You’ll recall that Tor Books (and its sister science fiction imprints of Macmillan publishers around the world) has dropped DRM on all of its titles. Hachette, one of Macmillan’s rivals in the “Big Six” pantheon of publishers, is famously pro-DRM (one Hachette author told me that her editor said that Hachette’s unbreakable policy, straight from the top, is that no books will be acquired by Hachette if there are any DRM-free editions, anywhere in the world).

My latest Publishers Weekly column reports on a leaked letter, signed by Little, Brown UK’s CEO, that has been sent to authors whose books are published by both Tor and Hachette imprints in different territories. In the letter, Hachette instructs the author to demand that Tor leave the DRM intact on the books that both publishers produce, and warns that future contracts will require that authors who sign with Hachette in one territory only use pro-DRM publishers in other territories.

It’s an astonishing combination of chutzpah and denialism:

I’ve just seen a letter sent to an author who has published books under Hachette’s imprints in some territories and with Tor Books and its sister companies in other territories (Tor is part of Macmillan). The letter, signed by Little, Brown’s U.K. CEO Ursula Mackenzie, explains to the author that Hachette has “acquired exclusive publication rights in our territories from you in good faith,” but warns that in other territories, Tor’s no-DRM policy “will make it difficult for the rights granted to us to be properly protected.” Hachette’s proposed solution: that the author insist Tor use DRM on these titles. “We look forward to hearing what action you propose taking.”

The letter also contains language that will apparently be included in future Hachette imprint contracts, language that would require authors to “ensure that any of his or her licensees of rights in territories not licensed under this agreement” will use DRM.

It’s hard to say what’s more shocking to me: the temerity of Hachette to attempt to dictate terms to its rivals on the use of anti-customer technology, or the evidence-free insistence that DRM has some nexus with improving the commercial fortunes of writers and their publishers. Let’s just say that Hachette has balls the size of Mars if it thinks it can dictate what other publishers do with titles in territories where it has no rights.

Doubling Down on DRM

Charlie Stross and I are doing a text and voice chat with Internet Evolution today at 11AM Eastern, in celebration of our forthcoming novel Rapture of the Nerds. Hope to see you there!

Look out! The team of Charlie Stross and Cory Doctorow has produced upcoming science fiction novel Rapture of the Nerds, due out in September 2012, dealing with a disturbing future in which “metaconsciousness” roams the solar system. Both authors join us to discuss their work and the future of the Internet.

Cory Doctorow is a coeditor of Boing Boing and a columnist for multiple publications including the Guardian, Locus, and Publishers Weekly. He was named one of the Web’s 25 influencers by Forbes magazine and a Young Global Leader by the World Economic Forum. His award-winning novel, Little Brother, was a New York Times bestseller. He lives in London with his wife and daughter.

Charles Stross, author of several major novels of SF and fantasy, including Singularity Sky, Accelerando, Halting State, and Rule 34, is widely hailed as one of the most original voices in modern SF. His short fiction has won multiple Hugo and Locus awards. He lives in Edinburgh.

We’ve also got a meatspace mini-tour lined up in September, with stops in Brookline, MA; Brooklyn, NY; Lexington, KY and Rochester, NY.

Cory Doctorow & Charles Stross

I’m proud and excited beyond words to see the running notes from the work being done in Chicago by a group of students and a facilitator from the Mozilla Foundation’s Hive NYC on a number of video projects using Mozilla’s Popcorn technology and my novel Little Brother. Here’s an introductory set of notes on the project from leahatplay at Mozilla’s Hive Learning Network NYC.

The result is the following challenge: To create a video that builds on the interactive and participatory nature of the web through peer sharing and collaboration. In practice, it’s a scavenger hunt with digital media content generation. Teams are given lists of assets to collect and lists of Popcorn features to include in their video. Then they work together to collect assets to build videos with specific themes and characteristics. We insert mini-challenges throughout the activity. To the users they seem like funny digressions. For us they are designed to have a cumulative effect. The goal of the mini-challenge is to fine-tune thinking about the web’s infrastructure and provide a practice space for producing engaging web content that can be incorporated into the final deliverable.

We begin the day by cutting the activity sheets into sections. Since the steps of creating the web-native video will be “unlocked” by different mini-challenges, having everything on-hand and easily accessible is key. Pizza arrives early so we fuel up. I’m wearing my “Adopt Mozilla” T-shirt, it has become crucial gear for these moments when I channel my inner Tim Gunn and RuPaul. Our goal for the experience is a sense of levity, fun and exploration that we hope will encourage the teens to seek out different styles and modes of production.

Popcorning Chicago

Charlie Stross and I are hitting the road this September 5-9 for a mini, post-Burning Man, post-WorldCon book-tour for our collaborative comic novel of the Singularity called Rapture of the Nerds. We’re coming to Lexington, KY; Brooklyn, NY (a stop at MakerBot’s BotCave, where there will be a very special surprise!), Brookline, MA, and Rochester, NY. I’ve never been to Lexington or Brookline, so this is doubly exciting to me!

And tonight, of course, I’m appearing (solo) at a Long Now talk in San Francisco.

Announcing the Tour for Cory Doctorow and Charles Stross’s The Rapture of the Nerds

Tor.com has published an excerpt from my forthcoming YA novel Pirate Cinema, a book set in the UK in which a gang of squatter guerrilla filmmakers take on the entertainment industry and their pals in the government to save the world from corrupt, brutal anti-piracy laws.

Booklist gave it a starred review, saying ” …Doctorow’s series starter is his most cogent, energizing call-to-arms to date, an old-fashioned (but forward-thinking) counter-culture rabble rouser that will have dissidents of all ages dying to stick it to the Man… It’s generally accepted that fussing with computers is a narrative buzzkill, yet Doctorow’s unrivaled verisimilitude makes every click as exciting as a band of underdog warriors storming a castle. It’s not exactly Abbie Hoffman’s Steal This Book (1971), but with its delirious insights into everything from street art to urban exploring to dumpster diving to experimental cinema, it feels damn close.”

“I’m Lawrence Foxton, a Police Community Support Officer here on the estate. I don’t think we’ve met before, have we?”

Police Community Support Officers: a fake copper. A volunteer policeman who gets to lord his tiny, ridiculous crumb of power over his neighbors, giving orders, enforcing curfews, dragging you off to the real cops for punishment if you refuse to obey him. I knew Larry Foxton because I’d escaped his clutches any number of times, scarpering from the deserted rec with my pals before he could catch up, puffing along under his anti-stab vest and laden belt filled with Taser, pepper spray, and plastic handcuff straps.

“I don’t think so, Mr. Foxton.” Mum had the hard tone in her voice she used when she thought me or Cora were winding her up, a no-nonsense voice that demanded that you get to the point.

“Well, I’m sorry to have to meet you under these circumstances. I’m afraid that I’m here to notify you that your Internet access is being terminated, effective”—he made a show of looking at the faceplate of his police-issue ruggedized mobile—“now. Your address has been used to breach copyright through several acts of illegal downloading. You have been notified of these acts on two separate occasions. The penalty for a third offense is a oneyear suspension of network access. You have the right to an appeal. If you choose to appeal, you must present yourself in person at the Bradford magistrates’ court in the next fourty-eight hours.” He hefted a little thermal printer clipped to his belt, tore off a strip of paper, and handed it to her. “Bring this.” His tone grew even more official and phony: “Do you understand and consent to this?” He turned his chest to face Mum, ostentatiously putting her right in the path of the CCTV in his hat brim and over his breast pocket.

Pirate Cinema (Excerpt)