Reading Context, I felt like there should be a sticker on the cover, much like the one on Cracker Jacks, which promises us ‘a prize in every box’ or perhaps the old slogan for Lay’s Potato Chips, ‘bet you can’t eat just one!’ These bite-sized clusters of observations are munchable and easy to digest, but inside, they carry thoughts that can wake you up in the middle of night. The topics here range across intellectual property, science fiction, technological innovation, media policy, and electronic publishing, but he is often at his best when he pulls things down to the human level, describing the pleasures of being a parent in the digital age, or that guy he knew long ago who wore his sweaters inside out.
Seth Godin
I can’t say this about many authors, but I can say it about Cory, and without hesitation: Anyone who considers themselves smart, strategic, or even informed about where our digital economy is going (and I hope that’s you) must read him. And this book is a great place to start.
My latest Guardian column, “Lib Dems get a chance to vote on copyright reform,” discusses the new Liberal Democrat IT white paper that’s being presented at the party conference this weekend, where members will get the chance to vote in favor of repealing some of the worst sections of the Digital Economy Act, dealing with web-censorship and disconnection over copyright claims. The paper is very good, but somewhere between the final draft prepared by the committee and the paper the membership will vote on this weekend, someone inserted a clause saying that “a form of theft” and goes on to say that “there is no reason why digital offenders should not be prosecuted under the criminal law in the same way as those who steal tangible goods.” I’ve spent the past few days trying to track down who put this language in, and everyone both denies it and says they don’t support it — which raises the question, what’s it doing there at all?
This is pretty outre stuff. Every developed nation’s legal system treats thefts of tangible goods as absolutely distinct from copyright violation. Applying criminal sanctions for copyright infringement would be unprecedented in the industrialised world.
Don Foster, the Lib Dem MP with the DCMS brief, apparently lobbied to have “a statement making clear that copyright infringement is as serious as theft” included in the document, though his staff disavows any involvement in the phrasing and says: “For Don, non-commercial copyright infringement has only ever been a civil issue.” Julian Huppert, the Lib Dem MP who was also involved in the drafting, says, “there is no intention to change the current system in this regard”.
My short story Clockwork Fagin, which will appear in the forthcoming YA anthology Steampunk! is available from today as a free file for Kindle, Nook, and other ebook platforms. The whole anthology comes out on Oct 11.
“Great Big Beautiful Tomorrow,” the PM Press “Outspoken Authors” chapbook that includes my novella “There’s a Great Big Beautiful Tomorrow/Now is the Best Time of Your Life,” an original interview with Terry Bisson, and two essays, is now available in various ebook forms. Print editions coming very shortly!
Hey, Torontonians, Ann Arborites, and New Yorkers!
I’ll be giving a free talk at the Art Gallery of Ontario in Toronto called “Can creativity and freedom peacefully co-exist in the Internet age?” on Sept 14 at 7PM, where I’ll be reprising my SIGGRAPH talk from August.
On Sept 15, I’ll be in Ann Arbor, MI for the Penny Stamps Lecture Series, doing a panel called “On Futurology: Optimism And Failure” with Mark Stevenson and James King.
I head to New York next. First I’ll be at the Brooklyn Book Festival on September 18, appearing on a 1200h panel called “Genres Crashers” with Jewell Parker Rhodes, Kelly Link and Stephanie Anderson.
Finally, I’m keynoting the O’Reilly Strata conference on September 20 at 1330h, with a talk called “Designing For Human Sensors, Not Human Barcodes.”
Hope to see you there!
“True Names,” the Hugo-nominated novella that Benjamin Rosenbaum and I published in 2008, has been republished in a CC-licensed Polish edition, courtesy of Ireneusz Dybczyński.
Here’s an interview I recorded with the Renovation Podcast, the official podcast of the World Science Fiction Convention in Reno, NV.