AcknowledgementsThe stories in this book were written over a six year period, but they represent sixteen years of work in short fiction — more than half my life. In that time, numerous teachers, peers, editors, friends, relatives and employers have stood by me, supported me, blasted me, praised me, tortured me and shored me up. I’d like to thank them here, in alphabetical order: The Ad Astra ConComs, Mark Askwith, Darren Atkinson, Jodi BenDavid, Michael Bloom, Grad Conn, the Cecil Street Irregulars, the class of Clarion East 1992 (especially Becky Maines, Janis O’Connor, Cynthia Seelhammer and Cynthia Zender), Avram Doctorow, Gord Doctorow, Neil Doctorow, Roz Doctorow, Gardner Dozois, Scott Edelman, Claire Eddy, Amanda Foubister, Greg Frost, Seymour Goldman, Valerie Goldman, James Gunn and the Sturgeon Award team, Mark Frauenfelder, Glenn Grant, Rusty Halpert, David Hartwell, Patrick Nielsen Hayden, Teresa Nielsen Hayden, John Henson, Al Hoff, Tanya Huff, Michael Jackel, Sandra Kasturi, James Patrick Kelly, Damon Knight, Donald Maass, Tom Marcinko, Judith Merril, The staff of the Merril Collection (especially head librarian Lorna Toolis), the Novellettes, the On Spec editorial board, Bev Pannikar, Brenda Quinn, Lisa Rein, Matthew Rogers, Tom Robe, Spider Robinson, John Rose, Michelle Sagara, Karl Schroeder, Mary Sheridan, Michael Skeet, Martha Soukup, Bertha Starr, Sam Starr, Bruce Sterling, Sean Stewart, Harriet Wolff, Sheila Williams, Roger Wood and Pat York. |
Cyberpunk isn’t dead. It has just lost some of its more superficial, passé punkishness (the leather jackets and the mirrorshades) and continues to evolve, rather than settling into the wax museum of old trends. The greatest challenge may be generational. Where Gibson and his fellows served as pioneers back in the 20th century, the real world is catching up and this century’s cybernauts feel far more at home in the territory. But what IS “home” in a time of accelerating change and strangeness? In his first collection A PLACE SO FOREIGN AND EIGHT MORE, Cory Doctorow pursues that question through the wild twists and turns of past, present and future, equipped with the literary tools to make it matter.
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