Following the publication of its editorial board’s long-list of the best science fiction of 2017, science fiction publishing trade-journal Locus now invites its readers to vote for their favorites in the annual Locus Award. I’m honored to have won this award in the past, and doubly honored to see my novel Walkaway on the short list, and in very excellent company indeed.
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Here’s part four of my reading (MP3) (part three, part two, part one) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
I’m about to embark on a tour of Australia and New Zealand to support my novel Walkaway, with stops in Perth, Melbourne, Sydney, Adelaide, and Wellington! I really hope you’ll come out and say hello!
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If you were a voting member of the World Science Fiction Convention in 2017, or are registered as a voting member for the upcoming conventions in 2018 or 2019, you are eligible to nominate for the Hugo Awards; the Locus List is a great way to jog your memory about your favorite works from last year — and may I humbly remind you that my novel Walkaway is eligible for your nomination?
Every year, Locus Magazine’s panel of editors reviews the entire field of science fiction and fantasy and produces its Recommended Reading List; the 2017 list is now out, and I’m proud to say that it features my novel Walkaway, in excellent company with dozens of other works I enjoyed in the past year.
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Here’s part three of my reading (MP3) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
I’m appearing at UCSD on February 9, with a talk called “Scarcity, Abundance and the Finite Planet: Nothing Exceeds Like Excess,” in which I’ll discuss the potentials for scarcity and abundance — and bright-green vs austere-green futurism — drawing on my novels Walkaway, Makers and Down and Out in the Magic Kingdom.
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“The Internet’s broken and that’s bad news, because everything we do today involves the Internet and everything we’ll do tomorrow will require it. But governments and corporations see the net, variously, as a perfect surveillance tool, a perfect pornography distribution tool, or a perfect video on demand tool—not as the nervous system of the 21st century. Time’s running out. Architecture is politics. The changes we’re making to the net today will prefigure the future our children and their children will thrive in—or suffer under.”
—Cory Doctorow
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Here’s part two of my reading (MP3) of The Man Who Sold the Moon, my award-winning novella first published in 2015’s Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer. It’s my Burning Man/maker/first days of a better nation story and was a kind of practice run for my 2017 novel Walkaway.
In my latest Locus column, “Persuasion, Adaptation, and the Arms Race for Your Attention,” I suggest that we might be too worried about the seemingly unstoppable power of opinion-manipulators and their new social media superweapons.
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