Last week I sat down with Mike Masnick, the crusading technology journalist who coined the “Streisand Effect” and runs the fantastic site Techdirt, and we had a good, chewy discussion (MP3) about my new novel Walkaway; he’s just posted it to the Techdirt podcast. Hope you enjoy it as much as I did!
My Podcast is a regular feed in which I read from one of my stories for a few minutes at least once a week, from whatever friend’s house, airport, hotel, conference, treaty negotiation or what-have-you that I’m currently at. You can get the podcast though iTunes. Alternatively:
The National Endowment for the Arts podcast recorded a great, wide-ranging interview with me (MP3) about my novel Walkaway and a variety of subjects, from copyright reform to arts funding to the future of the arts and technology.
Here’s Wil Wheaton reading “Communist Party,” the opening chapter of “Walkaway,” my first novel for adults since 2009’s “Makers.” Wil is joined on the independently produced audiobook by Amber Benson (Buffy the Vampire Slayer), Amanda Palmer (The Dresden Dolls), Mirron Willis, Gabrielle de Cuir, Lisa Renee Pitts and Justine Eyre. It was directed by Gabrielle de Cuir for Skyboat Media and mastered by John Taylor Williams for Wryneck Studios. You can buy the 15-hour DRM-free audiobook for $24.95 at my shop, or wherever DRM-free audiobooks are sold.
In the latest episode of Reply All, a fantastic tech podcast, the hosts and producers discuss the situation with DRM, the future of the web, and the W3C — a piece I’ve been working on them with for a year now.
Last month, Melbourne’s Deakin University published Car Wars, a short story I wrote to inspire thinking and discussion about the engineering ethics questions in self-driving car design, moving beyond the trite and largely irrelevant trolley problem.
Kirby Ferguson, who created the remarkable Everything is a Remix series, has a new podcast hosted by the Recreate Coalition called Copy This and he hosted me on the debut episode (MP3) where we talked about copying, creativity, artists, and the future of the internet (as you might expect!).
I did an interview with the Changelog podcast (MP3) about my upcoming talk at the O’Reilly Open Source conference in London, explaining how it is that the free and open web became so closed and unfree, but free and open software stayed so very free, and came to dominate the software landscape.