In my latest podcast (MP3), I continue my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a “Communist Party” at a sheet metal factory whose owners are shutting down and stealing their workers’ final paychecks. These parties are both literally parties — music, dancing, intoxicants — and “Communist” in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

The cop pulled the vice principal’s chair out from behind the desk and sat down on it in front of us. He didn’t say anything. He was young, I saw, not much older than us, and still had some acne on one cheek. White dude. Not my type, but good looking, except that he was a cop and he was playing mind games with us.

“Are we being detained?” Somewhere in my bag was a Black Lives Matter bust-card and while I’d forgotten almost everything written on it, I remembered that this was the first question I should ask.

“You are here at the request of your school administration.” Oh. Even when there wasn’t a fresh lockdown, the administration had plenty of powers to search us, ask us all kinds of nosy questions. And after a lockdown? Forget it.

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In my latest podcast (MP3), I’ve started a serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a “Communist Party” at a sheet metal factory whose owners are shutting down and stealing their workers’ final paychecks. These parties are both literally parties — music, dancing, intoxicants — and “Communist” in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

I don’t remember how we decided exactly to throw a Communist party. It had been a running joke all through senior year, whenever the obvious divisions between the semi-zottas and the rest of us came too close to the surface at Burbank High: “Have fun at Stanford, come drink with us at the Communist parties when you’re back on break.”

The semi-zottas were mostly white, with some Asians—not the brown kind—for spice. The non-zottas were brown and black, and we were on our way out. Out of Burbank High, out of Burbank, too. Our parents had lucked into lottery tickets, buying houses in Burbank back when they were only ridiculously expensive. Now they were crazy. We’d be the last generation of brown kids to go to Burbank High because the instant we graduated, our parents were going to sell and use the money to go somewhere cheaper, and the leftovers would let us all take a couple of mid-range MOOCs from a Big Ten university to round out our community college distance-ed degrees.

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We’ve been closely following the plan by Google sister company Sidewalk Labs to build a surveilling “smart city” in Toronto; last week, I sat down with the Out of Left Field podcast (MP3) to discuss what’s going on with Sidewalk Labs, how it fits into the story of Big Tech, and what the alternatives might be.

Earlier this month while I was in San Francisco, I went over to the Y Combinator incubator to record a podcast (MP3); we talked for more than an hour about the history of Adversarial Interoperability and what its role was in creating Silicon Valley and the tech sector and how monopolization now threatens adversarial interop and also how it fuels the conspiratorial thinking that is so present in our modern politics. We talk about how startup founders and other technologists can use science fiction for inspiration, and about the market opportunities presented by challenging Big Tech and its giant, massively profitable systems.

In my latest podcast (MP3), I read my May, 2018 Locus column, “The Engagement-Maximization Presidency,” where I propose a theory to explain the political phenomenon of Donald Trump: we live in a world in which communications platforms amplify anything that gets “engagement” and provides feedback on just how much your message has been amplified so you can tune and re-tune for maximum amplification.

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Back in 2007, I wrote a science fiction novella called “The Great Big Beautiful Tomorrrow,” about an immortal, transhuman survivor of an apocalypse whose father is obsessed with preserving artifacts from the fallen civilization, especially the Carousel of Progress, an exhibition that GE commissioned from Disney for the 1964 World’s Fair in New York, which is still operating in Walt Disney World.
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In my latest podcast (MP3), I read my new Locus column, “Jeannette Ng Was Right: John W. Campbell Was a Fascist,“which revisits Jeannette Ng’s Campbell Awards speech from this summer’s World Science Fiction convention.

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