/ / News

My latest Guardian column looks at Peter Mandelson’s new “Digital Economy Bill,” a sweeping piece of proposed British legislation that would give Mandelson broad powers to act as the Pirate-Finder General, with the implausible aim of reducing UK file-sharing by 70 percent in one year.

Mandelson argues that Britain’s Digital Economy will be based on the contrafactual premise of a steady decrease in computer speed, drive capacity, technical competence, network versatility and network ubiquity. Of course, the real digital economy is in those British companies that figure out how to thrive whether or not copying occurs – companies that use networks to reduce their costs, reach larger customer bases, and provide services whose demand and profitability grow with network use, companies such as Last.fm or Moo.com.

These companies’ businesses are inconceivable without the net, but they also risk being collateral damage in Mandelson’s war on the British internet. Just increasing the liability for copyright infringement (and creating a duty to police user-submitted files for infringement) could bankrupt either company overnight. How would Moo sell business cards with your personal photos on them if they could be sued into oblivion should those photos turn out to infringe copyright?

Mandelson is standing up for the Analogue Economy, the economy premised on the no-longer-technically-true idea that copying is hard. Companies based on the outdated notion of inherent difficulty of copying must change or they will die. Because copying isn’t hard. Copying isn’t going to get harder. This moment, right now, 2009, this is as hard as copying will be for the rest of recorded history. Next year, copying will be easier. And the year after that. And the year after that.

Why does Mandelson favour the Analogue Economy over the Digital?

/ / News

My latest Make: column, “Shortcut to Omniscience,” talks about the cognitive shift that Wikipedians undergo in order to collaboratively write an encyclopedia, and how that kind of fundamental, subtle change enables networked groups of people to do things that were previously considered impossible.


Here’s the thing about expertise: it’s hard to define. It may be
possible for a small group of relatively homogenous people to agree on
who is and isn’t an expert, but getting millions of people to do so is
practically impossible. The Britannica uses a learned editorial board to
decide who will write its entries and who will review them.

Wikipedia turns this on its head by saying, essentially, *Anyone can
write our entries but those entries should consist of material cited
from reliable sources.* While the Britannica says, *These facts are
true*, Wikipedia says, *It is true that these facts were reported by
these sources*. The Britannica contains facts, Wikipedia contains facts
about facts.

Shortcut to Omniscience

Review:

IO9

Makers is a book for the lovers of technology, for the gleeful optimists more than the cynics. It’s for the people who love the kooky engineering projects you see on Boing Boing, for the people who believe that, as the poster says, “The future belongs to the few of us still willing to get our hands dirty.” It’s for the people who can’t wait to own a 3D printer, and who believe that while technology has its missteps, it’s going to change our lives in wonderful and unexpected ways. It’s for the people who hate Disney’s corporate tactics, but still get a thrill at the idea of visiting the Magic Kingdom; for the people who believe that, even if they can’t change the world, they can at least improve their little corner of it. It’s for the people who think that, while the future may not be all jetpacks and hover cars and all the world’s people people singing Kumbaya, we as individuals have the power to make it awesome in its own right.

Lauren Davis, IO9

/ / Makers, News


The audiobook of my latest novel, Makers has been published by Random House Audio, strictly in DRM-free formats over the net (this means that Apple won’t carry it in the iTunes store, even though Audible was willing to carry it without DRM).

The reading is by Bernadette Dunne, a very talented actor. I just listened to this for the first time yesterday and I was blown away by Dunne’s reading. I’m a huge audiobook nut, and I’m incredibly glad to have professional audiobook adaptations of my books from Random House — and doubly grateful to them for supporting my commitment to DRM-free distribution. When you buy this book, you own it. The “terms of service” are “Don’t violate copyright law,” not “By buying this audiobook, you agree that we get to come over and kick you in the ass.”

Makers, read by Bernadette Dunne

MP3 Sample

Buy Makers Audiobook on Borders

/ / News, Podcast


The audiobook of my latest novel, Makers has been published by Random House Audio, strictly in DRM-free formats over the net (this means that Apple won’t carry it in the iTunes store, even though Audible was willing to carry it without DRM).

The reading is by Bernadette Dunne, a very talented actor. I just listened to this for the first time yesterday and I was blown away by Dunne’s reading. I’m a huge audiobook nut, and I’m incredibly glad to have professional audiobook adaptations of my books from Random House — and doubly grateful to them for supporting my commitment to DRM-free distribution. When you buy this book, you own it. The “terms of service” are “Don’t violate copyright law,” not “By buying this audiobook, you agree that we get to come over and kick you in the ass.”

Makers, read by Bernadette Dunne

MP3 Sample

Buy Makers Audiobook on Borders