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Here’s part twenty-nine of my reading of my 2005 novel, Someone Comes to Town, Someone Leaves Town. Thanks to John Williams for mastering!

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

/ / Podcast

Here’s part twenty-eight of my reading of my 2005 novel, Someone Comes to Town, Someone Leaves Town. Thanks to John Williams for mastering!

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

/ / News

My latest Guardian column, “Stop worrying, Hollywood – nobody is stealing your films with mobiles,” looks into the curious practice of forcing attendees at preview screenings to surrender their phones while they see the movie. The industry admits that no one has ever camcordered a movie with a phone, and further, they admit that 100 percent of pre-release leaks come from insiders, not camcordering. And then there’s the small matter of all the data on those hundreds of VIPs’ phones that are left in care while they spend a couple hours watching giant robots throw buildings at each other.

If I wanted to stop movies from being pirated, I’d focus my effort on the places where they leak. In the case of the Oscars, that’s the insider awards voters who leak every movie they’re sent within six days, not the film critics – who have never, ever leaked a movie by recording it at a preview.

Likewise, if I wanted to secure hundreds of mobile phones, my first resort would be to leave them where they are, in cinemagoers’ pockets, which is surely the safest place for them to be. Failing that, I’d have a top-notch security system, with tamper-evident, shielded, opaque bags for storing phones, a system of multiple watchers who kept an eye on each other as well as the phones, and special background checks into anyone allowed anywhere in the vicinity of the handsets.

Oh, and I’d make sure I was carrying special insurance that specifically covered losses due to data breaches from phones in my care.

What does the film industry do to safeguard your phone when you see a preview? It’s very hard to say. No one could really tell me what the details were.

Stop worrying, Hollywood – nobody is stealing your films with mobiles

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Here’s a talk I gave to the Python hackers at Europython in Birmingham, England earlier this month, explaining why Python hackers need to care about the copyright wars.

/ / News, Podcast

The English Arts Council’s Rachel Baker and Charles Beckett came by my office last week to interview me for local radio station ResonanceFM, covering a lot of ground. They broke the interview into five parts for airing and their podcast.

Part 5