Monthly Archives::
May 2013
My latest Guardian column is “3D printed guns are going to create big legal precedents,” and it looks at an underappreciated risk from 3D printed guns: that courts will be so freaked out by the idea of 3D printed guns that they’ll issue reactionary decisions that are bad for the health of the Internet and its users:
More interesting is the destiny of the files describing 3D printed guns. These model-files have been temporarily removed from the internet at the behest of the US State Department, which is investigating the possibility that they violate the International Traffic in Arms Regulations. Wilson says that he’s on safe ground here, because the regulations do not cover material in a library, and he says the internet is like a library. As this is taking place in the US, there’s also the First Amendment to be considered, which limits government regulation of speech.
Here’s where things get scary for me. Defense Distributed is headed for some important, possibly precedent-setting legal battles with the US government, and I’m worried that the fact that we’re talking about guns here will cloud judges’ minds. Bad cases made bad law, and it’s hard to think of a more emotionally overheated subject area. So while I’d love to see a court evaluate whether the internet should be treated as a library in law, I’m worried that when it comes to guns, the judge may find himself framing the question in terms of whether a gun foundry should be treated as a library.
Well, this is fabulous news: Rapture of the Nerds, the novel Charlie Stross and I published last year, is a finalist for the 2013 Campbell Award for best novel. It’s in some truly outstanding company, too — check out that shortlist!
Well, this is fabulous news: Rapture of the Nerds, the novel Charlie Stross and I published last year, is a finalist for the 2013 Campbell Award for best novel. It’s in some truly outstanding company, too — check out that shortlist!
Here’s the video of “It’s not a fax machine connect to a waffle iron,” the talk I gave at the Re:publica conference in Berlin this week: “Lawmakers treat the Internet like it’s Telephone 2.0, the Second Coming of Video on Demand, or the World’s Number One Porn Distribution Service, but it’s really the nervous system of the 21st Century. Unless we stop the trend toward depraved indifference in Internet law, making – and freedom – will die.”
re:publica 2013 – Cory Doctorow: It’s not a fax machine connect to a waffle iron
The 2013 Locus Awards final ballot has been announced, and as ever, it is a fabulous guide signposting some of the very best work published science fiction and fantasy in the past year — a perfect place to start your explorations of the year’s books.
I am very honored to have been included on the ballot; my novel Pirate Cinema made the Best Young Adult novel list, which is a particularly strong category this year:
- The Drowned Cities, Paolo Bacigalupi (Little, Brown; Atom)
- Pirate Cinema, Cory Doctorow (Tor Teen)
- Railsea, China Miéville (Del Rey; Macmillan)
- Dodger, Terry Pratchett (Harper; Doubleday UK)
- The Girl Who Fell Beneath Fairyland and Led the Revels There, Catherynne M. Valente (Feiwel and Friends; Much-in-Little ’13)
See the full ballot after the jump.
As I mentioned in my March Locus column, I’m celebrating the tenth anniversary of Down and Out in the Magic Kingdom by m planning a prequel. volume As part of that, planning’I going to read aloud the entire text of that first book into the podcast, making notes on the book as I go. Here’s part six.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
Slate’s “Stranger Than Fiction” podcast has just aired its second episode: a discussion between Tim Wu (a cyberlawyer, Internet scholar and good egg) and me (MP3)! Future installments will include talks with Kim Stanley Robinson and Margaret Atwood (as well as others) — the inaugural episode featured Tim in discussion with Neal Stephenson.
My latest Locus column, “Improving Book Publicity in the 21st Century,” addresses the lack of automation and management in traditional publishing an publicity, and suggests some simple and cheap ways that publishers could join up the way its editorial, marketing a PR departments communicate with reviewers and other publicity outlets to save money and score more PR for their writers.
Right now, this stuff all lives in separate word-processing files and spreadsheets in different departments’ hands, which results in all sorts of bizarre occurrences that I see firsthand.
There’s the trilogy whose first volume I blurbed, and whose first two volumes I glowingly reviewed – and I sold a ton of each. The publisher didn’t send me book three for review, even though it had a quote of mine on the front cover, the back cover, and the jacket-flap. They didn’t even tell me it was out – by the time I saw it in a store, it had been out for a month, and my review showed up weeks after the book’s publicity push was over.
I know how that happened: the cover quotes came from editorial and were sent to marketing, which had them in a word-processing document. When PR brainstormed people to send review copies to, they forgot to include me, so it fell through the cracks.
There’s the graphic novel series, now in up to something like 17 volumes. I’ve given every book a positive review, and all the new volumes have quotes from me on the cover. I never get review copies of this one – I don’t even get a notice from the PR department when a new volume is out. But the same PR department has sent me something like nine volumes of another series, none of which I’ve ever reviewed. If I don’t review book one, that means I either didn’t like it, or didn’t even bother with it because it looked so unpromising. Having skipped book one, you can be certain I won’t review book two. This same publisher sends me mountains of single-issue comics, even though I’ve never reviewed one of those.
