/ / Makers, News


HarperVoyager, my UK publisher, have just published British editions of the three novels they didn’t already have in print: Down and Out in the Magic Kingdom, Eastern Standard Tribe, and Someone Comes to Town, Someone Leaves Town. There’s also a UK paperback edition of Makers out this week.

I’m going to be celebrating all these UK launches at Clerkenwell Tales in London on July 20, in an event with China Mieville, chaired by English PEN’s Robert Sharp. The event’s set for 7PM and space is limited (though attendance is free). Email Clerkenwell Tales to RSVP.

/ / Eastern Standard Tribe, News


HarperVoyager, my UK publisher, have just published British editions of the three novels they didn’t already have in print: Down and Out in the Magic Kingdom, Eastern Standard Tribe, and Someone Comes to Town, Someone Leaves Town. There’s also a UK paperback edition of Makers out this week.

I’m going to be celebrating all these UK launches at Clerkenwell Tales in London on July 20, in an event with China Mieville, chaired by English PEN’s Robert Sharp. The event’s set for 7PM and space is limited (though attendance is free). Email Clerkenwell Tales to RSVP.

/ / News, Someone Comes to Town, Someone Leaves Town


HarperVoyager, my UK publisher, have just published British editions of the three novels they didn’t already have in print: Down and Out in the Magic Kingdom, Eastern Standard Tribe, and Someone Comes to Town, Someone Leaves Town. There’s also a UK paperback edition of Makers out this week.

I’m going to be celebrating all these UK launches at Clerkenwell Tales in London on July 20, in an event with China Mieville, chaired by English PEN’s Robert Sharp. The event’s set for 7PM and space is limited (though attendance is free). Email Clerkenwell Tales to RSVP.

/ / News


HarperVoyager, my UK publisher, have just published British editions of the three novels they didn’t already have in print: Down and Out in the Magic Kingdom, Eastern Standard Tribe, and Someone Comes to Town, Someone Leaves Town. There’s also a UK paperback edition of Makers out this week.

I’m going to be celebrating all these UK launches at Clerkenwell Tales in London on July 20, in an event with China Mieville, chaired by English PEN’s Robert Sharp. The event’s set for 7PM and space is limited (though attendance is free). Email Clerkenwell Tales to RSVP.

/ / Podcast

Here’s part two of the podcast of I Love Paree, a short story I co-wrote with Michael Skeet, originally published in Asimov’s Magazine in December 2000. It’s the story of a business consultant living in revolutionary Paris during an anti-corporatist uprising, and what he does after he’s conscripted into the Communard Army.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

/ / News

My latest Locus column, “What I Do,” is a pretty thorough inventory of the apps, OSes, hardware and services I use on a day to day basis:

From time to time, people ask me for an inventory of the tools and systems I use to get my work done. As a hard-traveling, working writer, I spend a lot of time tinkering with my tools and systems. At the risk of descending into self-indulgence (every columnist’s occasional privilege), I’m going to try to create a brief inventory, along with a wish/to-do list for the next round.

What I Do

Review:

Counterpunch

This story is fiction and describes a world known as “virtual.” Yet, the economics discussed in its pages are as real as your laid off friend or the foreclosures up and down the street. In a time when national economies rise and fall on algorithms designed to sell money that never existed and corporate executives go unpunished for stealing thousands of people’s pensions and livelihoods, the idea that the virtual world may well provide us with clues on how to organize the real one is not far-fetched at all. Perhaps we should listen up.

Ron Jacobs, Counterpunch

/ / For The Win, News

John Clute’s smashing review of For the Win in the latest Strange Horizons compares the book (and me) to Heinlein in his heyday. Color me delighted!

There are a lot of MMORPG battles in the first half of the book, and a lot of lessons—much more interesting —about gameworld economies, and gold farming, and derivatives, in the second. The climax of the tale is double: an at times kinetically arousing narrative of the joining of the oppressed of the world and gameworlds in worldwide strike actions; and a neat narrative—infodumps hanging into the page whenever necessary — explaining how the greedy corporations of the world have been lured into a ponzi scheme engineered by members of our extremely clever crew, and how these corporations are forced into a humiliating climb-down at the very end: in the line of SF created by Heinlein, proper mousetraps trap proper mice: period.

Doctorow doesn’t write a bad sentence; he doesn’t even ever write a sentence you have to read twice. You can feel story pounding through the arteries of For the Win