Here’s a Happy Thanksgiving from the New York Times: they’ve named Little Brother one of the eight “Notable Children’s Books of 2008,” calling it, “a novel that is at once an entertaining thriller, a thoughtful polemic and a practical handbook of digital-age self-defense.”
Notable Children’s Books of 2008
(Thanks, Lori!)
Here’s a Happy Thanksgiving from the New York Times: they’ve named Little Brother one of the eight “Notable Children’s Books of 2008,” calling it, “a novel that is at once an entertaining thriller, a thoughtful polemic and a practical handbook of digital-age self-defense.”
Notable Children’s Books of 2008
(Thanks, Lori!)
A reminder that tomorrow is the UK launch and signing for Little Brother at Forbidden Planet in London — 1PM! You can also pre-order signed copies through the Forbidden Planet site. Hope to see you there!
Saturday 29, November, 1:00PM – 2:00PM
Forbidden Planet London Megastore,
179 Shaftesbury Avenue, London, WC2H 8JROur Price: £6.99
Little Brother UK launch/signing at Forbidden Planet London, Nov 29
A reminder that tomorrow is the UK launch and signing for Little Brother at Forbidden Planet in London — 1PM! You can also pre-order signed copies through the Forbidden Planet site. Hope to see you there!
Saturday 29, November, 1:00PM – 2:00PM
Forbidden Planet London Megastore,
179 Shaftesbury Avenue, London, WC2H 8JROur Price: £6.99
Little Brother UK launch/signing at Forbidden Planet London, Nov 29
Damien G Walter’s written a smashing profile of me for The Guardian, pegged to the UK release of Little Brother (hope to see you all at the UK launch at Forbidden Planet on Saturday!).
“The job of a science fiction writer, historically, has been to understand how technology and social factors interact,” he says, “how technology is changing society. An activist’s job is to try to direct that change.”
This time his message is aimed at the teenage readers who wear the kind of skater jeans and T-shirt combination Doctorow is sporting today. “If you don’t read the Anarchist’s Cookbook when you are 16 you have no soul,” he says. “If you are still reading it when you are 36 you have no brain.” (He himself is 37, but if he’s abandoned anarchism, he’s clearly not settling into a conservative middle age.)
“My hope is that Little Brother is a verb and not a noun, that it’s a thing you do, not just a book you read,” he continues. “That’s where thinking about the future and influencing the future converge.”
Damien G Walter’s written a smashing profile of me for The Guardian, pegged to the UK release of Little Brother (hope to see you all at the UK launch at Forbidden Planet on Saturday!).
“The job of a science fiction writer, historically, has been to understand how technology and social factors interact,” he says, “how technology is changing society. An activist’s job is to try to direct that change.”
This time his message is aimed at the teenage readers who wear the kind of skater jeans and T-shirt combination Doctorow is sporting today. “If you don’t read the Anarchist’s Cookbook when you are 16 you have no soul,” he says. “If you are still reading it when you are 36 you have no brain.” (He himself is 37, but if he’s abandoned anarchism, he’s clearly not settling into a conservative middle age.)
“My hope is that Little Brother is a verb and not a noun, that it’s a thing you do, not just a book you read,” he continues. “That’s where thinking about the future and influencing the future converge.”
MAKE’s put my latest column, “Selectable Output Control,” online — it describes a proposal to the FCC to allow broadcasters to shut down parts of your home theater while you’re watching their channels, and the consequences for Makers.
Chances are, you haven’t heard of Selectable Output Control (SOC), a proposed digital TV technology that would allow broadcasters or copyright holders to tag their video with a list of receiver-outputs that were allowed to carry it. That’s because it’s an insane idea.
Picture this: you power up your home theater, an near-incomprehensible tangle of game-consoles, AV switchers, cable boxes, PVRs, DVD players, 5.1 speakers, amps — maybe a home theater PC or a projector, too. After some fiddling and locating the correct remote, you start to surf up the dial. All good. Then you hit MTV and the gorgeous, perfectly balanced sound stops. Why has it stopped? Because your cable-receiver has received a SOC flag from MTV disallowing high-end audio unless it has some obscure DRM that isn’t compatible with any of your gear (especially not your beautiful hand-built tube-amp). MTV doesn’t want you digitizing the songs that accompany the (increasingly rare) music videos they play, so if you want sound while watching MTV, you’ve got to turn on the tiny internal speakers that came with your TV.
You flip up the dial (get up again and turn off the internal speakers), and flip to HBO and your screen goes dark. That’s because HBO is showing a movie that has been flagged as “no analog” — which means that your beautiful, 42″ plasma display won’t work because you connected it via the composite analog video cables coming off the back of your AV switcher, rather than via the DRM-locked HDCP output. To watch the movie, you’ll need to move the entire shelving unit (remember to take down the family photos first, doofus, otherwise you risk shattering the glass if they tip over), disconnect the analog cables, find the HDCP cable that came with the TV (or was it the cable box?) in the garage, and rewire your set. When the kids want to play a couple hours of Paper Mario on the Wii, you’re going to need to move it again and reconnect things. (Coming soon to a Make issue: HOWTO put your home theater on wheels for easy rewiring).
Christian Wohrl undertook a German fan-translation of my novel Little Brother, working on his daily train-commute. He’s just finished the work and posted “version 1” on his site. The whole text is CC licensed, of course!
(Thanks, Christian!)
Christian Wohrl undertook a German fan-translation of my novel Little Brother, working on his daily train-commute. He’s just finished the work and posted “version 1” on his site. The whole text is CC licensed, of course!
(Thanks, Christian!)
—
UPDATE: Here’s the German edition in multiple formats., thanks to Rollmops!
My Locus column, Why I Copyfight has been translated into Russian by Private Reporter magazine!
Почему вообще имеет смысл говорить о реформе защиты авторских прав? Что на кону?
Всё.
До последнего времени вопросы авторского права относились исключительно к сфере промышленности. Если вы попадали под юрисдикцию закона о копирайте, это означало использование особых технических средств — печатного станка, кинокамеры, копира. Имела значение и стоимость этой аппаратуры: если что, вы просто добавляли от себя пару сотен баксов юристу, занимающемуся авторскими правами, и проблема решалась. Затраты на весь бизнес при этом увеличивались на пару процентов, не больше.
Когда непроизводственные субъекты (например, обычные люди, школы, группы прихожан и т.п.) имели дело с работами, защищенными авторским правом, не происходило ничего противозаконного: они читали книги, слушали музыку, пели под фортепиано или смотрели фильмы. Они все это обсуждали. Напевали в душе. Пересказывали (с вариациями) детям в качестве сказок на ночь. Цитировали. Разрисовывали стены в детских по мотивам этих сюжетов.
