Monthly Archives::
March 2013
Here’s a reading of my recent Locus column, Ten Years On, in which I reflect on my first decade as a novelist and discuss a possible further volume related to Down and Out in the Magic Kingdom, my first-ever novel:
I never thought I’d write a sequel. The allure of writing books has always been the experience of discovering and exploring a place and people that have been cooked up by my imagination. By the time I’ve squeezed the book out through my fingertips, I’m generally pretty sick of that place and those people, and frankly glad to be shut of them. But a sequel to Little Brother happened, and when it was done, I discovered that I’d thoroughly enjoyed it. It was like discovering that a whole gang of close friends I’d lost touch with after high-school had stayed tight, and were happy to welcome me back into their bosom. Thoroughly enjoyed it? It was amazing.
Back to February 2013. When my publisher told me that the book would come out on Feb 5, I immediately flashed back on Feb 3, 2003, ten years and two days before the publication of Homeland, when my first novel, Down and Out in the Magic Kingdom, was published. D&O was all kinds of firsts: the first novel I’d ever written, the first book of mine Tor ever published, and the first Creative Commons licensed novel – ever. It’s shocking to think that an entire decade has roared past in the interim, with 14 more books in print, and another two (Information Doesn’t Want to Be Free, a non-fiction book; and Anda’s Game, a full-length graphic novel from First Second) in the pipeline.
Realizing that I was a decade into my writing career literally staggered me. I missed a step while walking down the street and nearly fell over.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
The UK edition of Rapture of the Nerds hits shelves on April 12, but we’re having a sneaky early release at Forbidden Planet in London on Mar 23 at 1PM. Tell your friends! (I’m pretty sure that Forbidden Planet will take advance mail-orders for people who can’t make it, and I’ll sign and personalise every one of ’em).
The UK edition of Rapture of the Nerds hits shelves on April 12, but we’re having a sneaky early release at Forbidden Planet in London on Mar 23 at 1PM. Tell your friends! (I’m pretty sure that Forbidden Planet will take advance mail-orders for people who can’t make it, and I’ll sign and personalise every one of ’em).
A pair of nice interviews about my new novel Homeland hit the Web today: this fun chat with Rob “CmdrTaco” Malda on the Washington Post, and this one with David Klein at Las Vegas City Life:
It’s about conveying your enthusiasm. My readers like that enthusiastic voice. The dirty secret about geeking out is that it becomes a meditation. What starts as a frivolous “whatever” and people go, “whatever, look at that guy with too much time on his hands” becomes a meditation. Thinking about anything and doing it well becomes meditative.
A pair of nice interviews about my new novel Homeland hit the Web today: this fun chat with Rob “CmdrTaco” Malda on the Washington Post, and this one with David Klein at Las Vegas City Life:
It’s about conveying your enthusiasm. My readers like that enthusiastic voice. The dirty secret about geeking out is that it becomes a meditation. What starts as a frivolous “whatever” and people go, “whatever, look at that guy with too much time on his hands” becomes a meditation. Thinking about anything and doing it well becomes meditative.
The folks at Beyond the Book interviewed me for a recent podcast (MP3). We talked about computer control, DRM, publishing, and my latest book, Homeland.
The folks at Beyond the Book interviewed me for a recent podcast (MP3). We talked about computer control, DRM, publishing, and my latest book, Homeland.
My latest column for Locus, “Ten Years On,” looks back on my first decade as a novelist, and speculates about what a difficult utopia might be, and announces my next novel project:
And then I realized I had no idea what novel I’d write next. I have notes for about five books, but none of them feel quite… ripe. The closest is probably a prequel to Down and Out in the Magic Kingdom – it would be awfully nice to check in on those old friends and see what they’re up to after a decade. Down and Out is a utopian novel, modeled in part on Kim Stanley Robinson’s Pacific Edge, a brilliant, absolutely engrossing novel about a zoning fight over a baseball diamond in a small town in a future Orange County where all of humanity’s existential problems have been decisively solved.
Utopian fiction is often characterized as optimistic fiction, because it’s fiction about a future where the existential crisis is behind us – where we know that whatever else transpires, we are likely to survive as a species. Our children and their children will live. Our deeds will not be forgotten. Life will go on.
It’s tempting to say that people who are happy in the midst of peace and plenty are doing nothing much of much. This, of course, isn’t true. Being miserable or happy has as much to do with your internal state as it does with the stuff going on in the rest of the world. Safety and a lack of material want is not guarantee of happiness – indeed, for the traumatized, it’s the quiet moments when the yammering ghosts of past horrors can be heard best.
Hey, Toronto! This is the last night of my 23-city, 29-day book-tour for Homeland, and I’m finishing the odyssey at the Merril Collection at 7PM. Come on out and send me home, because I am touring complete.
