It’s been a few years since I last sat down with Carey Parker and his Firewalls Don’t Stop Dragons podcast, and last week I corrected that oversight, recording a long interview about the Right to Repair, Adversarial Interoperability, and Sonos’s e-waste gambit. Part I is up now (MP3), and part II will be up in a week.
My Podcast is a regular feed in which I read from one of my stories for a few minutes at least once a week, from whatever friend’s house, airport, hotel, conference, treaty negotiation or what-have-you that I’m currently at. You can get the podcast though iTunes. Alternatively:
For my latest podcast, I read my January 2018 Locus column, Persuasion, Adaptation, and the Arms Race for Your Attention.
For my latest podcast, I read my Copyright Week post for EFF’s Deeplinks blog, , In Serving Big Company Interests, Copyright Is in Crisis.
In my latest podcast (MP3), I read my latest Locus column, Inaction is a Form of Action,, where I I discuss how the US government’s unwillingness to enforce its own anti-monopoly laws has resulted in the dominance of a handful of giant tech companies who get to decide what kind of speech is and isn’t allowed — that is, how the USG’s complicity in the creation of monopolies allows for a kind of government censorship that somehow does not violate the First Amendment.
In my latest podcast (MP3), I read my Globe and Mail editorial, Science fiction and the unforeseeable future: In the 2020s, let’s imagine better things, where I reflect on what science fiction can tell us about the 2020s for the Globe‘s end-of-the-decade package; I wrote about how science fiction can’t predict the future, but might inspire it, and how the dystopian malaise of science fiction can be turned into a inspiring tale of “adversity met and overcome – hard work and commitment wrenching a limping victory from the jaws of defeat.”
In my latest podcast (MP3), I conclude my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a “Communist Party” at a sheet metal factory whose owners are shutting down and stealing their workers’ final paychecks. These parties are both literally parties — music, dancing, intoxicants — and “Communist” in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.
We rode back to Burbank with Shirelle on my lap and one of my butt-cheeks squeezed between the edge of the passenger seat and the door. The truck squeaked on its suspension as we went over the potholes, riding low with a huge load of shopping carts under tarps in its bed. The carts were pretty amazing: strong as hell but light enough for me to lift one over my head, using crazy math to create a tensegrity structure that would hold up to serious abuse. They were rustproof, super-steerable and could be reconfigured into different compartment-sizes or shelves with grills that clipped to the sides. And light as they were, you put enough of them into a truck and they’d weigh a ton. A literal ton, and Jose—our driver’s—truck was only rated for a half-ton. It was a rough ride.
Our plan was to pull up on skid row and start handing out carts to anyone around, giving people two or three to share with their friends. Each truck had a different stretch we were going to hit, but as we got close to our spot, two things became very apparent: one, there were no homeless people around, because two, the place was crawling with five-oh. The Burbank cops had their dumb old tanks out, big armored MRAPs they used for riot control and whenever they wanted to put on a show of force, and there was a lot of crime-scene tape and blinking lights on hobby-horses.
Every year, I record a short podcast with my daughter, Poesy. Originally, we’d just sing Christmas carols, but with Poesy being nearly 12, we’ve had a moratorium on singing. This year, I interviewed Poe about her favorite Youtubers, books, apps, and pass-times, as well as her feelings on data-retention (meh) and horses (love ’em). And we even manage to squeeze in a song!
In my latest podcast (MP3), I continue my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a “Communist Party” at a sheet metal factory whose owners are shutting down and stealing their workers’ final paychecks. These parties are both literally parties — music, dancing, intoxicants — and “Communist” in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.
We told them they could go home if they didn’t want to risk coming to the Communist party, but we told them that after we told them that they were the only kids in the whole school we trusted enough to invite to it, and made sure they all knew that if they backed out, there’d be no hard feelings—and no chance to change their mind later tonight when they were at a corny party with a bunch of kids instead of making glorious revolution.
Every one of them said they’d come.
I’d found an all-ages show in Encino that night, two miles from Steelbridge, Antoine’s old job. We got piled into Ubers heading for the club, chatting about inconsequentialities for the in-car cameras and mics, and every one of us paid cover for the club, making sure to use traceable payment systems that would alibi us as having gone in for the night. Then we all met in the back alley, letting ourselves out of the fire-doors in ones and twos. I did a head-count to make sure we were all there, squashed together in a spot out of view of the one remaining camera back there (I’d taken out the other one the day before, wearing a hoodie and gloves, sliding along the wall so that I was out of its range until I was reaching up to smear it with some old crank-case oil).
We hugged the wall until we were back out into the side streets. All our phones were off and bagged, and everyone had maps that used back streets without cameras to get to Steelbridge. We strung out in groups of two to five, at least half a block between us, so no one would see a big group of kids Walking While Brown and call in the cops.