Socrates from the Singularity Weblog attended my University of Toronto iSchool talk (“A Little Bit Pregnant: Why it’s a Bad Idea to Regulate Computers the Way We Regulate Radios, Guns, Uranium and Other Special-Purpose Tools”) yesterday and was kind enough to record and podcast it with a great write up. Here’s the MP3, too!

This weekend, the University of Toronto’s Faculty for Information is bringing me to Toronto to give a keynote at its Boundaries, Frontiers and Gatekeepers conference. Admission is free for U of T iSchool students. For others, the keynote is $5 at the door, or the whole event is $7 for non-U-of-T-students and $10 for the general public. The keynote is on March 5, from 5-7PM.
While I’m in town, I’m also doing a reading and signing on March 6 with David Nickle and Karl Schroeder for Chiaroscuro, at Augusta House at 152 Augusta Ave. The event runs 8-11PM, and is free.
Keynote at iSchool Boundaries, Frontiers and Gatekeepers conference
March 5, 5-7PM
University of Toronto Earth Sciences Centre, Bancroft Avenue
Details: iSchool
Reading with Karl Schroeder and David Nickle
March 6, 8-11PM
Augusta House, 152 Augusta Avenue
Details: Chiaroscuro
My latest Locus column takes the form of a thought-experiment in which I try to make sense of how we treat creative work on behalf of a notional Martian:
It’s about this time that the Martian notices our distinctly contradictory relationship with copying. On the one hand, copying is inextricably tied up with this idea of ‘‘human progress’’ (itself the basis for venerating creativity). We copy the words invented by our ancestors. We copy the storytelling forms passed down to us by our literary forebears. Painters copy each others’ conventions and brushstrokes (not to mention mechanical techniques from gesso to frame-stretching). Filmmakers copy like crazy: everything from extreme wide shots to dollying in and out are techniques that were invented in living memory.That matters, O Martian. Because generally, we frown less upon a copy when it builds on the work of someone long dead – especially when that person is anonymous. Not knowing which ingenious proto-linguist thought up the idea of a pronoun, we couldn’t possibly credit that part of speech to her. At a certain point, we stop treating each others’ creations and special pseudo-property (with all the legal and normative implications imposed by such a respect, from attribution to permission) and we start treating it as infrastructure – belonging to no one and everyone.
Infrastructure matters. Infrastructure forms the links of the chain from which we swing – someone invents language, someone invents storytelling, someone invents writing, someone invents type, someone invents publishing, someone invents trade publishing, someone invents science fiction, someone invents first contact stories, someone invents magazine columns, and then, I create this article you’re reading now. If I had to invent my own language and alphabet and commercial publishing industry before you I could claim to have created anything, I’d never get anything done, and all the magazines would be full of blank pages because all the writers would be so busy inventing their own private creative words that the articles wouldn’t get written.
Cory Doctorow: Explaining Creativity to a Martian
(Image: Martian Face 2, a Creative Commons Attribution (2.0) image from 33942000@N00’s photostream)
I’m taking a hiatus from podcasting while I recuperate from hip surgery; instead, I’ll be posting a couple stories a week from the podcast edition of my DIY short story collection, With a Little Help. I hope you enjoy ’em — I love how these readings came out. You can buy the whole audio on CD in Ogg or MP3 form, buy it in one of four paperback editions, get a limited edition hardcover, donate a copy to a school or library, make a cash donation, and, of course, get the free ebook and free audio download.
This installment’s story is Epoch, read by Jesse Brown.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
My latest Guardian column, “Information overload? Time to relax then,” describes a technique for overcoming “information overload” by letting go of the idea that if you overlook something in your inbox, RSS reader, or other feed that it’ll disappear forever. The faster your feeds get, the more the good stuff gets repeated — trust the redundancy and embrace non-deterministic information consumption!
This was a real struggle at first. There is a world of difference between reading every word uttered in a community and reading just a few choice ones. But soon the anxiety gave way to contentment and even delight: it turned out that “overload” has a wonderful corollary: redundancy.Anything really worth seeing wouldn’t just appear once and vanish. The really interesting stuff would find its way into other discussions, and early conferencing systems made it easy enough to back my way through the forums I was ignoring or skimming to find the important thing I’d missed.
This pattern went on to repeat itself again and again. Once, I could read all the Usenet discussion groups my ISP carried, then only a selection, and then only one or two plus a longer list of groups I’d dip into now and again when time allowed.
Information overload? Time to relax then
(Image: Web 2.0 icons, a Creative Commons Attribution (2.0) image from zipckr’s photostream)
I’m taking a hiatus from podcasting while I recuperate from hip surgery; instead, I’ll be posting a couple stories a week from the podcast edition of my DIY short story collection, With a Little Help. I hope you enjoy ’em — I love how these readings came out. You can buy the whole audio on CD in Ogg or MP3 form, buy it in one of four paperback editions, get a limited edition hardcover, donate a copy to a school or library, make a cash donation, and, of course, get the free ebook and free audio download.
This installment’s story is Chicken Little, read by Emily Hurson.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
I’m taking a hiatus from podcasting while I recuperate from hip surgery; instead, I’ll be posting a couple stories a week from the podcast edition of my DIY short story collection, With a Little Help. I hope you enjoy ’em — I love how these readings came out. You can buy the whole audio on CD in Ogg or MP3 form, buy it in one of four paperback editions, get a limited edition hardcover, donate a copy to a school or library, make a cash donation, and, of course, get the free ebook and free audio download.
This installment’s story is Pester Power, read by Mary Robinette Kowal.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

Thanks to Ludwik Stawowy for sending along the cover for the Polish edition of Little Brother, AKA Maly Brat!






























