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As part of the ongoing serialization of Makers, my forthcoming book (late October 2009, from Tor USA and HarperCollins UK), Tor.com has commissioned a series of 81 interlocking, Creative Commons-licensed illustrations from Idiots’ Books. Each illustration’s four edges line up with any of the other illustrations’ edges.

Now Tor has released a Flash game that lets you arrange the tiles to form new illustrations, with new tiles being added three times a week, as each new installment comes online. Tile away!

Tile Game (Flash)

Behold: The Makers Tile Game, version 1.0!

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Anticipation, the 67th World Science Fiction Convention (to be held in Montreal this year) is almost upon us, and the programming committee has put together a kick-ass program, and they’ve put it online. Here’s my program items — hope to see you there!

Friday
10 AM: Intellectual Property and Creative Commons, with Laura Majerus and Felix Gilman (2-032, P-512CG)

12:30PM: The New Media, with Melissa Auf der Maur, Tobias Buckell, Neil Gaiman, and Ellen Kushner (2-126, P-511BE)

3:30PM: Reading, with Charlie Stross and Connie Willis (2-224R, P-512AE)

8PM: Prometheus Awards, with Fred Moulton, Jo Walton, John C. Wright and Charlie Stross (2-349, P-524A)

9PM: Cecil Street Irregulars: A Canadian Writing Group, with Doug Smith, Karl Schroeder, Madeline Ashby, Michael Skeet, Dave Nickle, Jill Snider Lum and Sara Simmons

Saturday
9AM: Stroll With the Stars (a morning walk!), with Ann Vandermeer, Gay Haldeman, Joe Haldeman, Peter Atwood and Stu Seigel, 3-005, Riopelle Fountain

10AM: Autographs, with Ellen Datlow, Jean-Claude Dunyach, David Anthony Durham, Felix Gilman and Robert Silverberg, 3-053S

5PM: Kaffeeklatsch, 4-263K, P-521C

9PM: Gaiman Reads Doctorow (Neil records one of my stories for an upcoming audiobook), with Neil Gaiman, 3-342, 5-511BE

Monday
9AM: No User Servicable Parts Inside, with C Meeks, Howard Davidson and Jack William Bell

Oh, and a note to Montrealers: the convention centre WiFi is CAD$395 a day!, so I’m hoping to rent someone’s 3G modem, like the Fido Stick modem. I’ll pay your whole month’s data-tariff and I promise not to download porn or warez or anything else likely to get you in trouble with your ISP. I’ll need it from Aug 6-10 (and ideally, I’d like to rent two, so my wife can have one.) If you’re headed to the cottage for the weekend or similar, I’d really appreciate it.

Programming

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I’m headed to Anticipation, the World Science Fiction Convention in Montreal, Canada at the start of August (Aug 6-10) and I’d like to rent someone’s 3G modem. The conference centre charges $395/DAY (!!!) for WiFi. I’ll happily pay your whole monthly data tariff for the favour. If you’re in Montreal and you can part with your modem for a few days (maybe you’re going camping?) send me an email, doctorow@craphound.com. I promise not to download porn, pirate movies or music, or anything else that might get you in trouble with your ISP. And if you’ve got two 3G modems, I’ll rent ’em both, as my wife needs one too!

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Here’s a question for the hivemind: a typographer friend of mine is laying out a book for me, and delivering a printer-ready PDF. After he sends me the PDF, I need to be able to make minor edits and corrections to the type, preferably using Linux. How can I do this?

Update: So it may be that PDF is a poor choice here. My designer uses InDesign and can deliver a file in any of its standard output formats. Is there something that InDesign can produce that I can maintain under Ubuntu?

What I’ve tried so far: (None of this stuff works for my purposes)

* PDFEdit

* OpenOffice PDF Editor

* Scribus

* Inkscape

* PDFScape

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Here’s part twenty-nine of my reading of my 2005 novel, Someone Comes to Town, Someone Leaves Town. Thanks to John Williams for mastering!

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

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Here’s part twenty-eight of my reading of my 2005 novel, Someone Comes to Town, Someone Leaves Town. Thanks to John Williams for mastering!

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a full-time self-employed audio engineer, producer, composer, and sound designer. In his free time, he makes beer, jewelry, odd musical instruments and furniture. He likes to meditate, to read and to cook.

MP3 Link

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My latest Guardian column, “Stop worrying, Hollywood – nobody is stealing your films with mobiles,” looks into the curious practice of forcing attendees at preview screenings to surrender their phones while they see the movie. The industry admits that no one has ever camcordered a movie with a phone, and further, they admit that 100 percent of pre-release leaks come from insiders, not camcordering. And then there’s the small matter of all the data on those hundreds of VIPs’ phones that are left in care while they spend a couple hours watching giant robots throw buildings at each other.

If I wanted to stop movies from being pirated, I’d focus my effort on the places where they leak. In the case of the Oscars, that’s the insider awards voters who leak every movie they’re sent within six days, not the film critics – who have never, ever leaked a movie by recording it at a preview.

Likewise, if I wanted to secure hundreds of mobile phones, my first resort would be to leave them where they are, in cinemagoers’ pockets, which is surely the safest place for them to be. Failing that, I’d have a top-notch security system, with tamper-evident, shielded, opaque bags for storing phones, a system of multiple watchers who kept an eye on each other as well as the phones, and special background checks into anyone allowed anywhere in the vicinity of the handsets.

Oh, and I’d make sure I was carrying special insurance that specifically covered losses due to data breaches from phones in my care.

What does the film industry do to safeguard your phone when you see a preview? It’s very hard to say. No one could really tell me what the details were.

Stop worrying, Hollywood – nobody is stealing your films with mobiles

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Here’s a talk I gave to the Python hackers at Europython in Birmingham, England earlier this month, explaining why Python hackers need to care about the copyright wars.