My new Internet Evolution column is up: “Don’t Judge New Media by Old Rules” considers the amazing hidden media formats that have been revealed by the Internet’s loosening of formal strictures:

Isn’t it amazing that there’s always exactly 60 minutes’ worth of news everyday, and that, when transcribed, it fills exactly one newspaper?

Have you ever stopped to think how utterly fortuitous it is that every televisual story worth telling can be neatly broken into segments of exactly 22 minutes (plus commercials) or 48 minutes (ditto)? That every story that makes a good subject for a film takes somewhere between 90 minutes and two hours to tell? That all albums fit conveniently on one or sometimes two CDs, except for best-of compilations? That all books are exactly long enough to bind within a single set of covers and not so short as to allow those covers to touch in the middle?

These are all technological norms that represent technological hangovers: We now assume that certain distributors will carry a particular sort of carton, and its contents will go onto a certain kind of shelf; 10-foot-tall photography books don’t fit in those cartons, and the trucks are already fitted for those cartons, and the shelves have been screwed into the walls of the bookstores.

Don’t Judge New Media by Old Rules

Austin “Soon I Will Be Invincible” Grossman’s written a fantastic review of my young adult novel Little Brother for this weekend’s New York Times book review section. Incidentally, the book went into a fifth hardcover printing last week, and is going back for a sixth printing next week because so many orders came in between the fifth printing being set up and it being delivered!

“Little Brother” is a terrific read, but it also claims a place in the tradition of polemical science-fiction novels like “Nineteen Eighty-Four” and “Fahrenheit 451” (with a dash of “Mr. Smith Goes to Washington”). It owes a more immediate debt to Brian Wood and Riccardo Burchielli’s comic book series “DMZ,” about the adventures of a photojournalist in the midst of a new American civil war. …

MY favorite thing about “Little Brother” is that every page is charged with an authentic sense of the personal and ethical need for a better relationship to information technology, a visceral sense that one’s continued dignity and independence depend on it: “My technology was working for me, serving me, protecting me. It wasn’t spying on me. This is why I loved technology: if you used it right, it could give you power and privacy.”

BTW, if I’m not mistaken, there are still some signed first-edition hardcovers in stock at Bakka Books in Toronto and Borderlands in San Francisco, and both stores ship.

Nerd Activists

Love this comic book cover created by Onezumi!

Today, Tachyon Books and I are launching my latest book, Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future, my very first collection of essays. In it are 28 essays about everything from copyright and DRM to the layout of phone-keypads, the fallacy of the semantic web, the nature of futurism, the necessity of privacy in a digital world, the reason to love Wikipedia, the miracle of fanfic, and many other subjects. The book sports a very fine Introduction by John Perry Barlow, and was designed by typography legend John D Berry.

I’m especially chuffed about John’s superb design, because I’m giving the whole electronic text away in the hopes of selling more printed objects, and the fact that this is one of the best-looking books I’ve ever read really makes the case for owning the p-book as well as the e-book (there’s an essay on this subject in the book, too, natch).

As with Little Brother, I’m running a donations program for this book: if you love the book and want to donate something to me for it, you can do so by buying a copy for a librarian or teacher (teachers and librarians: you can request a copy for your institution). This worked incredibly well for Little Brother: we’ve gotten hundreds of copies of that hardcover into the hands of worthy, cash-strapped institutions thanks to the generosity of my readers.

Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future