My latest Locus column, “Teen Sex,” explains why I think young adult literature should have sex — and other “mature” topics — in it.

There’s really only one question: “Why have your characters done something that is likely to upset their parents, and why don’t you punish them for doing this?”

Now, the answer.

First, because teenagers have sex and drink beer, and most of the time the worst thing that results from this is a few days of social awkwardness and a hangover, respectively. When I was a teenager, I drank sometimes. I had sex sometimes. I disobeyed authority figures sometimes.

Mostly, it was OK. Sometimes it was bad. Sometimes it was wonderful. Once or twice, it was terrible. And it was thus for everyone I knew. Teenagers take risks, even stupid risks, at times. But the chance on any given night that sneaking a beer will destroy your life is damned slim. Art isn’t exactly like life, and science fiction asks the reader to accept the impossible, but unless your book is about a universe in which disapproving parents have cooked the physics so that every act of disobedience leads swiftly to destruction, it won’t be very credible. The pathos that parents would like to see here become bathos: mawkish and
trivial, heavy-handed, and preachy.

Cory Doctorow: Teen Sex

Tin House, a literary magazine, asked me to introduce the current science fiction issue with an overview of the field. I wrote them an essay called “Radical Presentism,” about the way that science fiction reflects the present more than the future.

Mary Shelley wasn’t worried about reanimated corpses stalking Europe, but by casting a technological innovation in the starring role of Frankenstein, she was able to tap into present-day fears about technology overpowering its masters and the hubris of the inventor. Orwell didn’t worry about a future dominated by the view-screens from 1984, he worried about a present in which technology was changing the balance of power, creating opportunities for the state to enforce its power over individuals at ever-more-granular levels.

Now, it’s true that some writers will tell you they’re extrapolating a future based on rigor and science, but they’re just wrong. Karel Čapek coined the word robotto talk about the automation and dehumanization of the workplace. Asimov’s robots were not supposed to be metaphors, but they sure acted like them, revealing the great writer’s belief in a world where careful regulation could create positive outcomes for society. (How else to explain his idea that all robots would comply with the “three laws” for thousands of years? Or, in the Foundation series, the existence of a secret society that knows exactly how to exert its leverage to steer the course of human civilization for millennia?)

For some years now, science fiction has been in the grips of a conceit called the “Singularity”—the moment at which human and machine intelligence merge, creating a break with history beyond which the future cannot be predicted, because the post-humans who live there will be utterly unrecognizable to us in their emotions and motivations. Read one way, it’s a sober prediction of the curve of history spiking infinity-ward in the near future (and many futurists will solemnly assure you that this is the case); read another way, it’s just the anxiety of a generation of winners in the technology wars, now confronted by a new generation whose fluidity with technology is so awe-inspiring that it appears we have been out-evolved by our own progeny.

CORY DOCTOROW: RADICAL PRESENTISM

I’m giving two talks in the UK this week — the first in Cambridge, as part of the Arcadia Seminar, held at Robinson College; the second is at Sheffield, as part of the DocFest premiere of RIP: A Remix Manifesto, a documentary on copyfighting and art that features some interviews with me. Hope to see you at them!

Cambridge: 3 November 2009, 6PM
Arcadia Seminar: 3rd Nov. “Thinking Like a Dandelion: Cory Doctorow on copyright, Creative Commons and creativity”
Umney Theatre, Robinson College, Cambridge. Please email mh569@cam.ac.uk if you are planning to attend.

Sheffield: 5 November 2009, 2:25PM-4:25PM
RiP! A Remix Manifesto
Showroom 1, Sheffield DocFest (tickets)

Update: CORRECTION — I’m at Sheffield Doc/Fest from 1425h-1630h, not 1600-1800h as previously stated!