PM mass signing in the Grand Ballroom and then I’ll be on the “Megatrends for the Near Future” panel at 4PM in A/B Salon. more
The tagline of Cory Doctorow’s latest release is “dystopia is now.” In four novellas, the Canadian ex-pat ably covers a broad swath of pressing social concerns ranging from police racism to affordable American health care through an only slightly science-fictional lens.
No prior volume has so perfectly encapsulated who Doctorow is or what he thinks we should be worrying about as this one does. In the past, a new reader might have had to read lots of long essays about Makerspaces and net neutrality and the Digital Millennium Copyright Act on his website to get the whole picture.
But now, the answer to the question of where to start with Doctorow can be answered with “right here.”
Previous novels Little Brother and Homeland were like instruction manuals for millennial and generation Z activists, written in the shadow of George W. Bush’s war on terror and the 2008 financial crisis, respectively. They represented moments in time when government curtailment of civil liberties and economic oppression by corporate interests seemed to demand a response.
But that response — a particular brand of socialist and technogeek activism that blends community organizing with internet crowd-sourcing — is even better encapsulated in Unauthorized Bread, in which a young newcomer to the United States risks everything to bust open the operating system of her smart toaster so that she, and an entire building full of refugees, can actually afford to eat.