Here’s a mid-1980s CBC News scare-story about Dungeons and Dragons driving kids to suicide featuring (at 2:49 onwards) me and my classmates (the video is dated 1985, but I’m pretty sure this couldn’t have been later than my graduation from Junior High in 1984). Ignoring the crazy-ass fearmongering, it’s incredibly nostalgic to see all those kids I grew up with, playing with their minis and rolling their dice.
Dungeons & Dragons D&D Canadian Doc 1985 Part #2
(Thanks, Tim!)
Hey, New Yorkers! I’m reading from and signing my new novel Makers tonight at the Borders in Columbus Circle at 59th Street, starting at 7PM. Hope to catch you there! Philadelphians, you’re next — Philadelphia Free Library on Friday, then Philcon (in Cherry Hill, NJ) over the weekend.
Nice piece in today’s National Post about Makers and my approach to publishing:
Presently, Doctorow is in the midst of a short North American book tour promoting Makers, which, like all his work, is free to download from his website, craphound.com,under a Creative Commons licence, which allows readers to share and remix the work as long as it’s not for commercial purposes. Interestingly, Doctorow doesn’t accept payment from readers who’ve downloaded his book. Instead, he posts the addresses of libraries and schools who have requested the book and asks donors to buy them a copy instead. It’s his commitment and encouragement of sharing that makes Doctorow a thorn in the side of some in the publishing industry (though it should be noted his own publisher, Tor, is part of Macmillan, which in turn is a subsidiary of the massive German conglomerate Holtzbrinck). He wants his books to be read, he wants his books to be passed around and he wants his books to be copied.
“I copy, you copy, everybody copies. Pretending we don’t copy is just hypocrisy,” says Doctorow, whose own early attempts at sci-fiwere pastiches of Conan the Barbarian stories and Star Wars fan fiction. “It’s the 21st century: Art will be copied. If you’re making art not to be copied, you’re not making contemporary art. It’s lovely that someone wants to be the blacksmith at Pioneer Village, but that’s not my job. I’ma science-fiction writer.”
Hey, New Yorkers! I’m reading from and signing my new novel Makers tonight at the Borders in Columbus Circle at 59th Street, starting at 7PM. Hope to catch you there! Philadelphians, you’re next — Philadelphia Free Library on Friday, then Philcon (in Cherry Hill, NJ) over the weekend.
Uitgeverij De Vliegende Hollander is the Dutch publisher for Little Brother, and they’ve really put a big push behind it. Unfortunately, they’re also locked into distributing their catalog as DRM-crippled ebooks through an online retailer that is the only major ebook vendor in the Netherlands.
But they’re good folks at my publisher, and they’re not fond of DRM either. When I asked them if there was some way we could sell the ebook without DRM, they told me that it was impossible (only one major ebook vendor, remember?), but would I mind if they just gave away the ebook in DRM-free ePub form?
Would I mind? That’s a dandy solution! Here’s a link to the free, DRM-free Dutch ePub version of Little Brother. Tell your (Dutch) friends, and be sure to stay clear of that infected DRM copy that’s being sold.
Little Brother ePub (DRM-free)
(Thanks, Rienk!)
Uitgeverij De Vliegende Hollander is the Dutch publisher for Little Brother, and they’ve really put a big push behind it. Unfortunately, they’re also locked into distributing their catalog as DRM-crippled ebooks through an online retailer that is the only major ebook vendor in the Netherlands.
But they’re good folks at my publisher, and they’re not fond of DRM either. When I asked them if there was some way we could sell the ebook without DRM, they told me that it was impossible (only one major ebook vendor, remember?), but would I mind if they just gave away the ebook in DRM-free ePub form?
Would I mind? That’s a dandy solution! Here’s a link to the free, DRM-free Dutch ePub version of Little Brother. Tell your (Dutch) friends, and be sure to stay clear of that infected DRM copy that’s being sold.
Little Brother ePub (DRM-free)
(Thanks, Rienk!)
I recently conducted an interview with AMCTV’s Sci-Fi Scanner about my new novel MAKERS, in which we got into some nice, juicy detail about what makes Disney Parks so fascinating for science fiction treatment.
Q: So how did the concept evolve into creating a hacker Disney World in a Wal-Mart? Did it come from your other novel, Down and Out in the Magic Kingdom?
A: What it evolved out of was the incredible fun I had researching a novel set in a theme park. I’ve got a real interest in gadgets and doodads, and I set out to reverse engineer a novel plot that revolved around my getting to do fun stuff to research it. Amusement park rides, buying interesting junk, visiting hacker spaces, looking at 3D printers… What novel fits in there?
Q: And then you made Disney the villain.
A: Disney is essentially a privately run city that has 50,000 employees on site and does some novel social stuff as well as lots of interesting technical stuff. And in a world in which the costs of organizing people is going through the floor, Disney ends up with a product that is more expensive. What if in ten years, doing 60 percent of what Disney World does costs a tenth of a percent of what Disney World costs? At that point, Disney World is in real trouble. Disney is a thing unto itself, and science-fictionally it’s bottomless.
Makers Author Cory Doctorow Explains the SciFi Allure of Disney World
Hey, Bostonites! I’ll see you tonight at the Harvard Bookstore (1256 Mass Ave) at 7PM for the US launch of my new novel, Makers! (New Yorkers, and Philadelphians — see you later this week!)
I recently conducted an interview with AMCTV’s Sci-Fi Scanner about my new novel MAKERS, in which we got into some nice, juicy detail about what makes Disney Parks so fascinating for science fiction treatment.
Q: So how did the concept evolve into creating a hacker Disney World in a Wal-Mart? Did it come from your other novel, Down and Out in the Magic Kingdom?
A: What it evolved out of was the incredible fun I had researching a novel set in a theme park. I’ve got a real interest in gadgets and doodads, and I set out to reverse engineer a novel plot that revolved around my getting to do fun stuff to research it. Amusement park rides, buying interesting junk, visiting hacker spaces, looking at 3D printers… What novel fits in there?
Q: And then you made Disney the villain.
A: Disney is essentially a privately run city that has 50,000 employees on site and does some novel social stuff as well as lots of interesting technical stuff. And in a world in which the costs of organizing people is going through the floor, Disney ends up with a product that is more expensive. What if in ten years, doing 60 percent of what Disney World does costs a tenth of a percent of what Disney World costs? At that point, Disney World is in real trouble. Disney is a thing unto itself, and science-fictionally it’s bottomless.
Makers Author Cory Doctorow Explains the SciFi Allure of Disney World
