I was on American Public Media’s Marketplace yesterday talking (MP3) about our posting of a rarer-than-rare Disney treasure, the never-before-seen original prospectus for Disneyland, scanned before it was sold to noted jerkface Glenn Beck, who has squirreled it away in his private Scrooge McDuck vault.
Note: This is a fixed version of this week’s podcast; I accidentally uploaded an older podcast under this headline.
Here’s a reading (MP3) of a my latest Guardian column, Firefox’s adoption of closed-source DRM breaks my heart, a close analysis of the terrible news that Mozilla has opted to add closed source DRM to its flagship Firefox browser:
The decision to produce systems that treat internet users as untrusted adversaries to be controlled by their computers was clearly taken out of a sense of desperation and inevitability.
It’s clear that Mozilla plans to do everything it can to mitigate the harms from its DRM strategy and to attempt to reverse the trend that brought it to this pass.
Like many of Mozilla’s longtime supporters, I hold it to a high standard. It is not a for-profit. It’s a social enterprise with a mission to empower and free its users.
I understand that Apple, Microsoft and Google are for-profit entities that have demonstrated repeatedly that their profitability trumps their customers’ rights, and I fault them for this. But it’s not unreasonable to hold mission-driven nonprofits to a higher standard than their commercial counterparts.
Mozilla says it’s doing everything it can to reduce the harm from what it sees as an inevitable decision. As a Mozilla supporter, contributor and user, I want it to do more.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
Here’s a reading (MP3) of a my latest Guardian column, Firefox’s adoption of closed-source DRM breaks my heart, a close analysis of the terrible news that Mozilla has opted to add closed source DRM to its flagship Firefox browser:
The decision to produce systems that treat internet users as untrusted adversaries to be controlled by their computers was clearly taken out of a sense of desperation and inevitability.
It’s clear that Mozilla plans to do everything it can to mitigate the harms from its DRM strategy and to attempt to reverse the trend that brought it to this pass.
Like many of Mozilla’s longtime supporters, I hold it to a high standard. It is not a for-profit. It’s a social enterprise with a mission to empower and free its users.
I understand that Apple, Microsoft and Google are for-profit entities that have demonstrated repeatedly that their profitability trumps their customers’ rights, and I fault them for this. But it’s not unreasonable to hold mission-driven nonprofits to a higher standard than their commercial counterparts.
Mozilla says it’s doing everything it can to reduce the harm from what it sees as an inevitable decision. As a Mozilla supporter, contributor and user, I want it to do more.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
I’m delighted to announced that I’ll be the guest of honor at Salt Lake City’s Westercon 67 this July — Westercon being the annual convention for science fiction fandom west of the Mississippi. There’s quite a fantastic roster of other guests as well! See you 44 days in SLC!
Haruka Tsubota has undertaken a Japanese fan-translation of my novel Makers. It’s available as Epub and Mobi, and licensed CC-BY-NC-SA.
For months, I’ve been following the story that the Mozilla project was set to add closed source Digital Rights Management technology to its free/open browser Firefox, and today they’ve made the announcement, which I’ve covered in depth for The Guardian. Mozilla made the decision out of fear that the organization would haemorrhage users and become irrelevant if it couldn’t support Netflix, Hulu, BBC iPlayer, Amazon Video, and other services that only work in browsers that treat their users as untrustable adversaries.
They’ve gone to great — even unprecedented — lengths to minimize the ways in which this DRM can attack Firefox users. But I think there’s more that they can, and should, do. I also am skeptical of their claim that it was DRM or irrelevance, though I think they were sincere in making it. I think they hate that it’s come to this and that no one there is happy about it.
I could not be more heartsick at this turn of events.
We need to turn the tide on DRM, because there is no place in post-Snowden, post-Heartbleed world for technology that tries to hide things from its owners. DRM has special protection under the law that makes it a crime to tell people if there are flaws in their DRM-locked systems — so every DRM system is potentially a reservoir of long-lived vulnerabilities that can be exploited by identity thieves, spies, and voyeurs.
It’s clear that Mozilla isn’t happy about this turn of events, and in our conversations, people there characterised it as something they’d been driven to by the entertainment companies and the complicity of the commercial browser vendors, who have enthusiastically sold out their users’ integrity and security.
Mitchell Baker, the executive chairwoman of the Mozilla Foundation and Mozilla Corporation, told me that “this is not a happy day for the web” and “it’s not in line with the values that we’re trying to build. This does not match our value set.”
But both she and Gal were adamant that they felt that they had no choice but to add DRM if they were going to continue Mozilla’s overall mission of keeping the web free and open.
I am sceptical about this claim. I don’t doubt that it’s sincerely made, but I found the case for it weak. When I pressed Gal for evidence that without Netflix Firefox users would switch away, he cited the huge volume of internet traffic generated by Netflix streams.
There’s no question that Netflix video and other video streams account for an appreciable slice of the internet’s overall traffic. But video streams are also the bulkiest files to transfer. That video streams use a lot of bytes isn’t a surprise.
When a charitable nonprofit like Mozilla makes a shift as substantial as this one – installing closed-source software designed to treat computer users as untrusted adversaries – you’d expect there to be a data-driven research story behind it, meticulously documenting the proposition that without DRM irrelevance is inevitable. The large number of bytes being shifted by Netflix is a poor proxy for that detailed picture.
There are other ways in which Mozilla’s DRM is better for user freedom than its commercial competitors’. While the commercial browsers’ DRM assigns unique identifiers to users that can be used to spy on viewing habits across multiple video providers and sessions, the Mozilla DRM uses different identifiers for different services.
Here’s a reading (MP3) of a my recent Guardian column, Why it is not possible to regulate robots, which discusses where and how robots can be regulated, and whether there is any sensible ground for “robot law” as distinct from “computer law.”
One thing that is glaringly absent from both the Heinleinian and Asimovian brain is the idea of software as an immaterial, infinitely reproducible nugget at the core of the system. Here, in the second decade of the 21st century, it seems to me that the most important fact about a robot – whether it is self-aware or merely autonomous – is the operating system, configuration, and code running on it.
If you accept that robots are just machines – no different in principle from sewing machines, cars, or shotguns – and that the thing that makes them “robot” is the software that runs on a general-purpose computer that controls them, then all the legislative and regulatory and normative problems of robots start to become a subset of the problems of networks and computers.
If you’re a regular reader, you’ll know that I believe two things about computers: first, that they are the most significant functional element of most modern artifacts, from cars to houses to hearing aids; and second, that we have dramatically failed to come to grips with this fact. We keep talking about whether 3D printers should be “allowed” to print guns, or whether computers should be “allowed” to make infringing copies, or whether your iPhone should be “allowed” to run software that Apple hasn’t approved and put in its App Store.
Practically speaking, though, these all amount to the same question: how do we keep computers from executing certain instructions, even if the people who own those computers want to execute them? And the practical answer is, we can’t.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
In my latest Guardian column, ‘Cybersecurity’ begins with integrity, not surveillance, I try to make sense of the argument against surveillance. Is mass surveillance bad because it doesn’t catch “bad guys” or because it is immoral? There’s a parallel to torture — even if you can find places where torture would work to get you some useful information, it would still be immoral. Likewise, I’ve come to realize that the “it doesn’t work” argument isn’t one that I want to support anymore, because even if mass surveillance did work, it would still be bad.
One thing that parenting has taught me is that surveillance and experimentation are hard to reconcile. My daughter is learning, and learning often consists of making mistakes constructively. There are times when she is working right at the limits of her abilities – drawing or dancing or writing or singing or building – and she catches me watching her and gets this look of mingled embarrassment and exasperation, and then she changes back to some task where she has more mastery. No one – not even a small child – likes to look foolish in front of other people.
Putting whole populations – the whole human species – under continuous, total surveillance is a profoundly immoral act, no matter whether it works or not. There no longer is a meaningful distinction between the digital world and the physical world. Your public transit rides, your love notes, your working notes and your letters home from your journeys are now part of the global mesh of electronic communications. The inability to live and love, to experiment and err, without oversight, is wrong because it’s wrong, not because it doesn’t catch bad guys.
Everyone from Orwell to Trotsky recognised that control over information means control over society. On the eve of the November Revolution, Trotsky ordered the Red Guard to seize control over the post and telegraph offices. I mentioned this to Jacob Appelbaum, who also works on many spy-resistant information security tools, like Tor (The Onion Router, a privacy and anonymity tool for browsing the web), and he said, “A revolutionary act today is making sure that no one can ever seize control over the network.”
The finalists for the 2014 Locus Awards have been announced and I’m incredibly honored to see that my novel Homeland made the final five in the Young Adult category. The competition in that category is remarkably good company: Zombie Baseball Beatdown by Paolo Bacigalupi; Holly Black’s Coldest Girl in Coldtown, Cat Valente’s The Girl Who Soared Over Fairyland and Cut the Moon in Two (part of her wonderful Fairyland series) and The Summer Prince by Alaya Dawn Johnson.
As always, the Locus list is a great guide to the best sf/f published in the previous year. On this year’s list are some books I really enjoyed (like Stross’s Neptune’s Brood) and others I’ve got in my high-priority to-be-read pile, like Gaiman’s The Ocean at the End of the Lane.
My sincere thanks to everyone who nominated Homeland for the prize; I couldn’t be more delighted!
In my latest Locus column, How to Talk to Your Children About Mass Surveillance, I tell the story of how I explained the Snowden leaks to my six-year-old, and the surprising interest and comprehension she showed during our talk and afterwards. Kids, it seems, intuitively understand what it’s like to be constantly monitored by unaccountable, self-appointed authority figures!
So I explained to my daughter that there was a man who was a spy, who discovered that the spies he worked for were breaking the law and spying on everyone, capturing all their e-mails and texts and video-chats and web-clicks. My daughter has figured out how to use a laptop, phone, or tablet to peck out a message to her grandparents (autocomplete and spell-check actually make typing into an educational experience for kids, who can choose their words from drop-down lists that get better as they key in letters); she’s also used to videoconferencing with relatives around the world. So when I told her that the spies were spying on everything, she had some context for it.
Right away, we were off to the races. ‘‘How can they listen to everyone at once?’’ ‘‘How can they read all those messages?’’ ‘‘How many spies are there?’’ I told her about submarine fiber-optic taps, prismatic beam-splitters, and mass databases. Again, she had a surprising amount of context for this, having encountered digital devices whose capacity was full – as when we couldn’t load more videos onto a tablet – and whose capacities could be expanded with additional storage.
