/ / Down and Out In the Magic Kingdom, News

The San Mateo Daily Journal has a nice article on my talk at the Silicon Valley Futurists’ Salon meeting last week.

“Has this benefited me?” he said. “I don’t have a firm answer. I don’t have another first novel that I can compare with the sales of the first one to. The evidence points to yes, it’s at least been neutral.”

Many at the salon seemed to agree with Doctorow.

“Someone’s finally saying something sensible,” said Daniel Ford, a 24-year-old graduate student at Stanford University. “I guess the base of it [is] that it’s about [ensuring] creativity. If new technological problems come about you deal with them.”

/ / Down and Out In the Magic Kingdom, News

Just a reminder that I’ll be giving a futuristic talk about copyright, DRM, science fiction and whatnot this Friday night at the Silicon Valley Futurist Salon:

We will be back at the Barnes and Noble bookstore at the Hillsdale Shopping Center just across of the San Mateo Caltrain Station. 11 West Hillsdale Blvd., Hillsdale Shopping Center San Mateo, CA 94403 650-341-5560

Link

/ / Down and Out In the Magic Kingdom, News

I’m “appearing” at a book-club that meets in an online roleplaying game called Second Life, this Sunday at 6:30 PM. If you’ve got a Windows box, you can get a free seven-day avatar and join the disucssion!

Cory Doctorow will be the debut guest of the
Hamlet Linden Book Club, the first reading
group (far as we can tell!) to be conducted in
a massively multiplayer online world — Second Life.

This Sunday, Sept. 21, at 6:30pm (PST), Cory
Doctorow’s avatar will appear in the main auditorium
of Second Life, the 3D online society where Hamlet
Linden (aka Wagner James Au) is the world’s
embedded journalist. Cory will discuss his
acclaimed novel *Down and Out in the Magic
Kingdom* with an in-world audience of Second
Life residents.

Link

/ / Down and Out In the Magic Kingdom, News

Over on the Whuffie blog (yes, there is such a thing; no, I did not have anything to do with it; and yes, I am immensely flattered), there’s a guest-blogger writing good, scholarly critical analysis of the economics of the Bitchun Society, the world in which my novel is set.

The danger, pointed out in this passage from Doctorow’s novel, in having a completely subjective, reputation-based economy is that it is quite possible for someone like me to be made an outsider from the economy due to actions for which I had no responsibility. Granted, similar problems exist in a cash-based economy. The market could bottom out, as we all certainly know, and I could be left with stock in… nothing. Still, there are objective factors, along with the subjective ones that move the market, that justify such occurrences. With a reputation economy, the threat of being ostracized unfairly is very real, and very much free from the protections of objectivity. Thus, this points to a problem with such a system. I do not think it is a problem that would defeat the system, as a general concept, but it is one that may justify eschewing it as a device for commerce.

The subjective nature of reputation is an interesting issue that goes beyond Herodotus. It is one that troubles modern politicians and entertainers, sometimes rightly, and sometimes wrongly. It’s for this reason that I think X’s website, and Doctorow’s novel, are such interesting topics of discussion. Reputation is a matter that merits consideration, because it is a value that, subjectively, has massive impact on our life — and on the lives of the ancients.

He makes a good point. The problem (OK, a problem) with Whuffie is that it lacks a lot of the critical stuff that makes up the fundamentals of democratic infrastructure, like protection for minority opinions. Some of that is elided by the lack of scarcity in the novel: it’s hard to be a well-and-truly oppressed minority when every material want is answered in plenty, but the social effect of the normative pressure of Whuffie is ultimately highly corrosive.

To put it more pithily: “Popular speech never needs defending.” Free speech shouldn’t be a popularity contest.

Link

Review:

The Stranger

Doctorow doesn’t undermine this adulation of Disney World with cheap irony. Rather, he presents it entirely on its own terms. The novel itself can’t really be called ironic; instead, it is permeated by a deadpan, slightly creepy sense of effusive sincerity. The characters are all “twittering, Pollyannic” people. They display a sort of dampened affect: a distant, impersonal warmth, unburdened by any hint of anxiety, let alone tragedy. They “can’t help but be friendly”; they have a “look of chirpy helpfulness at their instant disposal.” Sometimes the older folks, who still remember the pre- Bitchun world of scarcity and work, complain that the younger generation lacks fire and passion. But this crit-icism is simply unintelligible to those who have grown up with the Bitchun Society, and spent their entire lives in Disney World.

Steven Shaviro,
The Stranger
Review:

SFCrowsNest

The book is designed simply, with key relationships being established with an economy of words that leads to a reading experience that I found immensely refreshing, accomplishing in approximately two hundred pages what other novels take four hundred to do. I must be becoming used to reading doorstops as the mid-point climax hit me like the slap of an enraged fat woman, unexpected and full of reverberation.

Paul Skevington,
SF Crows’ Nest
Review:

SFSite

Down and Out in the Magic Kingdom is a short novel, only just clocking up two hundred pages. This is an entirely welcome thing at a time when twice that length seems to have become a bare minimum. It’s quick and snappy, pared of all flab. It is not, though it has often been called it, a fun book. This perception is probably due to Doctorow’s sprightly, bantering style. The story itself however is concerned with betrayal and mental breakdown. In this, Paul Di Filippo is right on the money when he identifies Doctorow as being aligned with the axis of serious jocularity (he could also have been describing himself.)