Mitch did a project for a San Francisco State University course in Design and Industry in which he created three alternative covers for Down and Out in the Magic Kingdom. He sez,
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Doctorow doesn’t undermine this adulation of Disney World with cheap irony. Rather, he presents it entirely on its own terms. The novel itself can’t really be called ironic; instead, it is permeated by a deadpan, slightly creepy sense of effusive sincerity. The characters are all “twittering, Pollyannic” people. They display a sort of dampened affect: a distant, impersonal warmth, unburdened by any hint of anxiety, let alone tragedy. They “can’t help but be friendly”; they have a “look of chirpy helpfulness at their instant disposal.” Sometimes the older folks, who still remember the pre- Bitchun world of scarcity and work, complain that the younger generation lacks fire and passion. But this crit-icism is simply unintelligible to those who have grown up with the Bitchun Society, and spent their entire lives in Disney World.
Paperback ISBN: 076530953X