Here’s a great BBtv episode we shot at The Secret Headquarters, my favorite comic shop, while I was in LA last month!
Monthly Archives::
July 2008
Infinite Matrix editor Eileen Gunn sez, “I’ve put up a new issue of the Infinite Matrix — in honor of Cory’s birthday and because I have three great stories the world needs to read: a reprint of Cory’s fine Nimby and the Dimension Hoppers and two excellent stories by writers from Eastern Europe: Serbian activist and writer Yasmina Tesanovic’s charming Cats and Cars at and Ukrainian SF writer Yana Dubinianska’s spine-tingling Barge over Black Water. ”
Nimby and the D-Hoppers is one of my most widely reprinted stories, and it’s one of a very small handful of stories that I hadn’t yet published for free online, though it has been released as CC-licensed podcasts and a CC licensed comic. As with the other adaptations, the text is Creative Commons Attribution-NonCommercial-ShareAlike.
And yup, yesterday was my birthday! I’m 37, which means I’m now in my prime. It sure beats being a total square at 36.
Craphound, the first short story I ever published in a professional market, has been turned into a fine little audio reading by Literal Systems (using the Creative Commons license), read by Rosalia Triana.
Craphound had wicked yard-sale karma, for a rotten, filthy alien bastard. He was
too good at panning out the single grain of gold in a raging river of
uselessness for me not to like him — respect him, anyway. But then he found the
cowboy trunk. It was two months’ rent to me and nothing but some squirrelly
alien kitsch-fetish to Craphound.So I did the unthinkable. I violated the Code. I got into a bidding war with a
buddy. Never let them tell you that women poison friendships: in my experience,
wounds from women-fights heal quickly; fights over garbage leave nothing behind
but scorched earth.Craphound spotted the sign — his karma, plus the goggles in his exoskeleton,
gave him the advantage when we were doing 80 kmh on some stretch of back-highway
in cottage country. He was riding shotgun while I drove, and we had the radio on
to the CBC’s summer-Saturday programming: eight weekends with eight hours of old
radio dramas: “The Shadow,” “Quiet Please,” “Tom Mix,” “The Crypt-Keeper” with
Bela Lugosi. It was hour three, and Bogey was phoning in his performance on a
radio adaptation of _The African Queen_. I had the windows of the old truck
rolled down so that I could smoke without fouling Craphound’s breather. My arm
was hanging out the window, the radio was booming, and Craphound said “Turn
around! Turn around, now, Jerry, now, turn around!”
(Thanks, Bri!)
I recorded this interview last year when I was the Guest of Honor at Orycon in Portland, but it didn’t go live until today. It’s a little different from my normal interview.
Reminder: I’m speaking tonight at the University Bookstore in Seattle as part of the Clarion West reading series — hope to see you there!
Where: University Book Store, 4326 University Way NE in Seattle.
When: Jul 8 2008, 7PM
I’m giving a public reading and talk in Seattle this Tuesday as part of the excellent Clarion West reading series, through which all six instructors do free appearances (you can meet the Clarion West students at these, too!). There’s also a public party on Friday.
Where: University Book Store, 4326 University Way NE in Seattle
When: Tuesday, July 8, 7PM
I just got word from IDW, the publishers of my graphic novel Cory Doctorow’s Futuristic Tales of the Here and Now (which collects six of my short stories, adapted for comics by a team of talented writers and artists), that Barnes and Noble and Books-a-Million have both taken very large orders of the hardcover, every copy of which is signed and numbered (yes, I signed thousands and thousands of tip-in sheets, by hand, until I thought my arm would fall off).
They’re available online, of course, but practically every BN and BAM store nationwide is bound to have them. The book has also seen great orders from independents across the nation — and, of course, it’s available as a free, Creative Commons licensed download.
Futuristic Tales on BN.com
Futuristic Tales at Books-a-Million,
Futuristic Tales at independent booksellers near you
Locus Magazine’s just published my latest column, “Nature’s Daredevils: Writing for Young Audiences,” written in honor of their special young adult publishing issue — in it, I examine the lessons I’ve learned in writing my first YA book, Little Brother:
Genre YA fiction has an army of promoters outside of the field: teachers, librarians, and specialist booksellers are keenly aware of the difference the right book can make to the right kid at the right time, and they spend a lot of time trying to figure out how to convince kids to try out a book. Kids are naturals for this, since they really use books as markers of their social identity, so that good books sweep through their social circles like chickenpox epidemics, infecting their language and outlook on life. That’s one of the most wonderful things about writing for younger audiences — it matters. We all read for entertainment, no matter how old we are, but kids also read to find out how the world works. They pay keen attention, they argue back. There’s a consequentiality to writing for young people that makes it immensely satisfying. You see it when you run into them in person and find out that there are kids who read your book, googled every aspect of it, figured out how to replicate the best bits, and have turned your story into a hobby. We wring our hands a lot about the greying of SF, with good reason. Just have a look around at your regional con, the one you’ve been going to since you were a teenager, and count how many teenagers are there now. And yet, young people are reading in larger numbers than they have in recent memory. Part of that is surely down to Harry Potter, but on this tour, I’ve discovered that there’s a legion of unsung heroes of the kids-lit revolution.
Here’s another installment of me reading from the book on BBtv!
