/ / Articles, Down and Out In the Magic Kingdom, News

My latest Locus column, Wealth Inequality Is Even Worse in Reputation Economies, explains the ways in which “reputation” makes a poor form of currency — in a nutshell, reputation doesn’t fulfill most of the roles we expect from currency (store of value, unit of exchange, unit of account), and it is literally a popularity contest where the rich always get richer.

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As I mentioned in my March Locus column, I’m celebrating the tenth anniversary of Down and Out in the Magic Kingdom by planning a prequel volume. As part of that planning, I’m going to read aloud the entire text of that first book into the podcast, making notes on the book as I go. Here’s part two.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

/ / Down and Out In the Magic Kingdom, News

As I mentioned in my March Locus column, I’m celebrating the tenth anniversary of Down and Out in the Magic Kingdom by planning a prequel volume. As part of that planning, I’m going to read aloud the entire text of that first book into the podcast, making notes on the book as I go. Here’s part one.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

/ / Articles, Down and Out In the Magic Kingdom, News, Podcast

Here’s a reading of my recent Locus column, Ten Years On, in which I reflect on my first decade as a novelist and discuss a possible further volume related to Down and Out in the Magic Kingdom, my first-ever novel:

I never thought I’d write a sequel. The allure of writing books has always been the experience of discovering and exploring a place and people that have been cooked up by my imagination. By the time I’ve squeezed the book out through my fingertips, I’m generally pretty sick of that place and those people, and frankly glad to be shut of them. But a sequel to Little Brother happened, and when it was done, I discovered that I’d thoroughly enjoyed it. It was like discovering that a whole gang of close friends I’d lost touch with after high-school had stayed tight, and were happy to welcome me back into their bosom. Thoroughly enjoyed it? It was amazing.

Back to February 2013. When my publisher told me that the book would come out on Feb 5, I immediately flashed back on Feb 3, 2003, ten years and two days before the publication of Homeland, when my first novel, Down and Out in the Magic Kingdom, was published. D&O was all kinds of firsts: the first novel I’d ever written, the first book of mine Tor ever published, and the first Creative Commons licensed novel – ever. It’s shocking to think that an entire decade has roared past in the interim, with 14 more books in print, and another two (Information Doesn’t Want to Be Free, a non-fiction book; and Anda’s Game, a full-length graphic novel from First Second) in the pipeline.

Realizing that I was a decade into my writing career literally staggered me. I missed a step while walking down the street and nearly fell over.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

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/ / Down and Out In the Magic Kingdom, News

Jennifer Hoffman’s written an interesting guide to Down and Out in the Magic Kingdom:

I first discovered this novel shortly after it’s release, when prowling my local library for books about Disney World. Along with the Unofficial Guide to Walt Disney World, it opened up the possibility of thinking critically about Disney Parks, taking them seriously as works of art and culture, and approaching them as implementations of virtual reality and games theory. These books also let me know that hipsters and members of Mensa were kicking back in the parks, loving the attractions as much as I do. That enjoying the Parks and taking them seriously don’t have to be mutually exclusive.