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Here’s Wil Wheaton reading “Communist Party,” the opening chapter of “Walkaway,” my first novel for adults since 2009’s “Makers.” Wil is joined on the independently produced audiobook by Amber Benson (Buffy the Vampire Slayer), Amanda Palmer (The Dresden Dolls), Mirron Willis, Gabrielle de Cuir, Lisa Renee Pitts and Justine Eyre. It was directed by Gabrielle de Cuir for Skyboat Media and mastered by John Taylor Williams for Wryneck Studios. You can buy the 15-hour DRM-free audiobook for $24.95 at my shop, or wherever DRM-free audiobooks are sold.

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Last month, Melbourne’s Deakin University published Car Wars, a short story I wrote to inspire thinking and discussion about the engineering ethics questions in self-driving car design, moving beyond the trite and largely irrelevant trolley problem.
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Kirby Ferguson, who created the remarkable Everything is a Remix series, has a new podcast hosted by the Recreate Coalition called Copy This and he hosted me on the debut episode (MP3) where we talked about copying, creativity, artists, and the future of the internet (as you might expect!).
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I did an interview with the Changelog podcast (MP3) about my upcoming talk at the O’Reilly Open Source conference in London, explaining how it is that the free and open web became so closed and unfree, but free and open software stayed so very free, and came to dominate the software landscape.

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On this just-released episode of the O’Reilly Radar podcast (MP3), I talk about EFF’s lawsuit against the US government to invalidate Section 1201 of the DMCA, which will make it legal to break DRM in order to fix security vulnerabilities in the Internet of Things devices that, today, are almost invariable insecure, and are also designed to be as privacy-invading as possible (to create “monetizable” data-streams) — a brutal combo.
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