In my latest Locus column, “Cheap Writing Tricks,” I ruminate on what makes fiction work — why we perceive stories as stories, why we care about characters, and how the construction of stories interacts with the human mind (and why How to Win Friends and Influence People is a great writing tool).
In my latest Guardian column, I explain how UK prime minister David Cameron’s plan to opt the entire nation into a programme of Internet censorship is the worst of all worlds for kids and their parents. Cameron’s version of the Iranian “Halal Internet” can’t possibly filter out all the bad stuff, nor can it avoid falsely catching good stuff we want our kids to see (already the filters are blocking websites about sexual health and dealing with “porn addiction”). That means that our kids will still end up seeing stuff they shouldn’t, but that we parents won’t be prepared for it, thanks to the false sense of security we get from the filters.
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Here’s part one of my 2003 short story “Flowers From Al,” written with Charlie Stross for New Voices in Science Fiction, a Mike Resnick anthology. It’s a pervy, weird story of transhuman romance.
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
Every year, there’s a day or two between the date that my daughter’s school shuts and the day that my wife’s office shuts for Christmas holidays. Those are the official seasonal mid-week daddy-daughter days, and for the past two years, my daughter and I have gone to my office to record a podcast. Last year’s was great, but I think we hit a new high this year (MP3).
Here’s part four of a reading of my novella Lawful Interception, a sequel, of sorts, to Little Brother and Homeland. In addition to the free online read, you can buy this as an ebook single (DRM-free, of course!)
(Image: Yuko Shimizu)
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
Don Liebold teaches High School English in Milwaukee, where he and his class read my novel Little Brother. He writes: “To celebrate finishing the book, we are playing Jeopardy tomorrow in class. Here is round 1, and here is round 2.
Those are tough questions! I missed a couple!
Don Liebold teaches High School English in Milwaukee, where he and his class read my novel Little Brother. He writes: “To celebrate finishing the book, we are playing Jeopardy tomorrow in class. Here is round 1, and here is round 2.
Those are tough questions! I missed a couple!
Here’s part three of a reading of my novella Lawful Interception, a sequel, of sorts, to Little Brother and Homeland. In addition to the free online read, you can buy this as an ebook single (DRM-free, of course!)
(Image: Yuko Shimizu)
Mastering by John Taylor Williams: wryneckstudio@gmail.com
John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”
Josh Costello is the playwright who created the award-winning, sold-out stage adaptation of my novel Little Brother. Now, he writes, “The stage adaptation of Cory’s novel Little Brother was a big hit in San Francisco in 2012, and the script is now available for licensing. Want to see Little Brother on stage in your city? Playwright Josh Costello has posted information about licensing the script, along with video clips, photos, and reviews from the premiere. If you know folks in your local theatre community that might be interested in producing the play, this is where to send them.
“Theaters will want to know that the adaptation is a full-length play for three actors (one woman and two men). There is also a large-cast version available (which might especially appeal to schools). A script sample (as published in Theatre Bay Area Magazine) is available for download.
Tomorrow night, I’ll be at Edinburgh’s Pulp Fiction Books for a talk and signing! It’s free to attend (but ticketed, due to limited space), and runs from 7PM to 8:30. Hope to see you!
