/ / Monthly Financials, With a Little Help

All time:
Income: $32,267.87
Outgo: $20,136.43
Net: $12,131.44


This reporting period:
Income: $22,267.87

  • Special editions: $14,298
  • Paperbacks: $466.69
  • CDs: $43.20
  • Donations (50 donors): $659.98
  • Columns: $6,800

Expenses: $13,723.43
Special editions: $9296.94

  • Paypal fees: $1,007.55
  • SD cards: $447.12
  • Boxes for special editions: $64.80
  • Shears for cutting packing material: $48
  • Special edition postage: $1362.27
  • Special edition printing and binding: $6367.20

All Editions: $4386.08

  • Review copy postage: $2624.00
  • Review copy boxes: $1762.08

Donations:$40.41

  • Paypal fees: $40.51

Sales:
Hardcovers: 61
Paperback (Leider cover): 31
Paperback (Rucker cover): 24
Paperback (Wu cover): 29
Paperback (Defendini cover): 64
MP3 CDs: 12
Ogg CDs: 5


Inventory:

  • 19 hardcovers
  • 70 review paperbacks
  • 70 review boxes
  • 70 review postages

Notes:

  • The current total reflects a large amount of on-hard inventory — More than $2,000 in stamps and boxes and more than $2,000 in hardcovers.
  • This reporting period saw a substantial ($4386) investment in review copies.

/ / News, With a Little Help

My latest Publishers Weekly column documenting my DIY short story collection With a Little Help has just gone up. It documents the first six weeks after publication — what went right and what went wrong. The good news is that I’m heavily in the black, thanks, in large part, to the limited edition hardcovers. The bad news is that the paperback sales have been really lacklustre — due to a too-high pricetag, lack of Amazon availability, and a paucity of reviews. Thankfully, these problems can be fixed — and as always, I’m letting future experimenters know how and where I went wrong so that they can avoid the pitfalls that caught me.


First, the good news: I’ve made a ton of money on the $275 limited edition. I’ve already sold more than 50, and I get a new order every day or two, without news or advertising. The recipients have been universally delighted with their purchases and the packaging. The combination of a cardboard book mailer, a section of burlap coffee sack, and acid-free tissue paper is a huge hit, with some customers even producing lavish “unboxing” YouTube videos and Flickr sets.

The typo-hunting project has also been a smash success. My readers have sent in 123 typos to date, about the same as I turned in for the second printing of my first story collection, which was proofed by my editor. With a Little Help was proofed by my mother, who routinely scores on par with professional proofers who do my novels. The number of reported typos has slowed to a tiny trickle, which tempts me to believe I may, in fact, perfect the text of this book, possibly a first in the history of publishing.

Now for the mistakes: first, the minor ones. I blithely assumed that I would spot all the errors without outside help, forgetting a key lesson I’d learned as a software developer. I was wrong. Turns out that I failed to notice that the e-mail addresses for reporting typos and requesting copies for libraries and schools were both malfunctioning. The former took less than a day to fix, but the latter took a month. I also failed to notice that my e-commerce system (the free WordPress eShop plug-in) was adding $15 shipping charges to orders of the hardcover. Thankfully, I noticed this about a day in, but I still had to send refunds to about 10 people who hadn’t noticed they’d been billed for $290 instead of $275.

I’m also unconvinced that having multiple covers was worth the effort. I love all four of the covers that I sourced for the book, but overwhelmingly my readers have chosen the Pablo Defendini cover, which incidentally is the only one without a real painting. What’s more, having four covers has geometrically multiplied the complexity of updating the text (to fix typos). Having done about 100 re-uploads of the source file to Lulu’s system—which is decidedly not optimized for editing your books several times a day—I’ve probably lost a good five hours to maintaining the separate editions. If I was starting over right now, I’d probably go with one cover, though I’d solicit several sketches and try them out on my Twitter followers to pick the best. But now that I have four covers I can’t see any reason to eliminate any of them.

With A Little Help: The Early Returns

/ / Podcast

I’m taking a hiatus from podcasting while I recuperate from hip surgery; instead, I’ll be posting a couple stories a week from the podcast edition of my DIY short story collection, With a Little Help. I hope you enjoy ’em — I love how these readings came out. You can buy the whole audio on CD in Ogg or MP3 form, buy it in one of four paperback editions, get a limited edition hardcover, donate a copy to a school or library, make a cash donation, and, of course, get the free ebook and free audio download.

This installment’s story is Constitutional Crisis, read by JC Hutchins.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

/ / News

My latest Publishers Weekly column documenting my DIY short story collection With a Little Help has just gone up. It documents the first six weeks after publication — what went right and what went wrong. The good news is that I’m heavily in the black, thanks, in large part, to the limited edition hardcovers. The bad news is that the paperback sales have been really lacklustre — due to a too-high pricetag, lack of Amazon availability, and a paucity of reviews. Thankfully, these problems can be fixed — and as always, I’m letting future experimenters know how and where I went wrong so that they can avoid the pitfalls that caught me.


First, the good news: I’ve made a ton of money on the $275 limited edition. I’ve already sold more than 50, and I get a new order every day or two, without news or advertising. The recipients have been universally delighted with their purchases and the packaging. The combination of a cardboard book mailer, a section of burlap coffee sack, and acid-free tissue paper is a huge hit, with some customers even producing lavish “unboxing” YouTube videos and Flickr sets.

The typo-hunting project has also been a smash success. My readers have sent in 123 typos to date, about the same as I turned in for the second printing of my first story collection, which was proofed by my editor. With a Little Help was proofed by my mother, who routinely scores on par with professional proofers who do my novels. The number of reported typos has slowed to a tiny trickle, which tempts me to believe I may, in fact, perfect the text of this book, possibly a first in the history of publishing.

Now for the mistakes: first, the minor ones. I blithely assumed that I would spot all the errors without outside help, forgetting a key lesson I’d learned as a software developer. I was wrong. Turns out that I failed to notice that the e-mail addresses for reporting typos and requesting copies for libraries and schools were both malfunctioning. The former took less than a day to fix, but the latter took a month. I also failed to notice that my e-commerce system (the free WordPress eShop plug-in) was adding $15 shipping charges to orders of the hardcover. Thankfully, I noticed this about a day in, but I still had to send refunds to about 10 people who hadn’t noticed they’d been billed for $290 instead of $275.

I’m also unconvinced that having multiple covers was worth the effort. I love all four of the covers that I sourced for the book, but overwhelmingly my readers have chosen the Pablo Defendini cover, which incidentally is the only one without a real painting. What’s more, having four covers has geometrically multiplied the complexity of updating the text (to fix typos). Having done about 100 re-uploads of the source file to Lulu’s system—which is decidedly not optimized for editing your books several times a day—I’ve probably lost a good five hours to maintaining the separate editions. If I was starting over right now, I’d probably go with one cover, though I’d solicit several sketches and try them out on my Twitter followers to pick the best. But now that I have four covers I can’t see any reason to eliminate any of them.

With A Little Help: The Early Returns

/ / Podcast

I’m taking a hiatus from podcasting while I recuperate from hip surgery; instead, I’ll be posting a couple stories a week from the podcast edition of my DIY short story collection, With a Little Help. I hope you enjoy ’em — I love how these readings came out. You can buy the whole audio on CD in Ogg or MP3 form, buy it in one of four paperback editions, get a limited edition hardcover, donate a copy to a school or library, make a cash donation, and, of course, get the free ebook and free audio download.

This installment’s story is Visit the Sins, read by Roy Trumbull.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

/ / News

My latest Guardian column is “Government data like crime maps is not enough – there needs to be action,” and it looks at two recent data-crunching apps for UK policing: first, the crime-maps that tell you what the crime’s like in your neighbourhood, and second, Sukey, an app that helps protesters evade police “kettling” — an inhumane form of arbitrary detention practiced by police.

When the citizenry need to build apps to protect themselves from unlawful detention by the police, it’s not surprising that a new application that allows you to go down to your local police station and ask them to do something about some newly transparent crime statistic is greeted with indifference or jeers. If you can’t trust the police not to detain your children on a freezing road for hours, why would you believe that you could have a productive dialogue about how they should be deploying their resources?

After all: tuition fee rises are a complete reversal of a critical Lib Dem pledge; mass NHS redundancies for nurses and other frontline workers are a complete reversal of a critical Tory pledge. When you’ve voted for a party that promises one thing and does the opposite, no amount of data about how rotten things are will inspire you to join a “big society” that works with the state to accomplish its aims.

Meanwhile, Sukey’s authors cleverly included a facility in their app that allows the police to communicate with demonstrators who are using it – an architecture for dialogue, built right in at the code level. If this was a “big society”, then the police would be using that channel to come to some accommodation with protestors that acknowledged the fundamental right to peaceful protest. But the radio silence to date tells us exactly why the crime map will serve no purpose: what good is it to know how your taxes are spent if you don’t believe that anyone will listen when you complain?

Government data like crime maps is not enough – there needs to be action