Last week, the Escape Pod podcast published part one of a reading of my YA novella “Martian Chronicles,” which I wrote for Jonathan Strahan’s Life on Mars anthology: it’s a story about libertarian spacesteaders who move to Mars to escape “whiners” and other undesirables, only to discover that the colonists that preceded them expect them to clean the toilets when they arrive.
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In my latest podcast (MP3), I read my Globe and Mail column, Why do people believe the Earth is flat?, which connects the rise of conspiratorial thinking to the rise in actual conspiracies, in which increasingly concentrated industries are able to come up with collective lobbying positions that result in everything from crashing 737s to toxic baby-bottle liners to the opioid epidemic.

From climate denial to anti-vax to a resurgent eugenics movement, we are in a golden age of terrible conspiratorial thinking, with real consequences for our species’ continued survival on our (decidedly round) planet.

Ideas spread because of some mix of ideology and material circumstances. Either ideas are convincingly argued and/or they are delivered to people whose circumstances make them susceptible to those ideas.

Conspiracies aren’t on the rise because the arguments for them got better. The arguments for “alternative medicine” or against accepted climate science are no better than those that have lurked in the fringes for generations. Look up the 19th-century skeptics who decried the smallpox vaccine and you’ll find that anti-vax arguments have progressed very little in more than a century.

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In my latest podcast (MP3), I read my essay “A Cycle of Renewal, Broken: How Big Tech and Big Media Abuse Copyright Law to Slay Competition”, published today on EFF’s Deeplinks; it’s the latest in my ongoing series of case-studies of “adversarial interoperability,” where new services unseated the dominant companies by finding ways to plug into existing products against those products’ manufacturers. This week’s installment recounts the history of cable TV, and explains how the legal system in place when cable was born was subsequently extinguished (with the help of the cable companies who benefitted from it!) meaning that no one can do to cable what cable once did to broadcasters.

In 1950, a television salesman named Robert Tarlton put together a consortium of TV merchants in the town of Lansford, Pennsylvania to erect an antenna tall enough to pull down signals from Philadelphia, about 90 miles to the southeast. The antenna connected to a web of cables that the consortium strung up and down the streets of Lansford, bringing big-city TV to their customers — and making TV ownership for Lansfordites far more attractive. Though hobbyists had been jury-rigging their own “community antenna television” networks since 1948, no one had ever tried to go into business with such an operation. The first commercial cable TV company was born.

The rise of cable over the following years kicked off decades of political controversy over whether the cable operators should be allowed to stay in business, seeing as they were retransmitting broadcast signals without payment or permission and collecting money for the service. Broadcasters took a dim view of people using their signals without permission, which is a little rich, given that the broadcasting industry itself owed its existence to the ability to play sound recordings over the air without permission or payment.

The FCC brokered a series of compromises in the years that followed, coming up with complex rules governing which signals a cable operator could retransmit, which ones they must retransmit, and how much all this would cost. The end result was a second way to get TV, one that made peace with—and grew alongside—broadcasters, eventually coming to dominate how we get cable TV in our homes.

By 1976, cable and broadcasters joined forces to fight a new technology: home video recorders, starting with Sony’s Betamax recorders. In the eyes of the cable operators, broadcasters, and movie studios, these were as illegitimate as the playing of records over the air had been, or as retransmitting those broadcasts over cable had been. Lawsuits over the VCR continued for the next eight years. In 1984, the Supreme Court finally weighed in, legalizing the VCR, and finding that new technologies were not illegal under copyright law if they were “capable of substantial noninfringing uses.”

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