/ / News

Here’s the full text of the Writers’ Digest interview that was on the cover of last month’s issue:

YOU’VE SAID YOU LEARNED AT THE CLARION SCIENCE FICTION & FANTASY WRITERS’ WORKSHOP HOW TO SIT DOWN AT THE KEYBOARD AND “OPEN A VEIN.” HOW DID THAT CHANGE YOUR WRITING?

That’s a variation on a famous old writing aphorism, something like: “Writing is easy—all you have to do is sit down at your typewriter and open a vein.” I was 21 when I went to Clarion. Before, when I would sit down at a keyboard, I would feel “the magic”—that feeling that you’re putting down words that are entertaining and witty and sometimes very vivid. I would feel the cleverness—that feeling you get if you happen to be the guy who tells the funniest joke in the room at the lull in the conversation. Everybody laughs and for a moment you kind of bask in their adulation.

But what I didn’t feel was that kind of heart-tugging feeling—that feeling you get when you’re in dangerous territory. The feeling I had before was the feeling of having successfully told a joke; the feeling I try to get now is that feeling you get just before you try the joke, when you don’t know if it will succeed. That feeling of trepidation, of being slightly out of control, of taking a risk, of not knowing whether you are going to crash and burn—that feeling.

/ / Makers, News

I’m launching the book in the UK at Forbidden Planet London on October 29.

I’m also doing a Canadian launch at The Merril Collection in Toronto on November 12 (7pm, The Merril Collection of Science Fiction, Speculation, and Fantasy, 239 College Street, 3rd Floor, Toronto, Ontario M5T 1R5, +1 416 393-7748), with books on sale from Bakka Books (you can pre-order signed copies from them if you can’t make it).

There isn’t a US launch per se, but I’ll be doing a short US tour with stops in NYC, NJ, Boston and Philly, and I hope to see you at one of those dates!

/ / Makers, News

Clerkenwell Tales is a great, new independent bookstore located just a few blocks from my office in London. Peter, the owner, has graciously agreed to accept orders for signed, inscribed copies of Makers. Just email or phone (+44 20 771 38135) him and tell him how many copies you’d like and what you’d like inscribed on them, and I’ll drop by once or twice a week (less often if I’m out of town!) and sign all the orders.

For North Americans, I’ll be doing a book launch in Toronto with Bakka Books and the Merril Collection library on (Nov 12, 7pm, The Merril Collection of Science Fiction, Speculation, and Fantasy, 239 College Street, 3rd Floor, Toronto, Ontario M5T 1R5, +1 416 393-7748), and they’re glad to take orders for inscribed copies beforehand. I’ll sign them all for shipping on the day.

/ / Makers, News

Kevin Carson at the P2P Foundation has a great economics-centric review of Makers that really gets into some of the interesting questions raised by the book:

Taken all together, it sounds like an example of what Paul Goodman called “comfortable poverty”: traditional monetary metrics of standard of living, in a time of imploding costs, have limited relevance. The main drawbacks are the uncertainty of property titles (a familiar theme from Hernando de Soto), and the undeveloped social support networks. The lack of adequate healthcare ranks high as an example of the latter concern. But with garage microfactories capable of churning out syringes and IV pumps, and plenty of underemployed MDs at a time when employer-based health insurance (in Doctorow’s scenario) is likely collapsing like a house of cards, the idea of a revived system of “lodge practice,” with decent quality cooperative clinics and even operating theaters run out of storefronts for credit on the shantytown barter network, seems quite plausible.

In their early days the towns of medieval Europe, growing up outside the feudal structure, probably had a flavor something like this. As old villages at strategically situated crossroads and fords began to swell with runaway serfs, and artisans setting up in business for themselves to service the revived commerce, they found themselves in an irregular legal status vis-a-vis the feudal lords in whose territories their town walls technically lay. By building walls and raising militias, federating together, and appealing to the new central governments’ interest in promoting commerce, they were able to compel de jure recognition via royal charters. But state recognition followed from their prior demonstration, on their own, that they were the building blocks of the new society. In fact, until the introduction of artillery capable of battering down town walls, recognition of royal sovereignty by leagues of free towns became very nearly pro forma. That’s the way I learned it from Kropotkin, anyway.

Review:

Publishers Weekly

In this tour de force, Doctorow (Little Brother) uses the contradictions of two overused SF themes—the decline and fall of America and the boundless optimism of open source/hacker culture—to draw one of the most brilliant reimaginings of the near future since cyberpunk wore out its mirror shades. Perry Gibbons and Lester Banks, typical brilliant geeks in a garage, are trash-hackers who find inspiration in the growing pile of technical junk. Attracting the attention of suits and smart reporter Suzanne Church, the duo soon get involved with cheap and easy 3D printing, a cure for obesity and crowd-sourced theme parks. The result is bitingly realistic and miraculously avoids cliché or predictability. While dates and details occasionally contradict one another, Doctorow’s combination of business strategy, brilliant product ideas and laugh-out-loud moments of insight will keep readers powering through this quick-moving tale. (starred review)

Publishers Weekly
Review:

Library Journal

After winning acclaim and awards for his YA novel Little Brother, Locus Award winner Doctorow (Down and Out in the Magic Kingdom) returns to adult sf. His latest involves a corporate executive who funds high-tech microprojects—they cost thousands of dollars instead of millions—a pair of inventors who can make anything out of anything, and a blogger who chronicles their careers. Doctorow isn’t Pollyannesque about the effects of rapid technological change: change of such scope and force is often devastating—boom followed by bust, then boom again, then bust. The ending of this well-written, well-conceived novel is bittersweet. VERDICT In speculative fiction, too often the ideas outrun the writing, but not here. Doctorow’s novel features a good, modest story, appealing characters, and extremely interesting ideas that will appeal to his fans and sf aficionados as well as readers interested in cogitating on the social consequences of cybertechnology’s near-exponential growth. Enthusiastically recommended.

Library Journal, David Keymer, Modesto, CA (starred review)

/ / Podcast

Here’s the sixth installment of a story-in-progress, Epoch, commissioned by Mark Shuttleworth for my forthcoming short story collection WITH A LITTLE HELP.

MP3 Link

/ / News

My latest Guardian column, “Corporate bullying on the net must be resisted,” describes the way that copyright “self-help” measures that let rightsholders force ISPs to take action against infringement without court oversight are rife with abuse. The UK is one of many countries presently considering a law allowing record and movie companies to take whole households off the Internet if one member is accused — without proof — of breaking copyright three times.

It is the norm for ISPs to remove anything and everything on receipt of a legal notice. A group of Oxford internet researchers tried an experiment with this a few years ago, posting copies of John Stuart Mill’s 1869 On Liberty on a variety of European ISPs’ servers, and then sending notices to the ISPs purporting to come from Mill’s copyright holders (Mill’s copyrights are nonexistent, having returned to the public domain more than a century ago) and demanding that On Liberty be taken down. All but one of the ISPs in the study complied.

And why not? For a free hosting service such as Blogspot or YouTube or Flickr or Scribd, the lifetime profit from a given customer is likely exceeded by the cost of one call to a solicitor asking for advice on a takedown notice. Even paid services operate on such razor-thin margins that they’re unlikely to seek legal advice in the face of most threats.

So, the notice-and-takedown system – a feature of copyright law the world round, thanks to the World Intellectual Property Organization (WIPO) treaties that require it – has become an easily abused, cheap, and virtually risk-free way of effecting mass censorship on the flimsiest pretence. Everyone from the Church of Scientology to major fashion companies avail themselves of this convenient system for making critics vanish.


Corporate bullying on the net must be resisted

/ / Podcast

Here’s the fifth installment of a story-in-progress, Epoch, commissioned by Mark Shuttleworth for my forthcoming short story collection WITH A LITTLE HELP.

MP3 Link