/ / Podcast


Here’s my reading of Mark Twain’s classic short story, How I Edited an Agricultural Paper, a seriously funny and trenchant look at both journalism and agriculture.

The guano is a fine bird, but great care is necessary in rearing it. It should not be imported earlier than June or later than September. In the winter it should be kept in a warm place, where it can hatch out its young.

It is evident that we are to have a backward season for grain. Therefore it will be well for the farmer to begin setting out his corn-stalks and planting his buckwheat cakes in July instead of August.

Concerning the pumpkin. This berry is a favorite with the natives of the interior of New England, who prefer it to the gooseberry for the making of fruit-cake, and who likewise give it the preference over the raspberry for feeding cows, as being more filling and fully as satisfying. The pumpkin is the only esculent of the orange family that will thrive in the North, except the gourd and one or two varieties of the squash. But the custom of planting it in the front yard with the shrubbery is fast going out of vogue, for it is now generally conceded that, the pumpkin as a shade tree is a failure.

MP3 Link

(Image: Small cotton house surrounded by agricultural fields, a Creative Commons Attribution (2.0) image from kheelcenter’s photostream)

Update: Sorry, I dropped a line in the original recording; just uploaded a fix

/ / News

My latest Guardian column, “Networks are not always revolutionary,” argues that networks are necessary, but not sufficient, for many disruptive commercial, cultural and social phenomena, and that this character has led many people to either overstate or dismiss the role and potential of networked technology in current events:

“For most artists,” as the famous Tim O’Reilly aphorism has it “the problem isn’t piracy, it’s obscurity.” To me, this is inarguably true and self-evident – the staying power of this nugget has more to do with its admirable brevity and clarity than its novelty.

And yet, there are many who believe that O’Reilly is mistaken: they point to artists who are well-known, but who still have problems. There are YouTube video-creators who’ve racked up millions of views; bloggers with millions of readers, visual artists whose work has been appropriated and spread all around the world, such as the photographer Noam Galai, whose screaming self-portrait has found its way into everything from stencil graffiti to corporate logos, all without permission or payment. These artists, say the sceptics, have overcome obscurity, and yet they have yet to find a way to convert their fame to income.

But O’Reilly doesn’t say, “Attain fame and you will attain fortune” – he merely says that for most artists, fame itself is out of their grasp.

Networks are not always revolutionary

/ / News, With a Little Help

I’ve teamed up with McNally-Jackson, a most excellent indie bookstore in Soho, NYC, to print and sell my DIY short story collection With a Little Help right in the store, using an Espresso book-machine. You can order them here, or buy them in-store. It’s similar to the deal I’ve struck with The University of Melbourne’s Custom Book Centre for sales and distribution in Australia in New Zealand. I’m really excited to see how this works out, as there are plenty of amazing stores in the USA with Espresso machines with whom I’d be delighted to make similar arrangements.

/ / News

I’ve teamed up with McNally-Jackson, a most excellent indie bookstore in Soho, NYC, to print and sell my DIY short story collection With a Little Help right in the store, using an Espresso book-machine. You can order them here, or buy them in-store. It’s similar to the deal I’ve struck with The University of Melbourne’s Custom Book Centre for sales and distribution in Australia in New Zealand. I’m really excited to see how this works out, as there are plenty of amazing stores in the USA with Espresso machines with whom I’d be delighted to make similar arrangements.