I sat down for an interview with the RiYL podcast (MP3) at NYCC last fall. We covered a lot of material that I don’t get a lot of chances to talk about, particularly the relationship between personal politics and big-P politics. Listening to it again, I’m very satisfied with how it turned out.
It’s that time again! School is out, but I’m still working, so the kid came to the office with me, just in time to record a new podcast. This year, Poesy performs a stirring rendition of Jingle Bells, with dirty words!
I’ve posted the first chapter (MP3) of Wil Wheaton’s reading of my book Information Doesn’t Want to Be Free (which sports introductions by Neil Gaiman and Amanda Palmer!), which is available as a $15 DRM-free audiobook, sweetened by samples from Amanda Palmer and Dresden Dolls’ “Coin-Operated Boy.”
In sharply argued, fast-moving chapters, Cory Doctorow’s Information Doesn’t Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today — about how the old models have failed or found new footing, and about what might soon replace them.
An essential read for anyone with a stake in the future of the arts, Information Doesn’t Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next.
Radio New Zealand National’s This Way Up recorded this interview with me, which airs tomorrow (Saturday), about my book Information Doesn’t Want to Be Free (MP3).
I just appeared on the Command Line podcast (MP3) to talk about Information Doesn’t Want to Be Free — Thomas and I really had a wide-ranging and excellent conversation:
In this episode, I interview Cory Doctorow about his latest book, “Information Doesn’t Want to be Free: Laws for the Internet Age.” If you are interested in learning more about the topics we discuss and that that book covers, you can also check out books by the scholars we mention: Lawrence Lessig, James Boyle and William Patry. I compared Cory’s book to “The Indie Band Survival Guide” the authors of which are friends of the show whom I have also interviewed.
The audiobook version of the book is already available. Check Cory’s site, the free download and electronic editions should be available soon.
I’ve independently produced an audiobook edition of my nonfiction book Information Doesn’t Want to Be Free: Laws for the Internet Age, paying Wil Wheaton to narrate it (he did such a great job on the Homeland audiobook, with a mixdown by the wonderful John Taylor Williams, and bed-music from Amanda Palmer and Dresden Dolls.
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Information Doesn’t Want to Be Free, read by Wil Wheaton and Neil Gaiman
With introductions by Neil Gaiman and Amanda Palmer.
This new edition, released December 5, 2016, features Neil Gaiman reading his own introduction!
In sharply argued, fast-moving chapters, Cory Doctorow’s Information Doesn’t Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today — about how the old models have failed or found new footing, and about what might soon replace them.
An essential read for anyone with a stake in the future of the arts, Information Doesn’t Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next.
Here’s a scene from Citizenfour, Laura Poitras’s acclaimed documentary on Edward Snowden, showing Snowden packing his bags to leave Hong Kong, showing the book on his nightstand: my novel Homeland.
I literally could not be more proud than I am right now. Thanks to Poitras and her helper, Maria, for this clip.
I appear in the latest edition of the Writing Excuses podcast (MP3), recorded live at Westercon in Salt Lake City last summer, with Mary Robinette Kowal, Brandon Sanderson, Dan Wells and Howard Tayler, talking about why we care about characters.
James Scot Brodie is a teacher at Presidio Middle School in San Francisco, where Jen Wang and I spoke last month on our tour for In Real Life; prior to my arriving, he assigned my book Little Brother to his students, and produced some curricular materials that he’s generously given to me to publish.
Little Brother Portfolio | Little Brother Acronym Challenge | Little Brother Biography project
He writes,
I was thrilled when the librarian announced that Cory Doctorow was going to make an appearance at our school. As an English teacher, aspiring writer, and complete nerd — I find author visits a nice perk to the job. The students too, like to get out of the classroom whenever they can and author visits are a rare treat. I’ve been teaching for about five years and I’ve met two authors. It then dawned on me that we seldom read the books of the authors that come to visit our school. Mainly because our closets are filled with tons of dead people. Maybe five percent of our class sets are from the living, although Mr. Gomez somehow scored 40 copies of The Fault In Our Stars (he must know someone).
Nevertheless, it was early September and Doctorow was set to visit on October 16. I was determined to have my students read the book, but we only had ten copies from a box on loan from the public library. Now, Doctorow is super generous with his stuff and offers a lot of material to educators and students for free via his website, so I figured I would tap into this and download the book. At the same time I didn’t want to print up 102 copies for my 3 English classes. That would take forever, cost a lot, and kill too many trees. So, long story short, this is what I did: I purchased the audio book, and two copies of the text. I read the book, making “marginal” and underlining vocabulary words, slowly sculpting it into a “teacher’s edition.” I also came up with questions for each chapter. Most the questions are simple guided questions (who, what, when, where and why), but I also made sure that each chapter has a question where the students can relate the reading to their own lives — these inquiries were also great springboards for interesting classroom discussions. I printed up these sheets and students completed them as we listened to the audio book. This is where the second book comes into play – I used the unmarked version of the text to display on the white board at the front of the class via my ELMO projector for all the class to see. I was surprised at how huge I could get the book — it was roughly four feet by six feet and I didn’t know this but the little orange button on the left is for focusing (a student pointed this out to me). I’ll have to say it was one of the most positive reading experiences I’ve ever had with a class. It may be psychological but the minute I projected the book on the board and hit the play button on the audio book — students were enthralled as if watching a movie. Of course it may also have something to do with Mr. Doctorow’s book — there is a lot in there that the modern day teenager can relate to.
The entire unit took about six weeks. Students gathered all their vocabulary/question sheets into a portfolio. I purchased card stock and brass fasteners for students to make covers for these portfolios (which they decorated themselves) and this turned out to be a great boon for students that couldn’t afford to purchase their own copies of the book, because when the big day came — Doctorow autographed copies for his admirers. And this is how the lesson plan ended up here, Cory signed a few, thought they were cool and offered to post them. There are a couple of other activities that I’ve thrown in, but the above is the real meat and potatoes. Use them as you like, put your own personal spin on them and hopefully it will save you some time.
James Scot Brodie
English Teacher
SFUSD