Yesterday, I left the Black Rock Desert after Burning Man and my phone came to life and informed me that my novel Walkaway had been awarded DragonCon’s Dragon Award for Best Apocalyptic Novel!
Yesterday, I left the Black Rock Desert after Burning Man and my phone came to life and informed me that my novel Walkaway had been awarded DragonCon’s Dragon Award for Best Apocalyptic Novel!
I wrote the novella Party Discipline while I was on my grueling US/Canada/UK tour for my novel Walkaway, last spring. Today, Tor.com publishes the tale, in which two seniors at Burbank High confront their uncertain future by planning a “Communist party” in which they take over a defunct factory and start it up again, a tangible, dangerous, playful reminder that material abundance is here, it’s just not evenly distributed.
My Walkaway book-tour is basically over, but I’m taking a little victory lap tonight at my local library, the Buena Vista Branch of the Burbank Public Library. Hope to see you there!
Dragon Con’s Dragon Award ballot was just published and I’m delighted to learn that my novel Walkaway is a finalist in the “Best Apocalyptic Novel” category, along with Daniel Humphreys’ A Place Outside the Wild, Omar El Akkad’s American War, Declan Finn and Allan Yoskowitz’s Codename: Unsub, N.K. Jemisin’s The Obelisk Gate, Rick Heinz’s The Seventh Age: Dawn, and J.F. Holmes’s ZK: Falling.
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I’m on the latest episode of Innovation Hub (MP3):
Science-fiction is a genre that imagines the future. It doesn’t necessarily predict the future (after all, where are flying cars?), but it grapples with the technological and societal changes happening today to better understand our world and where it’s heading.
So, what does it mean when so much of our most popular science-fiction – The Handmaid’s Tale, The Walking Dead, and The Hunger Games – present bleak, depressing futures? Cory Doctorow might just have an answer. He’s a blogger, writer, activist, and author of the new book Walkaway, an optimistic disaster novel.
Three Takeaways
* Doctorow thinks that science-fiction can give people “ideas for what to do if the future turns out in different ways.” Like how William Gibson’s Neuromancer didn’t just predict the internet, it predicted the intermingling of corporations and the state.
* When you have story after story about how people turn on each other after disaster, Doctorow believes it gives us the largely false impression that people act like jerks in crises. When in fact, people usually rise to the occasion.
* With Walkaway, his “optimistic” disaster novel, Doctorow wanted to present a new narrative about resolving differences between people who are mostly on the same side.
There are three more stops on my tour for Walkaway: tomorrow at San Diego Comic-Con, next weekend at Defcon 25 in Las Vegas, and August 10th at the Burbank Public Library.
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Walkaway is my first novel for adults since 2009 and I had extremely high hopes (and not a little anxiety) for it as it entered the world, back in April. Since then, I’ve been gratified by the kind words of many of my literary heroes, from William Gibson to Bruce Sterling to the kind cover quotes from Edward Snowden, Neal Stephenson and Kim Stanley Robinson.
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I’m teaching the Clarion Science Fiction writing workshop at UCSD in La Jolla this week, and tomorrow night at 7PM, I’ll be reading from my novel Walkaway at Comickaze Liberty Station, 2750 Historic Decatur Rd #101, San Diego, CA 92106. Hope to see you!
Of all the press-stops I did on my tour for my novel Walkaway, I was most excited about my discussion with Katherine Mangu-Ward, editor-in-chief of Reason Magazine, where I knew I would have a challenging and meaty conversation with someone who was fully conversant with the political, technological and social questions the book raised.
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My latest Locus column is “Be the First One to Not Do Something that No One Else Has Ever Not Thought of Doing Before,” and it’s about science fiction’s addiction to certain harmful fallacies, like the idea that you can sideline the actual capabilities and constraints of computers in order to advance the plot of a thriller.
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