/ / A Place So Foreign and Eight More, Articles, Down and Out In the Magic Kingdom, Eastern Standard Tribe, News, Overclocked, Podcast, Someone Comes to Town, Someone Leaves Town

A vintage ad for Amway Nutrilite supplements; the illustration in the center of the ad has been replaced with a WPA mural depicting trade unionists rising up against capitalism.

This week on my podcast, I read MLMs are the mirror-world version of community organizing, a recent post from my Pluralistic newsletter.

MLMs prey on the poor and desperate: women, people of color, people in dying small towns and decaying rustbelt cities. It’s not just that these people are desperate – it’s that they only survive through networks of mutual aid. Poor women rely on other poor women to help with child care, marginalized people rely on one another for help with home maintenance, small loans, a place to crash after an eviction, or a place to park the RV you’re living out of.

In other words, people who lack monetary capital must rely on social capital for survival. That’s why MLMs target these people: an MLM is a system for destructively transforming social capital into monetary capital. MLMs exhort their members to mine their social relationships for “leads” and “customers” and to use the language of social solidarity (“women helping women”) to wheedle, guilt, and arm-twist people from your mutual aid network into buying things they don’t need and can’t afford.

But it’s worse, because what MLMs really sell is MLMs. The real purpose of an MLM sales call is to convince the “customer” to become an MLM salesperson, who owes you a share of every sale they make and is incentivized to buy stock they don’t need (from you) in order to make quotas. And of course, their real job is to sign up other salespeople to work under them, and so on.


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/ / A Place So Foreign and Eight More, Articles, Down and Out In the Magic Kingdom, Eastern Standard Tribe, News, Overclocked, Podcast, Someone Comes to Town, Someone Leaves Town

A 19th century painting depicting the burning of the White House during the War of 1812. The white Xes on the soldiers' uniforms have been replaced with white Canadian maple leaves.

This week on my podcast, I read Canada shouldn’t retaliate with US tariffs, a recent post from my Pluralistic newsletter.

But you know what Canada could make? A Canadian App Store. That’s a store that Canadian software authors could use to sell Canadian apps to Canadian customers, charging, say, the standard payment processing fee of 5% rather than Apple’s 30%. Canada could make app stores for the Android, Playstation and Xbox, too.

There’s no reason that a Canadian app store would have to confine itself to Canadian software authors, either. Canadian app stores could offer 5% commissions on sales to US and global software authors, and provide jailbreaking kits that allows device owners all around the world to install the Canadian app stores where software authors don’t get ripped off by American Big Tech companies.


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My latest Locus column, Wealth Inequality Is Even Worse in Reputation Economies, explains the ways in which “reputation” makes a poor form of currency — in a nutshell, reputation doesn’t fulfill most of the roles we expect from currency (store of value, unit of exchange, unit of account), and it is literally a popularity contest where the rich always get richer.

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Here’s a reading of my recent Locus column, Ten Years On, in which I reflect on my first decade as a novelist and discuss a possible further volume related to Down and Out in the Magic Kingdom, my first-ever novel:

I never thought I’d write a sequel. The allure of writing books has always been the experience of discovering and exploring a place and people that have been cooked up by my imagination. By the time I’ve squeezed the book out through my fingertips, I’m generally pretty sick of that place and those people, and frankly glad to be shut of them. But a sequel to Little Brother happened, and when it was done, I discovered that I’d thoroughly enjoyed it. It was like discovering that a whole gang of close friends I’d lost touch with after high-school had stayed tight, and were happy to welcome me back into their bosom. Thoroughly enjoyed it? It was amazing.

Back to February 2013. When my publisher told me that the book would come out on Feb 5, I immediately flashed back on Feb 3, 2003, ten years and two days before the publication of Homeland, when my first novel, Down and Out in the Magic Kingdom, was published. D&O was all kinds of firsts: the first novel I’d ever written, the first book of mine Tor ever published, and the first Creative Commons licensed novel – ever. It’s shocking to think that an entire decade has roared past in the interim, with 14 more books in print, and another two (Information Doesn’t Want to Be Free, a non-fiction book; and Anda’s Game, a full-length graphic novel from First Second) in the pipeline.

Realizing that I was a decade into my writing career literally staggered me. I missed a step while walking down the street and nearly fell over.

Mastering by John Taylor Williams: wryneckstudio@gmail.com

John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

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