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The fall edition of Currents in Electronic Literacy contains a tremendous scholarly essay on my novel Down and Out in the Magic Kingdom by Eric Mason, called “Remediating the Magic Kingdom: Notes Toward a Poetics of Technology.”

This description of the process of flash-baking reveals the textuality of technology because the experience of the Presidents’ lives that the technology delivers is achieved specifically through texts such as “newspaper headlines, speeches, distilled biographies, personal papers.” The technologicity of texts that this description constructs is one that downplays the specific technological context of these textual genres (i.e. attempts to obscure their specific technologicities). The techno-logic of “gestalts” presented above suggests as well that the experience of a technology is irrelevant to its content–that you can place content from newspapers and biographies into the technology of flash-baking without any loss or change. Such a technologicity of texts works to undermine the specificity of a text’s technological context and the lived experience of technology. Conversely, a responsible poetics of technology refuses to ignore and refuses to obscure the irreducible differences of technologies, arguing that a text and the technology used to create and consume it are consubstantial elements that can be articulated but never transcended.

/ / Down and Out In the Magic Kingdom, News

The fall edition of Currents in Electronic Literacy contains a tremendous scholarly essay on Down and Out in the Magic Kingdom by Eric Mason, called “Remediating the Magic Kingdom: Notes Toward a Poetics of Technology.”

This description of the process of flash-baking reveals the textuality of technology because the experience of the Presidents’ lives that the technology delivers is achieved specifically through texts such as “newspaper headlines, speeches, distilled biographies, personal papers.” The technologicity of texts that this description constructs is one that downplays the specific technological context of these textual genres (i.e. attempts to obscure their specific technologicities). The techno-logic of “gestalts” presented above suggests as well that the experience of a technology is irrelevant to its content–that you can place content from newspapers and biographies into the technology of flash-baking without any loss or change. Such a technologicity of texts works to undermine the specificity of a text’s technological context and the lived experience of technology. Conversely, a responsible poetics of technology refuses to ignore and refuses to obscure the irreducible differences of technologies, arguing that a text and the technology used to create and consume it are consubstantial elements that can be articulated but never transcended.

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I’m speaking at next week’s Computers, Freedom and Privacy conference in Seattle, Washington. I’ll be doing two appearances:

  • a panel called “Cyberliberties and the World of Tomorrow—Science Fiction Authors on the Future of Computers, Freedom, and Privacy” with David Brin and Eileen Gunn, Thursday April 14 at 4:15PM and,
  • emceeing EFF’s Pioneer Awards at the Sci Fi Museum, 7:00PM on Wednesday, April 13th.

Hope to see you there!

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If you’re seeing this, it’s because I’ve successfully completed the changeover from the original craphound.com to my spiffy new MT site. Yay me. Here’s an RSS feed — it will get updated with all new pubs, appearances, reviews, articles, press mentions, etc.

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I carry a camera with me wherever I go, and shoot avidly. I upload the best of these photos to the incredible image-sharing service Flickr (disclosure: I once served on the advisory board for Ludicorp, the company that made Flickr). You can check out my pix here.

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I built the original craphound.com back in 1999, so that I could send Jim Van Pelt something to link to on his Campbell Awards site. I was the proverbial shoeless cobbler’s son: I had been earning my living on the Web for seven years, but I’d never bothered to build a personal site.

That was before there was anything like a blog-engine for easy management, so I did it all by hand, and I maintained it (or, in fact, didn’t maintain it) by hand for the intervening years.

It’s time to retire the old boy. The site did me well, but it’s an unmanageable mess. If you want to access it still, I’ve left all the old pages online — check them out here (if you must).

Now that I’ve got a sweet, ligthweight content management system on my back-end I’m hoping that I’m going to be able to keep the site more up-to-date, with each new publication and each new interview or press-mention.

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Back in 2003, Mena Trott was kind enough to build me a website for my first novel, Down and Out in the Magic Kingdom, putting together a beautiful Movable Type template that was simple, elegant and flexible.

I’ve now implemented variations on that template three more times: for my short story collection A Place So Foreign and Eight More, for my second novel, Eastern Standard Tribe, and now for this re-design of Craphound.com itself (I’ll be re-implementing it again, shortly, for my next novel, Someone Comes to Town, Someone Leaves Town).

Each time I re-implement this, I am struck anew by how easy and clean Mena’s design and implementation are. She is truly a virtuosa MT haxx0r, and I’m a lucky man to have had her assistance.

Thanks, Mena!

/ / Eastern Standard Tribe, News

One of the coolest remixes that anyone’s done of my books has been the speed reader that Trevor Smith put together, which flashes the books one word at a time, at high speed, inside a Java applet. Though the words fly past so fast that they practically flicker, they are still readable — there’s some heretofore unsuspected talent buried in our brains for parsing sentences when rendered as rapid-fire flashcards.

Now Crutcher Dunnavant has adapted the speed-reader to run on Java-capable mobile phones, which makes sense: the screen on a handy is just the right size to show one word at a time.

(Thanks, Crutcher!)

/ / Down and Out In the Magic Kingdom, News

Today’s edition of SciFi Wire (the wire service of the SciFi channel) features an amazing, flattering article about the fact that my novel Down and Out in the Magic Kingdom is a finalist for this year’s Nebula Award for Best Novel.

Doctorow also tackles morality, cloning, socialism, poverty, the right to die, freedom of choice, hubris and the cult of celebrity in the book. He said he has heard from many Disney people, and the reaction and comments about the book were “all positive. They say I captured the mood and details just right.”

Down and Out in the Magic Kingdom was released in February 2003 to widespread acclaim. Blog critic Kevin Marks wrote, “About once every 10 years, a science fiction novel appears that redefines the art form. One that describes a world different from our own, but recognizably yours: extrapolated from current trends, but richly evocative of its difference, adding words to the language that needed to be coined.”

The Austin (Texas) Statesman said, “It may be the best debut science-fiction novel since [William Gibson’s] Neuromancer.”

Down and Out in the Magic Kingdom went on to win a Locus Award for best first novel. If it wins the Nebula, it will join Neuromancer (1984) as a debut-novel winner.