/ / Little Brother, News

I’m off on my family holiday and won’t be back until 2009, so I wanted to drop one last post in the queue for the wild and wooly 2008 — a year that was busy and wonderful and that ended a little scarily. We moved continents and had a baby; I wrote two books and published three; went on a book tour and spent a month in Asia researching the next book; and to top it all off, got married three times on two continents (to the same woman!).

It’s been a fantastic year, thanks to you folks. It’s been an especially great year for me, writing-wise. The UK edition of Little Brother, my first young adult novel, is selling briskly, and the US edition is doing spectacularly, having just gone on to an eighth hardcover printing (the hardcover’s selling so well that my publisher’s delayed the paperback for a year!). The book’s made just about everyone’s best-of lists for 2008: the New York Times, the LA Times, the Washington Post, the Globe and Mail, the National Post, Publishers Weekly, Kirkus Review, School Library Journal, Amazon Editors’ Picks, Amazon top teen books, Richie’s Picks, Book Sense, VOYA, TeenReads, Texas Library Association, io9 — not to mention a whopping haul of awards and award-nominations: Emperor Norton Award, ALA’s YALSA Award, Cybils Award, Prometheus Award, Ontario Library Association White Pine Award, the ALA Printz Award and the Nebula Award! My agents are doing some serious talking with a film studio (though nothing’s ever final until it’s signed and delivered), and there are more overseas publishers signing up every month to do their own editions.

Best of all is all the fan-stuff — videos, art, readings, translations, adaptations… All the stuff that takes advantage of the Creative Commons license to remake Little Brother to better suit the readers (and man, do I get awesome email from readers, from security researchers at Microsoft to activist students in rural schools). And of course, I was floored by the generosity of the donors who sent hundreds of copies of the book to libraries, schools, halfway houses, and shelters as a way of saying thanks for the CC license.

Who the hell knows what’ll happen in 2009? It’s definitely the most uncertain new year I can remember. One thing I’m sure of, though, is that whatever happens, we’ll all figure it out together, that the Internet will make it possible for us to bug-in and help each other here at home, rather than heading for a defensive position in the hills. Crappy economies are often the home of wonderful Bohemias. Two recessions ago, I dropped out of school to become a computer programmer. In the last one, I quit the company I’d co-founded and went to work for the Electronic Frontier Foundation. Now that I’m a parent — and now that I’m a little older — I feel the risk a lot more keenly than I did then. But I just keep on remembering that we live in the best time in the history of the world to have a worst time: the time when collective action is cheaper and easier than ever, the time when more information and better access to tools, ideas and communities are at our fingertips than they’ve ever been.

Have a fantastic holiday. Remind the people who matter to you of that fact. Ring in the new year with a big grin, and I’ll see you all in 2009.

/ / Little Brother, News, Remixes

David sez, “Yahoo Group’s Hard SF group chose Little Brother as the book to read and discuss in December. I could not read the ‘dead tree’ edition, as I’m visually impaired. I took advantage of your Creative Commons license, and generated MP3 files from the .txt file. The synthetic voice is one of the better ones, however to limit the file sizes I created them at 64Kbs. At that rate the voice is on the flat side, but not ‘computer sounding’. I posted the files to archive.org.”

Fantastic! And just a reminder, there’s a remixable, DRM-free audiobook from Random House Audio available here.

/ / Little Brother, News, Remixes

Jenyce sez, “I am a 14 yr. old (lucky me) and I’m in high school (land of book projects), and I decided to do a project on your book. Our project is to pretend that we are the main character, and make a scrapbook. We have to make it, as if we were the main character, and guess what the character would put in it. Heck, I don’t think Marcus would be one to even think about making a scrapbook…but IF he did I’d would have to make it. One of the items I decided to put in mine, was the newspaper heading of the story that Barbara wrote (It’s displayed as if it was ripped out of the paper)…I had to make it, so I did it on the computer (photoshop is a wonderful thing)”

I think this totally rocks. Jenyce has a future in photoshopping!

Update: Here’s some more of Jenyce’s art:

/ / Little Brother, News

A reminder that tomorrow is the UK launch and signing for Little Brother at Forbidden Planet in London — 1PM! You can also pre-order signed copies through the Forbidden Planet site. Hope to see you there!


Saturday 29, November, 1:00PM – 2:00PM
Forbidden Planet London Megastore,
179 Shaftesbury Avenue, London, WC2H 8JR

Our Price: £6.99

Little Brother UK launch/signing at Forbidden Planet London, Nov 29

/ / Little Brother, News

Damien G Walter’s written a smashing profile of me for The Guardian, pegged to the UK release of Little Brother (hope to see you all at the UK launch at Forbidden Planet on Saturday!).

“The job of a science fiction writer, historically, has been to understand how technology and social factors interact,” he says, “how technology is changing society. An activist’s job is to try to direct that change.”

This time his message is aimed at the teenage readers who wear the kind of skater jeans and T-shirt combination Doctorow is sporting today. “If you don’t read the Anarchist’s Cookbook when you are 16 you have no soul,” he says. “If you are still reading it when you are 36 you have no brain.” (He himself is 37, but if he’s abandoned anarchism, he’s clearly not settling into a conservative middle age.)

“My hope is that Little Brother is a verb and not a noun, that it’s a thing you do, not just a book you read,” he continues. “That’s where thinking about the future and influencing the future converge.”

Cory Doctorow: willing science fiction into fact

/ / News

Damien G Walter’s written a smashing profile of me for The Guardian, pegged to the UK release of Little Brother (hope to see you all at the UK launch at Forbidden Planet on Saturday!).

“The job of a science fiction writer, historically, has been to understand how technology and social factors interact,” he says, “how technology is changing society. An activist’s job is to try to direct that change.”

This time his message is aimed at the teenage readers who wear the kind of skater jeans and T-shirt combination Doctorow is sporting today. “If you don’t read the Anarchist’s Cookbook when you are 16 you have no soul,” he says. “If you are still reading it when you are 36 you have no brain.” (He himself is 37, but if he’s abandoned anarchism, he’s clearly not settling into a conservative middle age.)

“My hope is that Little Brother is a verb and not a noun, that it’s a thing you do, not just a book you read,” he continues. “That’s where thinking about the future and influencing the future converge.”

Cory Doctorow: willing science fiction into fact

/ / News

MAKE’s put my latest column, “Selectable Output Control,” online — it describes a proposal to the FCC to allow broadcasters to shut down parts of your home theater while you’re watching their channels, and the consequences for Makers.

Chances are, you haven’t heard of Selectable Output Control (SOC), a proposed digital TV technology that would allow broadcasters or copyright holders to tag their video with a list of receiver-outputs that were allowed to carry it. That’s because it’s an insane idea.

Picture this: you power up your home theater, an near-incomprehensible tangle of game-consoles, AV switchers, cable boxes, PVRs, DVD players, 5.1 speakers, amps — maybe a home theater PC or a projector, too. After some fiddling and locating the correct remote, you start to surf up the dial. All good. Then you hit MTV and the gorgeous, perfectly balanced sound stops. Why has it stopped? Because your cable-receiver has received a SOC flag from MTV disallowing high-end audio unless it has some obscure DRM that isn’t compatible with any of your gear (especially not your beautiful hand-built tube-amp). MTV doesn’t want you digitizing the songs that accompany the (increasingly rare) music videos they play, so if you want sound while watching MTV, you’ve got to turn on the tiny internal speakers that came with your TV.

You flip up the dial (get up again and turn off the internal speakers), and flip to HBO and your screen goes dark. That’s because HBO is showing a movie that has been flagged as “no analog” — which means that your beautiful, 42″ plasma display won’t work because you connected it via the composite analog video cables coming off the back of your AV switcher, rather than via the DRM-locked HDCP output. To watch the movie, you’ll need to move the entire shelving unit (remember to take down the family photos first, doofus, otherwise you risk shattering the glass if they tip over), disconnect the analog cables, find the HDCP cable that came with the TV (or was it the cable box?) in the garage, and rewire your set. When the kids want to play a couple hours of Paper Mario on the Wii, you’re going to need to move it again and reconnect things. (Coming soon to a Make issue: HOWTO put your home theater on wheels for easy rewiring).

Selectable Output Control