Review:

Trashotron

But operating beneath this glossy, enjoyable surface is a very complicated world filled with intelligently conceived advances and retreats. From the contents of a 208 page book, one could excavate more than a few doctoral theses on various aspects of Doctorow’s Bitchun Society. For current computer geeks, Doctorow sprinkles his prose with just the right number of Unix-derived terms. For sociologists, Doctorow has constructed a fascinating society where the currency is the respect you receive from those who know you. For futurists, Doctorow has offered up a gleaming utopian vision utterly unlike those of other cyberpunk authors. For anybody who has ever had to backup or restore their computer’s files, he offers heaven itself. For all the simplicity and limpidity of the narrative, there’s a very complex stew of ideas bubbling just underneath Doctorow’s sunny story.

‘Down and Out In the Magic Kingdom’ is a novel of ideas. It shares more in common with the work of Stanislaw Lem than with William Gibson. Cheap laughs and deep thoughts jostle one another, having a swell time as the reader enjoys the painful revelations that await Jules. Doctorow covers a lot of conceptual ground in a small space, and he makes something that’s rather complex look ridiculously easy. But don’t try this at home kids. You may injure your brain. If you’re not backed up, then you might not be able to recover. We may think we’re bitchin’ — but we’re not Bitchun yet, not by a long shot.

Rick Kleffel,
Trashotron
Review:

SFRevu

After you’ve beaten death, disease and poverty where do you go to while away the hours? What can you do to fill up the value void left in the wake of abandoned humanism?

Cory Doctorow, a brilliant Canadian short story author with plenty of promise, sets forth his own answer in his first novel, Down and Out in the Magic Kindgdom. You go to Disneyworld.

Brighter minds than mine will probably see Disneyworld as a metaphor for post-human reality. It’s a classic example of a group of humans finding meaning in going through the motions. Is the charade of characters and guests at mouseland any less real than the charade of walking around being “yourself”?

When we’ve opted for backups of our experiences that can be loaded into fast grown clones, when whatever you want can be poured out of a faucet for the asking, what’s left that we can find meaning in?

Ernest Lilley
SFRevu

/ / Down and Out In the Magic Kingdom, News

SFRevu is running an interview with me, and a review of Down and Out in the Magic Kingdom:

Ern: If you don’t count that as SF, what was your first identifiably SF or Fantasy experience?

Cory: It was actually a story-telling experience. My dad had grown up on Conan comics and the Robert E. Howard books, and he retrofitted Conan storylines into Socialist parables that he used to tell me on long car trips. Starring a multiethnic, gender balance trio called Harry, Mary and Larry. So I grew up on these sort of redacted Conan stories that been worked out as parables about workers paradise stories. There are a lot of first and second generation Marxists in Science Fiction today, you’ve got people like Stephen Brust, and China Miéville and Ken McLeod. The techno-utopianism is the one thing you never shake when you grow up in a Marxist household; it’s the unshakeable faith that technology can affect positive social change.

Review:

San Francisco Chronicle

Doctorow throws off cool ideas the way champagne generates bubbles…[he] definitely has the goods to be a major player in postcyberpunk science fiction. His ideas are fresh and his attitude highly engaging.

/ / Down and Out In the Magic Kingdom, News

Shift Online has published a great, long article about the ways that the Bitchun Society parallels our present day world, based on an interview we did.

But here’s the kicker: Democracy — or the version of it that we know now anyway, that we’re most comfortable with — is already changing in the real world. Put on your Cory Doctorow goggles and re-examine today’s political landscape: “Internet politics are increasingly post-left-right dichotomy,” he says. “The medium is the message — I think that the internet makes you into a libertarian to a certain extent. Because you can see non-hierarchical, non-centralized systems working, and it becomes hard to credibly claim that we need increased centralization in order to create order or equity or equitableness.” We’ve seen that with the fall of Yahoo, he explains, which was a centralized listing of what was on the internet, edited by a very small group of individuals. The sites on Google, on the other hand, are ranked by everyone who owns a website. “It’s hard to be a left-winger in the sense of a centralized authority-endorsing individual, or a right-winger in that sense. There are lots of strange bedfellows that have been made, certainly. My friend Patrick Nielson Hayden was just in the march in D.C. and he described marching in a blogger contingent that included someone who was carrying a sign that said ‘Peace Now, Socialism Never’ alongside people who were old lefty red-diaper baby types.”

In such a climate, one of decentralization where the only criteria for participating in a movement is your belief in the cause at hand, maybe a Disney World overrun by fans isn’t quite so hard to fathom.

/ / Down and Out In the Magic Kingdom, News

Dave Green has written a great piece about the economics of the Bitchun Society in the Guardian.

The problem with having everything you need is that it isn’t very dramatic. If you’ve heard that Cory Doctorow’s free-to-download sci-fi novel, Down And Out In The Magic Kingdom, depicts a near-future utopia that’s seen “the death of scarcity” (and “the death of death”), you might be wondering what sources of narrative tension might be left. Or is it all: “Tuesday. Got up. Had no shortage of anything I might possibly require. Wrote some music. Surfed the internet. Went to bed”?

Fortunately, it’s a bit more exciting than that. In the book, nanotechnology takes care of everyone’s basic needs, eliminating material scarcity. Handily, the “Bitchun Society” depicted by Doctorow doesn’t share our hangups with intellectual property either, which is all available online. As a result, the population doesn’t have any need for money. Instead, what they aspire to is “Whuffie”, which serves some of the functions of currency, but is much closer to such concepts as “the approval of your peers” or “respect”.

/ / Down and Out In the Magic Kingdom, News

Update, Feb 29, 2004: Sadly, I no longer live close to Borderlands, the bookstore that was shipping inscribed copies for me — in fact, I now live 9,000 miles away! However, Borderlands still has a large supply of signed books and bookplates, and is happy to keep on selling them via mail-order wtih no shipping costs.

Looking for a signed copy of Down and Out in the Magic Kingdom? By a happy coincidence, I live a couple blocks from Borderlands Books, an excellent science fiction bookstore in San Francisco that is happy to do mail-order.

So, if you’re interested in a signed copy, you can call (888.893.4008), fax (415.824.8543), or email your order to the store, and they’ll send you a copy (while supplies last!). There is no charge for media-mail shipping within the continental US.
Priority mail in the US will be $6.00 (that’s delivery within three
days or so). International will be Global Priority for $10 to Canada or
$12 elsewhere. To get the free shipping, just mention that you heard
about it here.

/ / Down and Out In the Magic Kingdom, News

Foreword, the Book Design Blog, has posted an interview with me about the publication of the book and what it means for book-design in general.

Foreword: You’re allowing the book to be converted to HTML with customizable style sheets to suit an individual’s design/viewing pleasure. Do you see customizable books as a coming trend?

Doctorow: I see customizable data-presentation as an existing trend. We’re already accustomed to copying and pasting, resizing windows, up-sizing type. I think that when “book” meets “Web,” we’re not talking about a book anymore — just another text-file.

Foreword: Beyond that, where do you see the role of books going in our society? Will books become a swappable digital commodity, much like music has been and video is becoming?

Doctorow: Absolutely. I think that electronic text already dwarfs hardcopy text. More words are written and read off a screen today than off of paper.