Nicole Powers from Suicide Girls sat down with me at my office last month for a long, in-depth interview that’s just been published: “You can’t escape it anywhere. It’s a race to the bottom all around the world right now. Canada, Germany, the US, and the UK, as well as the rest of the EU, are basically locked in a race to see who can implement 1984 the fastest. The US — obviously now you’ve got indefinite detention for American citizens on US soil. In Canada we’re on the verge of getting this lawful intercept bill that’s as bad as anything anywhere else in the world. In the UK we have the Digital Economy Act and widespread biometrics. In Germany the police just got caught deploying what they’ve called the 0zapftis Trojan, the government trojan where when people cross the borders and they examine their laptops they covertly put spyware on their computers so they can watch them after the fact. I mean really, at every turn there’s somebody doing this, so it doesn’t matter where you live. It really doesn’t at this point. That’s one of the things that I’ve really come to realize, the fight is global.”
Review:
The Magazine of Fantasy and Science Fiction
It’s pure Doctorow, filled with more invention and movement than many writers can fit into a book series
Charles de Lint, the Magazine of Fantasy and Science Fiction
Here’s a podcast of my last Publishers Weekly column, Digital Lysenkoism :
Talking with the lower echelon employees of publishing reminds me of a description I once read about the mutual embarrassment of Western and Soviet biologists when they talked about genetics. Soviet-era scientists were required, on pain of imprisonment, to endorse Lysenkoism, a discredited theory of inheritance favored by Stalin for ideological reasons. Lysenko believed, incorrectly, that you could create heritable characteristics by changing a parent organism—that is, if you cut off one of a frog’s legs, a certain number of its offspring would be born with three legs.
Lysenkoism was a disaster. When it was applied to food cultivation it led to ghastly famines that killed millions. So, when Soviet scientists met their Western counterparts, everyone knew that Lysenkoism was an awful absurdity. But the Soviet scientists had to pretend it wasn’t. Not unlike some of the discussions inside today’s major publishing houses when it comes to DRM.
I recently solicited several writers for inclusion in the Humble E-book Bundle, for which I’m acting as a volunteer editor. The Humble E-book Bundle is the first foray into e-books by the Humble Indie Bundle project, a nonprofit that has run several insanely successful video-game distribution events in which customers got to name their own prices for a collection of independent, DRM-free games. Each of the Humble Indie Bundle projects so far has grossed around a million dollars and has made hundreds of thousands of dollars for each contributor . And I’ve recruited enthusiastic contributors from all of the big six publishers for the Humble E-Book Bundle—that is, all except one, which has an all-DRM-all-the-time policy and won’t consider publishing anything without DRM in any of its divisions.
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John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.
My latest Publishers Weekly column is “Digital Lysenkoism,” a look at the bizarre internal forces that causes people who work at publishers to defend DRM, even though they know it doesn’t work.
I also recently chatted with a big-six digital strategist, who explained to me how his employer would soon be sending out all of its digital advanced reader copies (ARCs) as DRM-crippled PDFs. We shared a moment of incredulous silence at this. Most reviewers, after all, get hundreds of times more material than they can ever use. I literally get 100 books in the post for every one that I choose to review, and the idea that reviewers like me will put up with crippled e-ARCs that must be read at one’s desk or on one’s laptop, that we can’t load onto our tablets or e-readers, that generate all kinds of failures in the wee hours of the night, on weekends, or on airplanes when no one is around to offer technical support—well, it’s beyond absurd.
What will happen to these crippled e-ARCs, most likely, is that they will be ignored. This is exactly what happens to most DRM-locked screener copies distributed to voters for major film awards, like the BAFTAs and the Academy Awards. When you have 50 times more movies to consider than you could possibly watch, and when 10% of those movies require you to figure out how to connect a special player to your already overly complex home theater, well, that just makes it easy to exclude 10% of the load.
With A Little Help: Digital Lysenkoism
(Image: Lysenko with Stalin.gif, public domain/Wikimedia Commons)
The San Francisco Chronicle loves the stage adaptation of my novel Little Brother, and brings the welcome news that its run has been extended by two weeks!
The San Francisco Chronicle loves the stage adaptation of my novel Little Brother, and brings the welcome news that its run has been extended by two weeks!
I did an interview last week with the CBC Radio show The Spark (I podcasted the complete interview when they posted it); now they’ve put up the edited episode. MP3 link
I did a quick interview with the CBC Radio programme “The Spark” last week from my office in London, talking about my idea of “the upcoming war on general purpose computing.” They’ve just posted the unedited audio in advance of airing a shorter excerpt. MP3 link
There’s a new stage adaptation of my novel Little Brother opening in San Francisco. Charlie Jane Anders from IO9 got to go to the preview and loved it, which is incredibly heartening, since I won’t get to see it!
So I’ll just say that the version I saw was powerful and brilliant, and the cast was note-perfect, especially Daniel Petzold as Marcus Yallow. (The other two castmembers, Marissa Keltie and Cory Censoprano, have a harder task in some ways, since they play a variety of roles throughout the show. And they’re both great as well.) The stage play uses a lot of pre-recorded video and some very clever sets to create a lot of different settings, as well as giving a primer in topics like the futility of using data-mining to catch terrorists.
Cory Doctorow’s Little Brother becomes a must-see stage play
