My Podcast is a regular feed in which I read from one of my stories for a few minutes at least once a week, from whatever friend’s house, airport, hotel, conference, treaty negotiation or what-have-you that I’m currently at. Here’s the podcast feed.
We’ve been closely following the plan by Google sister company Sidewalk Labs to build a surveilling “smart city” in Toronto; last week, I sat down with the Out of Left Field podcast (MP3) to discuss what’s going on with Sidewalk Labs, how it fits into the story of Big Tech, and what the alternatives might be.
Earlier this month while I was in San Francisco, I went over to the Y Combinator incubator to record a podcast (MP3); we talked for more than an hour about the history of Adversarial Interoperability and what its role was in creating Silicon Valley and the tech sector and how monopolization now threatens adversarial interop and also how it fuels the conspiratorial thinking that is so present in our modern politics. We talk about how startup founders and other technologists can use science fiction for inspiration, and about the market opportunities presented by challenging Big Tech and its giant, massively profitable systems.
In my latest podcast (MP3), I read my May, 2018 Locus column, “The Engagement-Maximization Presidency,” where I propose a theory to explain the political phenomenon of Donald Trump: we live in a world in which communications platforms amplify anything that gets “engagement” and provides feedback on just how much your message has been amplified so you can tune and re-tune for maximum amplification.
Back in 2007, I wrote a science fiction novella called “The Great Big Beautiful Tomorrrow,” about an immortal, transhuman survivor of an apocalypse whose father is obsessed with preserving artifacts from the fallen civilization, especially the Carousel of Progress, an exhibition that GE commissioned from Disney for the 1964 World’s Fair in New York, which is still operating in Walt Disney World.
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In my latest podcast (MP3), I read my new Locus column, “Jeannette Ng Was Right: John W. Campbell Was a Fascist,“which revisits Jeannette Ng’s Campbell Awards speech from this summer’s World Science Fiction convention.
Séan Connors is a young adult literature researcher at the University of Arkansas, whose podcast, The Storyteller’s Thread, features long-form interviews with young adult writers “on their writing process; on social and political topics that influence their work; on their motivation for writing for young readers: and on other writers and artists whose work challenges and inspires them.”
I had the pleasure of recording with Connors on his latest episode (MP3), where we talked about youth activism and YA literature, how I became a writer and then a YA writer, and how schools could do a better job of teaching technical and privacy literacy.
In my latest podcast (MP3), I read my short story “Affordances,” which was commissioned for Slate/ASU’s Future Tense Fiction. it’s a tale exploring my theory of “the shitty technology adoption curve,” in which terrible technological ideas are first imposed on poor and powerless people, and then refined and normalized until they are spread over all the rest of us.
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Henry Jenkins (previously) is the preeminent scholar of fandom and culture; Colin Maclay is a communications researcher with a background in tech policy; on the latest episode of their “How Do You Like It So Far” podcast (MP3), we had a long discussion about a theory of change based on political work and science fictional storytelling, in which helping people imagine a better world (or warn them about a worse one) is a springboard to mobilizing political action.
Talking science fiction, technological self-determination, inequality and competition with physicist Sean Carroll
Sean Carroll is a physicist at JPL and the author of many popular, smart books about physics for a lay audience; his weekly Mindscape podcast is a treasure-trove of incredibly smart, fascinating discussions with people from a wide variety of backgrounds.
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In my latest podcast (MP3), I read my short story “Materiality,” which was commissioned for Gross Ideas: Tales of Tomorrow’s Architecture, a book edited by Edwina Attlee, Phineas Harper and Maria Smith that is part of the Oslo Architecture Triennale.
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