My Podcast is a regular feed in which I read from one of my stories for a few minutes at least once a week, from whatever friend’s house, airport, hotel, conference, treaty negotiation or what-have-you that I’m currently at. Here’s the podcast feed.
In my latest podcast (MP3), I read my May, 2018 Locus column, “The Engagement-Maximization Presidency,” where I propose a theory to explain the political phenomenon of Donald Trump: we live in a world in which communications platforms amplify anything that gets “engagement” and provides feedback on just how much your message has been amplified so you can tune and re-tune for maximum amplification.
Back in 2007, I wrote a science fiction novella called “The Great Big Beautiful Tomorrrow,” about an immortal, transhuman survivor of an apocalypse whose father is obsessed with preserving artifacts from the fallen civilization, especially the Carousel of Progress, an exhibition that GE commissioned from Disney for the 1964 World’s Fair in New York, which is still operating in Walt Disney World.
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In my latest podcast (MP3), I read my new Locus column, “Jeannette Ng Was Right: John W. Campbell Was a Fascist,“which revisits Jeannette Ng’s Campbell Awards speech from this summer’s World Science Fiction convention.
Séan Connors is a young adult literature researcher at the University of Arkansas, whose podcast, The Storyteller’s Thread, features long-form interviews with young adult writers “on their writing process; on social and political topics that influence their work; on their motivation for writing for young readers: and on other writers and artists whose work challenges and inspires them.”
I had the pleasure of recording with Connors on his latest episode (MP3), where we talked about youth activism and YA literature, how I became a writer and then a YA writer, and how schools could do a better job of teaching technical and privacy literacy.
In my latest podcast (MP3), I read my short story “Affordances,” which was commissioned for Slate/ASU’s Future Tense Fiction. it’s a tale exploring my theory of “the shitty technology adoption curve,” in which terrible technological ideas are first imposed on poor and powerless people, and then refined and normalized until they are spread over all the rest of us.
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Henry Jenkins (previously) is the preeminent scholar of fandom and culture; Colin Maclay is a communications researcher with a background in tech policy; on the latest episode of their “How Do You Like It So Far” podcast (MP3), we had a long discussion about a theory of change based on political work and science fictional storytelling, in which helping people imagine a better world (or warn them about a worse one) is a springboard to mobilizing political action.
Talking science fiction, technological self-determination, inequality and competition with physicist Sean Carroll
Sean Carroll is a physicist at JPL and the author of many popular, smart books about physics for a lay audience; his weekly Mindscape podcast is a treasure-trove of incredibly smart, fascinating discussions with people from a wide variety of backgrounds.
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In my latest podcast (MP3), I read my short story “Materiality,” which was commissioned for Gross Ideas: Tales of Tomorrow’s Architecture, a book edited by Edwina Attlee, Phineas Harper and Maria Smith that is part of the Oslo Architecture Triennale.
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In my latest podcast (MP3), I read my Green European Journal short story about the terrible European Copyright Directive which passed last March, False Flag. Published in December 2018, the story highlights the ways in which this badly considered law creates unlimited opportunities for abuse, especially censorship by corporations who’ve been embarassed by whistleblowers and activists.
The crew couldn’t even supply their videos to friendly journalists to rebut the claims from the big corporate papers. Just *linking* to a major newspaper required a paid license, and while the newspapers licensed to one another so they could reference articles in rival publications, the kinds of dissident, independent news outlets that had once provided commentary and analysis of what went into the news and what didn’t had all disappeared once the news corporations had refused to license the right to link to them.
Agata spoke with a lawyer she knew, obliquely, in guarded hypotheticals, and the lawyer confirmed what she’d already intuited.
“Your imaginary friend has no hope. They’d have to out themselves in order to file a counterclaim, tell everyone their true identity and reveal that they were behind the video. Even so, it would take six months to get the platforms to hear their case, and by then the whole story would have faded from the public eye. And if they *did* miraculously get people to pay attention again? Well, the fakers would just get the video taken offline again. It takes an instant for a bot to file a fake copyright claim. It takes months for humans to get the claim overturned. It’s asymmetrical warfare, and you’ll always be on the losing side.”
Last week, the Escape Pod podcast published part one of a reading of my YA novella “Martian Chronicles,” which I wrote for Jonathan Strahan’s Life on Mars anthology: it’s a story about libertarian spacesteaders who move to Mars to escape “whiners” and other undesirables, only to discover that the colonists that preceded them expect them to clean the toilets when they arrive.
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