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This unabridged reading of Pirate Cinema, read by Bruce Mann, is sold without DRM, or license agreement of any kind, and by buying it here, you more than triple the royalties I receive for it.

The audiobook was produced by Random House Audio. Once you’ve completed your purchase, you’ll get a download link for a collection of 128Khz MP3 files, in a ZIP archive. Simply open the archive and load into your favourite digital music player.

You’re free to do anything with this that copyright allows — play it, sing it, swing it, yodel it, I don’t give a dern (as Woody Guthrie once said!).

Click here to download an MP3 excerpt from the book

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This unabridged reading of Little Brother, read by Kirby Heyborne, is sold without DRM, or license agreement of any kind, and by buying it here, you more than triple the royalties I receive for it.

The audiobook was produced by Random House Audio (I’ve embedded their preview below). Once you’ve completed your purchase, you’ll get a download link for a collection of 128Khz MP3 files, in a ZIP archive. Simply open the archive and load into your favourite digital music player.

You’re free to do anything with this that copyright allows — play it, sing it, swing it, yodel it, I don’t give a dern (as Woody Guthrie once said!).

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Hey, St Louis readers! Looking forward to meeting you tonight at the first stop of my Pirate Cinema tour, at the St Louis County Library at 7PM! Next up, stops in northern and southern California, Lansing, Chicagoland, NYC, Edmonton, Vancouver, Victoria, Seattle, Toronto and Boston.

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Hey, St Louis, MO! I’m headed your way, for the kick-off of the tour for my latest YA novel, Pirate Cinema. I’ll be at the St. Louis County Library on Tuesday, October 2 at 7PM for an event hosted by Left Bank Books. There are 18 (!) cities on this tour, so be sure and check out the whole schedule. Next on the itinerary: Menlo Park, San Francisco, Berkeley, Pasadena, Redondo Beach — then back across the country to Lansing, MI, and then Chicagoland, New York, DC-area, Edmonton, Vancouver, Seattle, Toronto, and, finally, Boston. I hope to see you (and tell your friends!).

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My latest Guardian column, “Automated calls, fraud and the banks: a mismatch made in hell,” reacts to the news that UK banks are using robo-call machines to check in with customers on possibly fraudulent transactions, and going about it in the worst way possible:

The banks, bless them, are only trying to prevent fraud, but this is a pretty silly way of going about it. For starters, there’s the business of calling up people and asking them to give you all the information necessary to prove that they are indeed a bank customer – all the information that a fraudster needs to impersonate that person at the bank, in other words. The banks have spent decades systematically conditioning us to give our personal information to fraudsters, which is a strange way to prevent fraud.

But at least this silliness had one saving grace: a fraudster can only make so many calls per day, and so the scope of losses from such a programme of bad security education is limited by the human frailties of con-artists.

Enter the robo-caller. The banks are now outsourcing their fraud prevention to computers that can make dozens of calls all at once, around the clock, fishing (or phishing) for someone who just happened to have made an unusual purchase and is thus willing to spill all his details down the phone to get it approved. Note that most of the categories of purchase that trigger false positives from fraud detection systems are also the sort of thing that customers are anxious to see go off without a hitch. The unusual and the urgent often travel together.

Automated calls, fraud and the banks: a mismatch made in hell

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As many of you will know, I’m about to kick off the tour for a new YA science fiction novel, Pirate Cinema, which comes out next week. As with all my other novels, I’ll be putting up Creative Commons-licensed editions of the book for your downloading pleasure.

Now, whenever I do this, many readers write to me and ask if they can send me a tip or a donation to thank me for sharing the book with them. This isn’t a great way for me to earn money, as it cuts my (awesome, DRM-free, kick-ass) publisher out of the loop. I’ve come up with a much better solution: I publish the names of librarians, teachers, and other affiliated people who would like to receive hardcopies of my books, and then point generous donors to that list, so that they can send copies there. I pay an assistant, Ogla Nunes, who keeps track of who’s received their donations, crossing their names off the list when their requests are fulfilled. We’ve collectively donated thousands of books to schools, libraries and similar institutions. As one reader said, this is like paying your debts forward, with instant gratification. What a fine thing indeed.


Here’s where you come in. If you’re a librarian, teacher, or similar person and you would like a free copy or free copies of Pirate Cinema sent to you by one of my readers, please send Olga an email at freepiratecinema@gmail.com with your institutional details and your name so that we can populate the list and have it ready for release day, so that the generous impulses this generates in my readers can be converted to instantaneous action.

We just did this for Rapture of the Nerds, my novel for adults, co-written with Charles Stross, which was published earlier this month, and got an amazing response, both from would-be donation recipients and donors. But with your help, we can leave that signal success in the dust with Pirate Cinema.

Here’s a plot-summary to whet your appetite. I hope I’ll see you on the tour!


Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In the dystopian near-future Britain where Trent is growing up, this is more illegal than ever; the punishment for being caught three times is that your entire household’s access to the internet is cut off for a year, with no appeal.

Trent’s too clever for that too happen. Except it does, and it nearly destroys his family. Shamed and shattered, Trent runs away to London, where he slowly he learns the ways of staying alive on the streets. This brings him in touch with a demimonde of artists and activists who are trying to fight a new bill that will criminalize even more harmless internet creativity, making felons of millions of British citizens at a stroke.

Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven’t entirely reckoned with the power of a gripping movie to change people’s minds….

Read the prologue from Pirate Cinema