On today’s podcast, I read read my obituary for Aaron Swartz, and the afterword he wrote for my upcoming novel, Homeland.

I met Aaron when he was 14 or 15. He was working on XML stuff (he co-wrote the RSS specification when he was 14) and came to San Francisco often, and would stay with Lisa Rein, a friend of mine who was also an XML person and who took care of him and assured his parents he had adult supervision. In so many ways, he was an adult, even then, with a kind of intense, fast intellect that really made me feel like he was part and parcel of the Internet society, like he belonged in the place where your thoughts are what matter, and not who you are or how old you are.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 link

I sat down with the fascinating crew at the Titanium Physicists podcast to serve as their special physics-ignoramus guest in an episode about entropy (MP3)

Today, on a very special Cory Doctorow podcast, the podcasting debut of Ms Poesy Emmeline Fibonacci Nautilus Taylor Doctorow!

MP3 Link

Here’s a podcast of my recent Locus column, The Internet of the Dead:

I had begun my trip with a few days in Toronto, attending to a strange and new kind of memorial ritual for a close friend who had died unexpectedly in June.

My friend’s name was Erik ‘‘Possum Man’’ Stewart, and I’d known him for decades, since we were high-school roommates. We were both geeks, but Possum was a true hacker, a talented and creative programmer who pursued numerous projects, including a lifelong effort to create spatial games like Pong and Tetris that ran in four or more dimensions. Like me, he was in his early forties, and he was in fine health, apart from an unsuspected weak blood vessel in his brain that ruptured without warning while he slept. When his housemates found him, his computer was still switched on and logged in, and his e-mail open, along with various windows with to-do lists and other random notes from one part of his busy mind to another.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 Link

Here’s a podcast of my recent Guardian column, Why all pharmaceutical research should be made open access:

One of the strongest arguments for public access in scholarly and scientific publication is the “public debt” argument: if the public pays you to do research, the research should belong to the public. That’s a good argument, but it’s not the whole story. For one thing, it’s vulnerable to the “public-private partnership” counterargument, which goes, “Ah, yes, but why not ensure that the public gets a maximum dividend on its spending by charging lots of money for access to publicly funded research and returning the profit to the research sector?” I think this argument is rubbish, as do most economists who have studied the question.

The public good of freely accessible, unencumbered research generates more economic value for the public than the quick-hit sugar-rush you get from charging the public on the way in and again on the way out. This has held true in many sectors, though the canonical example is the massive public return from the US Geological Survey’s freely usable maps, which have generated a fortune that makes the ransoms collected by the Ordinance Survey on its maps of the UK look like a pittance.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 link

Here’s a podcast of my recent Nature comment, co-written with Ben Laurie, Secure the Internet:

In 2011, a fake Adobe Flash updater was discovered on the Internet. To any user it looked authentic. The software’s crypto­graphic certificates, which securely verify the authenticity and integrity of Internet connections, bore an authorized signature. Internet users who thought they were applying a legitimate patch unwittingly turned their computers into spies. An unknown master had access to all of their data. The keys used to sign the certificates had been stolen from a ‘certificate authority’ (CA), a trusted body (in this case, the Malaysian Agricultural Research and Development Institute) whose encrypted signature on a website or piece of software tells a browser program that the destination is bona fide. Until the breach was found and the certificate revoked, the keys could be used to impersonate virtually any site on the Internet.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

MP3 link

Here’s an interview I did with the ITSM podcast, about information technology, IT policy, and corporate IT and its implications.

MP3 link

Here’s a recording of a debate I participated in on Monday at Denmark’s Fagfestival (yes, really — Danish has weird English cognates) 2012, the largest gathering of journalists in the country. I debated Peter Schønning, a prominent Danish copyright lawyer, in an event hosted by Henrik Føhns.

MP3 link

I recently recorded an interview with the BBC’s Digital Human programme, which was recording an episode on death. It’s came out very well.

MP3 Link