Fantasy trappings notwithstanding, Someone is Doctorow’s most realist novel to date, both his most linear and most peculiar. Its pleasures derive not despite the logical jump-cuts and defiant tangents, but because of them. Not everyone likes Alan in the novel; one character complains, “I had to know the why….From the outside, it’s impossible to tell if you’re winking because you’ve got a secret, or if you’ve got dust in your eye, or if you’re making fun of someone who’s winking, or if you’re trying out a wink to see how it might feel later.” It’s a drive that compels me as well.