/ / News, Podcast

Here’s a reading from my upcoming novel, Homeland, the sequel to Little Brother. It’s a rehearsal for the readings I’ll be giving at schools and libraries when I leave for my 22-city US tour next week.


He fitted me with a blood pressure cuff — yeah, it was a tactical cuff, which clearly made this guy as happy as a pig in shit — and then started in with the electrodes. He had a lot of electrodes and he was going to use ’em all, that much was clear. Each one went in over a smear of conductive jelly that came out of a disposable packet, like the ketchup packets you get at McDonald’s. These, at least, were non-tactical, emblazoned instead with German writing and an unfamiliar logo.

That was when I started puckering and unpuckering my anus.

Yes, you read that right. Here’s the thing about lie detectors: they work by measuring the signs of nervousness, like increases in pulse, respiration, and yeah, sweatiness. The theory is that people get more nervous when they’re lying, and that nervousness can be measured by the gadget.

This doesn’t work so well. There’s plenty of cool customers who’re capable of lying without any outward signs of anxiety, because they’re not feeling any anxiety. That’s pretty much the definition of a sociopath, in fact: someone who doesn’t have any reaction to a lie. So lie detectors work great, except when it comes to the most dangerous liars in the world. That’s the “It’s better than nothing” stupidity I mentioned before, remember?

But there’re plenty of people who start off nervous — say, people who’re nervous because they’re taking a lie detector test on which depends their job or their freedom. Or someone who’s been kidnapped by a couple of private mercenaries who’ve threatened to take him to their hideout if he doesn’t cooperate.

But sometimes, lie detectors can tell the difference between normal nervousness and lying nervousness. Which is why it’s useful to inject a few little extra signs of anxiety into the process. There are lots of ways to do this. Supposedly, spies used to keep a thumbtack in their shoe and they could wiggle their toes against it to make their nervous systems do the Charleston at just the right moment to make their “calm” state seem pretty damned nervous. So when they told a lie, any additional nervousness would be swamped by the crazy parasympathetic nervous system jitterbug their bodies were jangling through.

Thumbtacks in your shoe are overkill, though. They’re fine for super-macho super-spies for whom a punctured toe is a badge of honor. But if you ever need to beat a polygraph, just pucker up — your butt, that is.

Squeezing and releasing your butt-hole recruits many major muscle- and nerve groups, gets a lot of blood flowing, and makes you look like you’re at least as nervous as a liar, when all you’re doing are some rhythmic bum-squeezes. As a side bonus, do it enough and you will have BUNS OF STEEL.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 link

/ / Little Brother, News

The Atlantic‘s book club, 1book140, is asking for votes on its book for February. I’m surprised and delighted to see my novel Little Brother on that list, and the timing couldn’t be better, what with the sequel, Homeland, coming out on Feb 5.

It’s also in great company: “Wonderstruck” by Brian Selznick; “Are You There God, It’s Me Margaret” and “Just As Long as We’re Together” by Judy Blume; “The Chocolate War” by Robert Cormier; and “The Fault in Our Stars” by John Green.


1book140: Vote for Our February Book

/ / News

The Atlantic‘s book club, 1book140, is asking for votes on its book for February. I’m surprised and delighted to see my novel Little Brother on that list, and the timing couldn’t be better, what with the sequel, Homeland, coming out on Feb 5.

It’s also in great company: “Wonderstruck” by Brian Selznick; “Are You There God, It’s Me Margaret” and “Just As Long as We’re Together” by Judy Blume; “The Chocolate War” by Robert Cormier; and “The Fault in Our Stars” by John Green.


1book140: Vote for Our February Book

/ / Little Brother, News


Homeland, the sequel to Little Brother, comes out on Feb 5, and as with my previous books, I’m going to be making it available as a free CC-licensed download. Whenever that happens, lots of people write to me to tell me how much they enjoyed it, and ask if they can just send me some money to say thanks.

I don’t want their money (don’t want to cut my publisher, who does so much to make the book happen, out of the loop), but I do want to help them share the love. So instead, I publish a list of librarians, teachers, and other people at similar institutions who would like free copies of my books, and ask people to express their gratitude by buying a copy of the book and sending it to one of them. It’s paying your debts forward in real-time. You do a good deed. The recipient gets to share my book with patrons, students, and other people who are looking to read it. My publisher gets the sale. The bookseller gets her margin. I get the royalty, and credit for the sales number (which improves my future advances, my position on the bestseller list, and my chances of making foreign translation sales). Win, win, win.

That’s where you come in. I want to launch the book’s website with a long list of people who want free copies of the book. If you’re a teacher, librarian, halfway house worker, shelter worker, etc, and you’re interested in getting your name on that list, please email my assistant Olga Nunes at freehomelandbook@gmail.com, and include your name, institutional affiliation, and its address and phone number (for shipping info). We’ll make sure it’s all ready to go when we launch.

Tell your friends! Spread the word!

/ / News


Homeland, the sequel to Little Brother, comes out on Feb 5, and as with my previous books, I’m going to be making it available as a free CC-licensed download. Whenever that happens, lots of people write to me to tell me how much they enjoyed it, and ask if they can just send me some money to say thanks.

I don’t want their money (don’t want to cut my publisher, who does so much to make the book happen, out of the loop), but I do want to help them share the love. So instead, I publish a list of librarians, teachers, and other people at similar institutions who would like free copies of my books, and ask people to express their gratitude by buying a copy of the book and sending it to one of them. It’s paying your debts forward in real-time. You do a good deed. The recipient gets to share my book with patrons, students, and other people who are looking to read it. My publisher gets the sale. The bookseller gets her margin. I get the royalty, and credit for the sales number (which improves my future advances, my position on the bestseller list, and my chances of making foreign translation sales). Win, win, win.

That’s where you come in. I want to launch the book’s website with a long list of people who want free copies of the book. If you’re a teacher, librarian, halfway house worker, shelter worker, etc, and you’re interested in getting your name on that list, please email my assistant Olga Nunes at freehomelandbook@gmail.com, and include your name, institutional affiliation, and its address and phone number (for shipping info). We’ll make sure it’s all ready to go when we launch.

Tell your friends! Spread the word!

/ / News

Suicide Girls has just published part two of its two-part interview with me about Homeland, the sequel to Little Brother (here’s part one). In it, we talk about activism, clicktivism, and the future of Internet-connected politics:

There is a lot of cynicism about clicktivism and the idea that if it’s too easy to be politicized, if all you need to do to take action is click an online petition, then it siphons off energy that could be used to change the world. It’s probably true that some people go, I’ve done my bit, I clicked that petition. But other people who never would have taken any political action start with that one click.

The height of the barrier to entry has to be correlated with the overall size of the movement. If it takes an enormous affirmative step to start your journey, then a lot of people will never start. If on the other hand it’s cheap to try, then a lot of people will try. And the more people you have trying, the more people you will have who will find that it’s what they want to do. That’s the upside of it. This is why I’m not cynical about clicktivism. This is why I’m glad to have a spectrum of ways that people can engage. The shopkeeper understands that the first requirement for selling things is getting people in the door; a political activist has to understand that the first requirement for building a movement is to have people take some step to want to be involved in a movement. And the smaller that step can be, the easier it is to get them involved.

I think of it like a church…It’s a tiny minority of people who join the clergy, but all of the people who join the clergy started by showing up on Sunday. If step one is eschew all material things, take a vow of silence and a vow of chastity and wear a hair shirt for the rest of your life, your clergy will be thinly populated. You need a step one that isn’t total engagement for the rest of your life, right?


Cory Doctorow: Homeland Part 2

/ / Little Brother, News

Suicide Girls has just published part two of its two-part interview with me about Homeland, the sequel to Little Brother (here’s part one). In it, we talk about activism, clicktivism, and the future of Internet-connected politics:

There is a lot of cynicism about clicktivism and the idea that if it’s too easy to be politicized, if all you need to do to take action is click an online petition, then it siphons off energy that could be used to change the world. It’s probably true that some people go, I’ve done my bit, I clicked that petition. But other people who never would have taken any political action start with that one click.

The height of the barrier to entry has to be correlated with the overall size of the movement. If it takes an enormous affirmative step to start your journey, then a lot of people will never start. If on the other hand it’s cheap to try, then a lot of people will try. And the more people you have trying, the more people you will have who will find that it’s what they want to do. That’s the upside of it. This is why I’m not cynical about clicktivism. This is why I’m glad to have a spectrum of ways that people can engage. The shopkeeper understands that the first requirement for selling things is getting people in the door; a political activist has to understand that the first requirement for building a movement is to have people take some step to want to be involved in a movement. And the smaller that step can be, the easier it is to get them involved.

I think of it like a church…It’s a tiny minority of people who join the clergy, but all of the people who join the clergy started by showing up on Sunday. If step one is eschew all material things, take a vow of silence and a vow of chastity and wear a hair shirt for the rest of your life, your clergy will be thinly populated. You need a step one that isn’t total engagement for the rest of your life, right?


Cory Doctorow: Homeland Part 2

/ / News, Podcast

On today’s podcast, I read read my obituary for Aaron Swartz, and the afterword he wrote for my upcoming novel, Homeland.

I met Aaron when he was 14 or 15. He was working on XML stuff (he co-wrote the RSS specification when he was 14) and came to San Francisco often, and would stay with Lisa Rein, a friend of mine who was also an XML person and who took care of him and assured his parents he had adult supervision. In so many ways, he was an adult, even then, with a kind of intense, fast intellect that really made me feel like he was part and parcel of the Internet society, like he belonged in the place where your thoughts are what matter, and not who you are or how old you are.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 link