36 weeks ago — give or take — I set out to read my 2005 novel Someone Comes to Town, Someone Leaves Town aloud, in installments, in my podcast. And now I am done.

Someone Comes to Town is my weirdest book by far, a fantasy novel about a man whose father is a mountain and whose mother is a washing machine, who moves from small-town Ontario to Toronto to help build a citywide meshing wireless network with a crustypunk dumpster-diver.

Reading the book aloud was enormously satisfying. I hadn’t read it through since I finished the final draft in 2004, and in many ways it was like coming back to it for the first time.

But even more satisfying was the participation from my readers. First there was John Taylor Williams, of DC’s Wryneck Studios, who volunteered to master the audio for me, adding bed-music, editing out the gonks, and making it sound really good — he started this around week 27, and it seriously improved the final 9 episodes.

Then Glenn Jones, a reader in the UK, decided to create a dedicated podcast feed for the book, with all 36 episodes, to make it easy to fetch and play in one gulp.

Im not sure what I’ll podcast next — I have a little more than a week to think about it — but I’m really looking forward to it.

Podcast feed for Someone Comes to Town, Someone Leaves Town

My podcast feed

Someone Comes to Town, Someone Leaves Town

I’m speaking at the odd and cool-sounding Longplayer “Long Conversation” event this Saturday in London. The “Long Conversation” is a twelve-hour continuous on-stage conversation in which the participants rotate on and off the stage every 36 minutes. One of the organisers is a friend and he waxed so rhapsodic about previous events that I jumped at the chance. Tix are £15 (£12 concessions) and you can get a third off that by using the promo code 144 here.

10:00-10:36 Jeanette Winterson with Susie Orbach
10:36-11:12 Susie Orbach with Daniel Glaser
11:12-11:48 Daniel Glaser with Sophie Fiennes
11:48-12:24 Sophie Fiennes with Mark Miodownik
12:24-13:00 Mark Miodownik with Cory Doctorow
13:00-13:36 Cory Doctorow with Ruth Padel
13:36-14:12 Ruth Padel with Lewis Wolpert
14:12-14:48 Lewis Wolpert with Charles Arsene-Henry
14:48-15:24 Charles Arsene-Henry with Mark Lythgoe
15:24-16:00 Mark Lythgoe with Bonnie Greer
16:00-16:36 Bonnie Greer with Marcus du Sautoy
16:36-17:12 Marcus du Sautoy with Robert Peston
17:12-17:48 Robert Peston with Steven Rose
17:48-18:24 Steven Rose with Lisa Jardine
18:24-19:00 Lisa Jardine with Andrew Kotting
19:00-19:36 Andrew Kotting with David Toop
19:36-20:12 David Toop with Mark Haddon
20:12-20:48 Mark Haddon with Rachel Armstrong
20:48-21:24 Rachel Armstrong with Vincent Walsh
21:24-22:00 Vincent Walsh with Jeanette Winterson

Longplayer

Ross sez, “Recently, I stumbled upon a website called wordle.net, which creates images out of text files. The image is calculated in a histogram style, with words that appear more appearing larger than words that don’t appear as often. I decided to hack the algorithm by pasting ‘Little Brother Cory Doctorow’ about a thousand times (don’t worry- it wasn’t labor intensive- I used gvim and the handy keyboard shortcuts) before the text of your novel to allow your name and the title to appear more prominently in the image, for those that are into that sort of thing. The wordles have a Creative Commons Attribution 3.0 license, so I’m pretty sure they could be redistributed instead of your licensed cover art on freely downloadable versions, if you felt like it. The only caveat is that you need to attribute the image to wordle.net. The images I have attached are free for you to use. I’m not related to this website at all. I just thought it was cool.”

Tomorrow (Thursday) night, I’m appearing on stage in London with my fellow sf writers Gwyneth Jones, Ian Watsonand Matthew de Abaitua for an odd live event called “The BAD IDEA Butcher’s Shop: FUTURE HUMAN.” Here’s the pitch:

The Butcher’s Shop is a unique writers’ workshop and theatrical experience. Hosted by BAD IDEA’s editors at the Old Operating Theatre Museum in London, short stories submitted by guests are dissected, chopped up, and improved through an intensive process of live editing and debate.

It’s £12 to attend, and attendees are given free gin (!), and it runs 7pm – 9pm at the Old Operating Theatre Museum and Herb Garret, 9a St. Thomas’s St., London SE1 9RY.

Hope to see you!

The BAD IDEA Butcher’s Shop: FUTURE HUMAN

My latest Locus column, “Special Pleading,” talks about the damned-if-you-do/ damned-if-you-don’t nature of free ebook scepticism. When I started out giving away my print novels as free ebooks, critics charged that it only worked because I was so obscure that I needed the exposure. Now that I’ve had a book on the NYT bestseller list, a new gang of critics claim my strategy only works so well because I’m established and can afford to lose sales to free ebooks. The arguing tactic is called “special pleading,” and it’s a dirty rhetorical trick indeed!

The Down and Out in the Magic Kingdom experiment really pissed people off. It was denounced as a breaking of ranks with authors as a class, and as a stunt that I could only afford because I had so little to lose, being such a nobody in the field with my handful of short story sales and my tiny print run — at least when compared to the big guys. Free samples were good news if no one had heard of you, but for successful writers, free downloads were poison.

To “prove” this, critics often pointed to Stephen King’s experiment in online publishing, “The Plant,” which King gave up as a bad job after earning a mere hundreds of thousands of dollars in voluntary payments, and which he never returned to. A genuinely successful writer like King had nothing to gain from the publicity value of free downloads, they said (ironically, this appears to be the story that Charles referred to in the July Locus, citing it as proof of the success of free downloads).

Special Pleading