My new novel Walkaway (US tour/UK tour) is set in a world that is being torn apart by out-of-control wealth inequality, but not everyone thinks that inequality is what destabilizes the world — there’s a kind of free-market belief that says the problem is really poverty, not inequality, and that the same forces that make the rich richer also lift poor people out of misery, delivering the sanitation, mass food production, communications tools and other innovations that rescues poor people from privation.
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I’ve got an editorial in this month’s Wired magazine about the relationship between the science fiction stories we read and our real-world responses to disasters: Disasters Don’t Have to End in Dystopias; it’s occasioned by the upcoming publication of my “optimistic disaster novel” Walkaway (pre-order signed copies: US/UK; read excerpts: Chapter 1, Chapter 2; US/Canada tour schedule).
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My latest Publishers Weekly column announces the launch-date for my long-planned “Shut Up and Take My Money” ebook platform, which allows traditionally published authors to serve as retailers for their publishers, selling their ebooks direct to their fans and pocketing the 30% that Amazon would usually take, as well as the 25% the publisher gives back to them later in royalties.
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My latest Locus column is “Fill Your Boots,” in which I talk about how scientists, sf writers, economists and environmental activists have wrestled with the question of abundance — how the “green left” transformed left wing politics from the promise of every peasant living like a lord to the promise of every lord living like a peasant.
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My new Locus column is “It’s Time to Short Surveillance and Go Long on Freedom,” which starts by observing that Barack Obama’s legacy includes a beautifully operationalized, professional and terrifying surveillance apparatus, which Donald Trump inherits as he assumes office and makes ready to make good on his promise to deport millions of Americans and place Muslims under continuous surveillance.
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Mr Robot is the most successful example of a small but fast-growing genre of “techno-realist” media, where the focus is on realistic portrayals of hackers, information security, surveillance and privacy, and it represents a huge reversal on the usual portrayal of hackers and computers as convenient plot elements whose details can be finessed to meet the story’s demands, without regard to reality.
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In the 18th century, William Blackstone wrote the seminal “Commentaries on the Laws of England,” which contained one of the foundational definitions of property: “that sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe.”
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Last month, I filed comments with the Federal Trade Commission on behalf of Electronic Frontier Foundation, 22 of EFF’s supporters, and a diverse coalition of rightsholders, public interest groups, and retailers, documenting the ways that ordinary Americans come to harm when they buy products without realizing that these goods have been encumbered with DRM, and asking the FTC to investigate fair labeling for products that come with sneaky technological shackles.
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In my latest Locus column, The Privacy Wars Are About to Get A Whole Lot Worse, I describe the history of the privacy wars to date, and the way that the fiction of “notice and consent” has provided cover for a reckless, deadly form of viral surveillance capitalism.
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The Electronic Frontier Foundation has just filed a lawsuit that challenges the Constitutionality of Section 1201 of the DMCA, the “Digital Rights Management” provision of the law, a notoriously overbroad law that bans activities that bypass or weaken copyright access-control systems, including reconfiguring software-enabled devices (making sure your IoT light-socket will accept third-party lightbulbs; tapping into diagnostic info in your car or tractor to allow an independent party to repair it) and reporting security vulnerabilities in these devices.
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