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The Phillip Medhurst Picture Torah 397. The Israelites collect manna. Exodus cap 16 v 14. Luyken and son.

This week on my podcast, I read my latest Locus column, “Social Quitting, about the enshittification lifecycle of social media platforms.


But as Facebook and Twitter cemented their dominance, they steadily changed their services to capture more and more of the value that their users generated for them. At first, the companies shifted value from users to advertisers: engaging in more surveillance to enable finer-grained targeting and offering more intrusive forms of advertising that would fetch high prices from advertisers.

This enshittification was made possible by high switch­ing costs. The vast communities who’d been brought in by network effects were so valuable that users couldn’t afford to quit, because that would mean giving up on important personal, professional, commercial, and romantic ties. And just to make sure that users didn’t sneak away, Facebook aggressively litigated against upstarts that made it possible to stay in touch with your friends without using its services. Twitter consistently whittled away at its API support, neuter­ing it in ways that made it harder and harder to leave Twitter without giving up the value it gave you.

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On Friday, hundreds of us gathered at the Internet Archive, at the invitation of Creative Commons, to celebrate the Grand Re-Opening of the Public Domain, just weeks after the first works entered the American public domain in twenty years.
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Here’s the fourth and final part of my reading (MP3) of Petard (part one, part two, part three), a story from MIT Tech Review’s Twelve Tomorrows, edited by Bruce Sterling; a story inspired by, and dedicated to, Aaron Swartz — about elves, Net Neutrality, dorms and the collective action problem.

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Here’s the third part of my reading (MP3) of Petard (part one, part two), a story from MIT Tech Review’s Twelve Tomorrows, edited by Bruce Sterling; a story inspired by, and dedicated to, Aaron Swartz — about elves, Net Neutrality, dorms and the collective action problem.

MP3

/ / News, Podcast

Here’s the first part of my reading (MP3) of Petard, a story from MIT Tech Review’s Twelve Tomorrows, edited by Bruce Sterling; a story inspired by, and dedicated to, Aaron Swartz — about elves, Net Neutrality, dorms and the collective action problem.
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Here’s the eighth and final part of my reading (MP3) (part seven, part six, part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.

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Here’s part seven of my reading (MP3) (part six, part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.

MP3

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Here’s part six of my reading (MP3) (part five, part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.

MP3

/ / News, Podcast


Here’s part five of my reading (MP3) (part four, part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.

MP3

/ / News, Podcast


Here’s part three of my reading (MP3) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.

MP3