/ / News

The Chronicle of Higher Education just published a profile of me and my USC undergrad course, Pwned. It’s a great piece! My pal Siva Vaidhyanathan has liberated it from the Chronicle’s paywall and posted it on his blog.

Update: Here’s a de-paywalled version on the Chronicle’s site — thanks, Henry!

Mr. Doctorow has little taste for what he calls the “maximalist” view of intellectual property — the notion that copyright is something to be enforced strictly rather than something that should strive to be as invisible and as flexible as possible — and the subtitle of his course is meant as a bit of a provocation. “Is everyone on campus a copyright criminal?” the syllabus asks, alluding to the overwhelming majority of college students who have swapped music, movies, and software on peer-to-peer networks. If the answer is yes, he suggests, then something has clearly gone wrong.

With his new course, Mr. Doctorow has joined the growing ranks of scholars preaching that copyright law needs a makeover. Professors like Lawrence Lessig, of Stanford University; Siva Vaidhyanathan, of New York University; and Edward W. Felten, of Princeton University, have taught courses that sought to poke holes in traditional views of copyright. But while those professors made their names in large part through academic books and research projects, Mr. Doctorow has taken a decidedly different route. He doesn’t hold a college degree, and he earned his reputation not through scholarly work but through a blog.

/ / News, Podcast

Here’s my reading of Peter Gutmann’s “A Cost Analysis of Windows Vista Content Protection,” an amazing paper on DRM that was first published in late 2006.

Executive Summary

Windows Vista includes an extensive reworking of core OS elements in order to provide content protection for so-called “premium content”, typically HD data from Blu-Ray and HD-DVD sources. Providing this protection incurs considerable costs in terms of system performance, system stability, technical support overhead, and hardware and software cost. These issues affect not only users of Vista but the entire PC industry, since the effects of the protection measures extend to cover all hardware and software that will ever come into contact with Vista, even if it’s not used directly with Vista (for example hardware in a Macintosh computer or on a Linux server). This document analyses the cost involved in Vista’s content protection, and the collateral damage that this incurs throughout the computer industry.

MP3 Link

/ / News

Next Thursday, March 29 at 6:30, I’ll be doing a drop-in signing and meet-and-greet at the Mysterious Galaxy bookstore in San Diego. They’ve got a stack of copies of Overclocked (my new short story collection) in stock. I hope to see you there!


When: Thursday, March 29: 6:30-7PM
Where: Mysterious Galaxy Books, 7051 Clairemont Mesa Blvd., Suite #302, San Diego, CA 92111, 858.268.4747

Link

/ / News, Overclocked

Next Thursday, March 29 at 6:30, I’ll be doing a drop-in signing and meet-and-greet at the Mysterious Galaxy bookstore in San Diego. They’ve got a stack of copies of Overclocked (my new short story collection) in stock. I hope to see you there!


When: Thursday, March 29: 6:30-7PM
Where: Mysterious Galaxy Books, 7051 Clairemont Mesa Blvd., Suite #302, San Diego, CA 92111, 858.268.4747

Link

/ / News, Overclocked

I just signed the contracts on a comic book deal for six of my stories with IDW. They got the exclusive right to sell commercial comics based on my stories, but those stories are already under Creative Commons Attribution/ShareAlike/Noncommercial licenses that allow fans to make non-commercial comics (and films, etc) from them. My agent, Russell Galen, wrote a nifty little clause spelling this out (see below).

Lots of people have asked me whether doing a non-commercial CC release makes it impossible to sell commercial rights to a traditional publisher. Here’s how it can work:

The exclusive rights granted to Licensee hereunder are subject to a pre-existing Creative Commons license which grants members of the public the irrevocable and nonexclusive right to create their own adaptations of the Licensed Property, including comic books. Such Creative Commons-licensed works may not be sold or distributed for profit. Licensee acknowledges that under the terms of this Creative Commons license, members of the public may create comic book version of the Licensed Property for non-commercial distribution. Licensor agrees not to license the rights which are granted to Licensee hereunder to any competitor of Licensee or to any commercial enterprise intending to create adaptations of the Works for commercial distribution.

Here’s the list of stories that are being adapted:

Anda’s Game
I, Robot
After the Siege
When Sysadmins Ruled the Earth
Nimby and the D-Hoppers
Craphound

/ / News

I just signed the contracts on a comic book deal for six of my stories with IDW. They got the exclusive right to sell commercial comics based on my stories, but those stories are already under Creative Commons Attribution/ShareAlike/Noncommercial licenses that allow fans to make non-commercial comics (and films, etc) from them. My agent, Russell Galen, wrote a nifty little clause spelling this out (see below).

Lots of people have asked me whether doing a non-commercial CC release makes it impossible to sell commercial rights to a traditional publisher. Here’s how it can work:

The exclusive rights granted to Licensee hereunder are subject to a pre-existing Creative Commons license which grants members of the public the irrevocable and nonexclusive right to create their own adaptations of the Licensed Property, including comic books. Such Creative Commons-licensed works may not be sold or distributed for profit. Licensee acknowledges that under the terms of this Creative Commons license, members of the public may create comic book version of the Licensed Property for non-commercial distribution. Licensor agrees not to license the rights which are granted to Licensee hereunder to any competitor of Licensee or to any commercial enterprise intending to create adaptations of the Works for commercial distribution.

Here’s the list of stories that are being adapted:

Anda’s Game
I, Robot
After the Siege
When Sysadmins Ruled the Earth
Nimby and the D-Hoppers
Craphound