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The latest Humble Ebook Bundle has added four new titles: Alan Moore and Eddie Campbell’s From Hell, the From Hell Companion (review), Too Cool to Be Forgotten (review); and my audiobook for Lawful Interception, the sequel to Little Brother and Homeland. They join a stellar lineup of other comics, novels and ebooks with work by Neil Gaiman, George RR Martin, Ed Piskor, Nate Powell, Paolo Bacigalupi, Tobias Buckell and Terry Goodkind.

Name your price for them — all DRM free, and you can contribute to charity when you buy!

Humble Ebook Bundle

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Here’s a reading (MP3) of a my latest Locus column, How to Talk to Your Children About Mass Surveillance, in which I describe the way that I’ve explained the Snowden affair to my six-year-old:

So I explained to my daughter that there was a man who was a spy, who discovered that the spies he worked for were breaking the law and spying on everyone, capturing all their e-mails and texts and video-chats and web-clicks. My daughter has figured out how to use a laptop, phone, or tablet to peck out a message to her grandparents (autocomplete and spell-check actually make typing into an educational experience for kids, who can choose their words from drop-down lists that get better as they key in letters); she’s also used to videoconferencing with relatives around the world. So when I told her that the spies were spying on everything, she had some context for it.

Right away, we were off to the races. ‘‘How can they listen to everyone at once?’’ ‘‘How can they read all those messages?’’ ‘‘How many spies are there?’’ I told her about submarine fiber-optic taps, prismatic beam-splitters, and mass databases. Again, she had a surprising amount of context for this, having encountered digital devices whose capacity was full – as when we couldn’t load more videos onto a tablet – and whose capacities could be expanded with additional storage.

Then I talked about not reading everything in realtime, and using text-search to pick potentially significant messages out of the stream. When I explained the spies were looking for ‘‘bad words’’ in the flow, she wanted to know if I meant swear words (she’s very interested in this subject). No, I said, I mean words like ‘‘bank robbery’’ (we haven’t really talked about terrorism yet – maybe next time

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3

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Once again, it’s time for the Clarion Writers Workshop writeathon – we need writers and sponsors to help fund the Clarion Workshop, the respected, long-running science fiction writers’ bootcamp. A writeathon is just what is sounds like: a fundraiser where writers ask their friends to sponsor their writing. I’m writing 1,000 words a day, five days a week, on UTOPIA (working tile), a novel for adults: you can sponsor me here. (Disclosure: I’m proud to volunteer as a board member for the 501(c)3 nonprofit Clarion Foundation)

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Note: This is a fixed version of this week’s podcast; I accidentally uploaded an older podcast under this headline.

Here’s a reading (MP3) of a my latest Guardian column, Firefox’s adoption of closed-source DRM breaks my heart, a close analysis of the terrible news that Mozilla has opted to add closed source DRM to its flagship Firefox browser:

The decision to produce systems that treat internet users as untrusted adversaries to be controlled by their computers was clearly taken out of a sense of desperation and inevitability.

It’s clear that Mozilla plans to do everything it can to mitigate the harms from its DRM strategy and to attempt to reverse the trend that brought it to this pass.

Like many of Mozilla’s longtime supporters, I hold it to a high standard. It is not a for-profit. It’s a social enterprise with a mission to empower and free its users.

I understand that Apple, Microsoft and Google are for-profit entities that have demonstrated repeatedly that their profitability trumps their customers’ rights, and I fault them for this. But it’s not unreasonable to hold mission-driven nonprofits to a higher standard than their commercial counterparts.

Mozilla says it’s doing everything it can to reduce the harm from what it sees as an inevitable decision. As a Mozilla supporter, contributor and user, I want it to do more.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3

/ / News, Podcast

Here’s a reading (MP3) of a my latest Guardian column, Firefox’s adoption of closed-source DRM breaks my heart, a close analysis of the terrible news that Mozilla has opted to add closed source DRM to its flagship Firefox browser:

The decision to produce systems that treat internet users as untrusted adversaries to be controlled by their computers was clearly taken out of a sense of desperation and inevitability.

It’s clear that Mozilla plans to do everything it can to mitigate the harms from its DRM strategy and to attempt to reverse the trend that brought it to this pass.

Like many of Mozilla’s longtime supporters, I hold it to a high standard. It is not a for-profit. It’s a social enterprise with a mission to empower and free its users.

I understand that Apple, Microsoft and Google are for-profit entities that have demonstrated repeatedly that their profitability trumps their customers’ rights, and I fault them for this. But it’s not unreasonable to hold mission-driven nonprofits to a higher standard than their commercial counterparts.

Mozilla says it’s doing everything it can to reduce the harm from what it sees as an inevitable decision. As a Mozilla supporter, contributor and user, I want it to do more.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3

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I’m delighted to announced that I’ll be the guest of honor at Salt Lake City’s Westercon 67 this July — Westercon being the annual convention for science fiction fandom west of the Mississippi. There’s quite a fantastic roster of other guests as well! See you 44 days in SLC!

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For months, I’ve been following the story that the Mozilla project was set to add closed source Digital Rights Management technology to its free/open browser Firefox, and today they’ve made the announcement, which I’ve covered in depth for The Guardian. Mozilla made the decision out of fear that the organization would haemorrhage users and become irrelevant if it couldn’t support Netflix, Hulu, BBC iPlayer, Amazon Video, and other services that only work in browsers that treat their users as untrustable adversaries.

They’ve gone to great — even unprecedented — lengths to minimize the ways in which this DRM can attack Firefox users. But I think there’s more that they can, and should, do. I also am skeptical of their claim that it was DRM or irrelevance, though I think they were sincere in making it. I think they hate that it’s come to this and that no one there is happy about it.

I could not be more heartsick at this turn of events.

We need to turn the tide on DRM, because there is no place in post-Snowden, post-Heartbleed world for technology that tries to hide things from its owners. DRM has special protection under the law that makes it a crime to tell people if there are flaws in their DRM-locked systems — so every DRM system is potentially a reservoir of long-lived vulnerabilities that can be exploited by identity thieves, spies, and voyeurs.

It’s clear that Mozilla isn’t happy about this turn of events, and in our conversations, people there characterised it as something they’d been driven to by the entertainment companies and the complicity of the commercial browser vendors, who have enthusiastically sold out their users’ integrity and security.

Mitchell Baker, the executive chairwoman of the Mozilla Foundation and Mozilla Corporation, told me that “this is not a happy day for the web” and “it’s not in line with the values that we’re trying to build. This does not match our value set.”

But both she and Gal were adamant that they felt that they had no choice but to add DRM if they were going to continue Mozilla’s overall mission of keeping the web free and open.

I am sceptical about this claim. I don’t doubt that it’s sincerely made, but I found the case for it weak. When I pressed Gal for evidence that without Netflix Firefox users would switch away, he cited the huge volume of internet traffic generated by Netflix streams.

There’s no question that Netflix video and other video streams account for an appreciable slice of the internet’s overall traffic. But video streams are also the bulkiest files to transfer. That video streams use a lot of bytes isn’t a surprise.

When a charitable nonprofit like Mozilla makes a shift as substantial as this one – installing closed-source software designed to treat computer users as untrusted adversaries – you’d expect there to be a data-driven research story behind it, meticulously documenting the proposition that without DRM irrelevance is inevitable. The large number of bytes being shifted by Netflix is a poor proxy for that detailed picture.

There are other ways in which Mozilla’s DRM is better for user freedom than its commercial competitors’. While the commercial browsers’ DRM assigns unique identifiers to users that can be used to spy on viewing habits across multiple video providers and sessions, the Mozilla DRM uses different identifiers for different services.

Firefox’s adoption of closed-source DRM breaks my heart

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Here’s a reading (MP3) of a my recent Guardian column, Why it is not possible to regulate robots, which discusses where and how robots can be regulated, and whether there is any sensible ground for “robot law” as distinct from “computer law.”

One thing that is glaringly absent from both the Heinleinian and Asimovian brain is the idea of software as an immaterial, infinitely reproducible nugget at the core of the system. Here, in the second decade of the 21st century, it seems to me that the most important fact about a robot – whether it is self-aware or merely autonomous – is the operating system, configuration, and code running on it.

If you accept that robots are just machines – no different in principle from sewing machines, cars, or shotguns – and that the thing that makes them “robot” is the software that runs on a general-purpose computer that controls them, then all the legislative and regulatory and normative problems of robots start to become a subset of the problems of networks and computers.

If you’re a regular reader, you’ll know that I believe two things about computers: first, that they are the most significant functional element of most modern artifacts, from cars to houses to hearing aids; and second, that we have dramatically failed to come to grips with this fact. We keep talking about whether 3D printers should be “allowed” to print guns, or whether computers should be “allowed” to make infringing copies, or whether your iPhone should be “allowed” to run software that Apple hasn’t approved and put in its App Store.

Practically speaking, though, these all amount to the same question: how do we keep computers from executing certain instructions, even if the people who own those computers want to execute them? And the practical answer is, we can’t.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3