/ / News

Damien Walter’s written a very kind article about me and my work in the Guardian’s books section, discussing the role of science fiction in social criticism and activism.

As technology becomes an ever bigger factor in day-to-day life, we need writers like Doctorow to help us direct it to support freedom over oppression. In his other writing, including Down and Out in the Magic Kingdom and Makers, Doctorow has explored the more optimistic futures that technology might shape. I took some inspiration from Doctorow’s work recently in thinking through the potential of an emerging creator culture, one where the great potential of technology is harnessed not to manipulate people for greater profit, but to liberate their natural creativity. It’s my gut instinct that our future, much like our today, will be a stark mixture of both Big Brother and creator culture, with all the possibilities in between also represented. But what do you think? Where is the technology of today leading us tomorrow?

/ / News

My latest Guardian column is “What I wish Tim Berners-Lee understood about DRM,” a response to the Web inventor’s remarks about DRM during the Q&A at his SXSW talk last week.

Additionally, all DRM licence agreements come with a set of “robustness” rules that require manufacturers to design their equipment so that owners can’t see what they’re doing or modify them. That’s to prevent device owners from reconfiguring their property to do forbidden things (“save to disk”), or ignore mandatory things (“check for regions”).

Adding DRM to the HTML standard will have far-reaching effects that are incompatible with the W3C’s most important policies, and with Berners-Lee’s deeply held principles.

For example, the W3C has led the world’s standards bodies in insisting that its standards are not encumbered by patents. Where W3C members hold patents that cover some part of a standard, they must promise to license them to all comers without burdensome conditions. But DRM requires patents or other licensable elements, for the sole purpose of adding burdensome conditions to browsers.

The first of these conditions – “robustness” against end-user modification – is a blanket ban on all free/open source software (free/open source software, by definition, can be modified by its users). That means that the two most popular browser technologies on the Web – WebKit (used in Chrome and Safari) and Gecko (used in Firefox and related browsers) – would be legally prohibited from implementing whatever “standard” the W3C emerges.


What I wish Tim Berners-Lee understood about DRM

/ / Articles, Down and Out In the Magic Kingdom, News, Podcast

Here’s a reading of my recent Locus column, Ten Years On, in which I reflect on my first decade as a novelist and discuss a possible further volume related to Down and Out in the Magic Kingdom, my first-ever novel:

I never thought I’d write a sequel. The allure of writing books has always been the experience of discovering and exploring a place and people that have been cooked up by my imagination. By the time I’ve squeezed the book out through my fingertips, I’m generally pretty sick of that place and those people, and frankly glad to be shut of them. But a sequel to Little Brother happened, and when it was done, I discovered that I’d thoroughly enjoyed it. It was like discovering that a whole gang of close friends I’d lost touch with after high-school had stayed tight, and were happy to welcome me back into their bosom. Thoroughly enjoyed it? It was amazing.

Back to February 2013. When my publisher told me that the book would come out on Feb 5, I immediately flashed back on Feb 3, 2003, ten years and two days before the publication of Homeland, when my first novel, Down and Out in the Magic Kingdom, was published. D&O was all kinds of firsts: the first novel I’d ever written, the first book of mine Tor ever published, and the first Creative Commons licensed novel – ever. It’s shocking to think that an entire decade has roared past in the interim, with 14 more books in print, and another two (Information Doesn’t Want to Be Free, a non-fiction book; and Anda’s Game, a full-length graphic novel from First Second) in the pipeline.

Realizing that I was a decade into my writing career literally staggered me. I missed a step while walking down the street and nearly fell over.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 Link

/ / Homeland, News

A pair of nice interviews about my new novel Homeland hit the Web today: this fun chat with Rob “CmdrTaco” Malda on the Washington Post, and this one with David Klein at Las Vegas City Life:

It’s about conveying your enthusiasm. My readers like that enthusiastic voice. The dirty secret about geeking out is that it becomes a meditation. What starts as a frivolous “whatever” and people go, “whatever, look at that guy with too much time on his hands” becomes a meditation. Thinking about anything and doing it well becomes meditative.

/ / News

A pair of nice interviews about my new novel Homeland hit the Web today: this fun chat with Rob “CmdrTaco” Malda on the Washington Post, and this one with David Klein at Las Vegas City Life:

It’s about conveying your enthusiasm. My readers like that enthusiastic voice. The dirty secret about geeking out is that it becomes a meditation. What starts as a frivolous “whatever” and people go, “whatever, look at that guy with too much time on his hands” becomes a meditation. Thinking about anything and doing it well becomes meditative.