The Dunesteef podcast is producing an audio edition of my short story A Place So Foreign, from my collection, A Place So Foreign and Eight More. They’re taking advantage of the Creative Commons license (you can too — any of my stories can be adapted for noncommercial podcasts and other derivative works). They’ve just posted Part I, and it sounds great!
All About:
News
The paperback of Little Brother is out, and it’s already started to attract some top honors. My publicist at Tor just sent the following::
* I am pleased to announce that LITTLE BROTHER by Cory Doctorow has been nominated for the 2011 Young Readers Choice Award, the oldest children’s choice award and sponsored by the Pacific Northwest Library Association (www.pnla.org).
*The New York Public Library’s “Books for the Teen Age” has been renamed “Stuff for the Teen Age” and as such LITTLE BROTHER by Cory Doctorow has made the list under the category “For Guys”.
* Nominated for the ALA Popular Paperbacks for Young Adults 2011 list: Crime Scene Category:
The paperback of Little Brother is out, and it’s already started to attract some top honors. My publicist at Tor just sent the following::
* I am pleased to announce that LITTLE BROTHER by Cory Doctorow has been nominated for the 2011 Young Readers Choice Award, the oldest children’s choice award and sponsored by the Pacific Northwest Library Association (www.pnla.org).
*The New York Public Library’s “Books for the Teen Age” has been renamed “Stuff for the Teen Age” and as such LITTLE BROTHER by Cory Doctorow has made the list under the category “For Guys”.
* Nominated for the ALA Popular Paperbacks for Young Adults 2011 list: Crime Scene Category:
Monday morning (volcano permitting!), I fly to the US for a tour to promote my latest book, the YA novel For the Win. I’ll be making stops in Chicago, Seattle, Portland OR, San Francisco/Palo Alto, Austin, Raleigh/Chapel Hill, New York and Toronto. Tor books has just put the schedule online — I hope to see you!
And yes, the book will be available as a free download, just as soon as I touch down in Chicago and get the site online. I’m also going to pop in at Forbidden Planet London this weekend and sign their stock before I go.
In the virtual future, you must organize to surviveAt any hour of the day or night, millions of people around the globe are engrossed in multiplayer online games, questing and battling to win virtual “gold,” jewels, and precious artifacts. Meanwhile, others seek to exploit this vast shadow economy, running electronic sweatshops in the world’s poorest countries, where countless “gold farmers,” bound to their work by abusive contracts and physical threats, harvest virtual treasure for their employers to sell to First World gamers who are willing to spend real money to skip straight to higher-level gameplay.
Mala is a brilliant 15-year-old from rural India whose leadership skills in virtual combat have earned her the title of “General Robotwalla.” In Shenzen, heart of China’s industrial boom, Matthew is defying his former bosses to build his own successful gold-farming team. Leonard, who calls himself Wei-Dong, lives in Southern California, but spends his nights fighting virtual battles alongside his buddies in Asia, a world away. All of these young people, and more, will become entangled with the mysterious young woman called Big Sister Nor, who will use her experience, her knowledge of history, and her connections with real-world organizers to build them into a movement that can challenge the status quo.
The ruthless forces arrayed against them are willing to use any means to protect their power—including blackmail, extortion, infiltration, violence, and even murder. To survive, Big Sister’s people must out-think the system. This will lead them to devise a plan to crash the economy of every virtual world at once—a Ponzi scheme combined with a brilliant hack that ends up being the biggest, funnest game of all.
Imbued with the same lively, subversive spirit and thrilling storytelling that made LITTLE BROTHER an international sensation, FOR THE WIN is a prophetic and inspiring call-to-arms for a new generation
My latest Locus column, “Persistence Pays Parasites,” describes the process by which I fell prey to a phishing attack on Twitter, and how I learned (the hard way) that my threat-model for this kind of attack was flawed:
Here’s how I got fooled. On Monday, I unlocked my Nexus One phone, installing a new and more powerful version of the Android operating system that allowed me to do some neat tricks, like using the phone as a wireless modem on my laptop. In the process of reinstallation, I deleted all my stored passwords from the phone. I also had a couple of editorials come out that day, and did a couple of interviews, and generally emitted a pretty fair whack of information.
The next day, Tuesday, we were ten minutes late getting out of the house. My wife and I dropped my daughter off at the daycare, then hurried to our regular coffee shop to get take-outs before parting ways to go to our respective offices. Because we were a little late arriving, the line was longer than usual. My wife went off to read the free newspapers, I stood in the line. Bored, I opened up my phone fired up my freshly reinstalled Twitter client and saw that I had a direct message from an old friend in Seattle, someone I know through fandom. The message read “Is this you????” and was followed by one of those ubiquitous shortened URLs that consist of a domain and a short code, like this: http://owl.ly/iuefuew.
Tor has put together a teachers’ guide for FOR THE WIN, Q&A and supplementary material to make it easy to put together lesson-plans based on the book. It covers issues related to economics, justice, gaming, and global culture.
My latest Guardian column, “Viacom v YouTube is a microcosm of the entertainment industry,” examines the way that copyright law has encouraged Viacm to stop making and promoting programs in favor of making lawsuits:
Could it be that Viacom is suing YouTube for depriving it of revenue by allowing short clips from its properties to be viewed online, even as its production people are desperately trying to get as much of their video as possible on to YouTube?
I don’t think it would be that hard to understand.
What if Viacom’s frontline production people and even its mid-level execs have a theory about how to maximize shareholder value: they will produce things, make them well known, and stick ads on them to gain profits? They will seek out every conceivable opportunity to make their productions well-known, because though it may be hard to make money from popularity, it’s impossible to make money from obscurity.
What if Viacom’s senior execs have a different theory about how to maximize shareholder value: they will move against YouTube and other tech companies, using legal threats to extract maximum cash, even if this comes at the expense of popularity and income to the things that the company produces?
So if Levine is right, Viacom has two factions: one that wants to create and profit from television; and another that wants to create and profit from lawsuits.
Viacom v YouTube is a microcosm of the entertainment industry

Jeannie Harrell, a student at Emerson College, was assigned to create a book jacket and interior for a course on book design. Because my novel Little Brother is available under a Creative Commons license, she was able to grab the text and do a new interior, as well as designing and publishing her own (outstanding!) cover. I really like what she came up with. Even if CC didn’t sell more books for me (which it seems to be doing!), I’d still use the licenses, because this kind of thing really, really makes me happy.
Choose Privacy Week Video from 20K Films on Vimeo.
The American Library Association’s “Choose Privacy” week kicks off with a ~20 minute video featuring writers and thinkers talking about the value of privacy in simple, accessible, thought-provoking terms. Included are me, Neil Gaiman, and many others. Produced by Laura Zinger and 20K films, it’s a really fine little introduction to subject from the towering heroes of the information revolution: the librarians.
Choose Privacy Week Video from 20K Films on Vimeo.
The American Library Association’s “Choose Privacy” week kicks off with a ~20 minute video featuring writers and thinkers talking about the value of privacy in simple, accessible, thought-provoking terms. Included are me, Neil Gaiman, and many others. Produced by Laura Zinger and 20K films, it’s a really fine little introduction to subject from the towering heroes of the information revolution: the librarians.





























